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    biennial time

    A preview of Russia's art secrets: Fotofest shows off pieces, includinghand-carried treasures

    Tyler Rudick
    Mar 5, 2012 | 6:08 pm
    • Mark Klett, Dusk .357, 2004, toned silver gelatin print, printed in 2010,Edition 12/20, signed and titled on front and signed on back, $1,200, donationof the artist
    • Evgeny Mokhorev, Dina and Misha, 2001, silver gelatin print, Edition 5/20,signed and titled in pencil on back, $2,500, donation of the artist
    • Richard Mosse, Cigarette at Al Faw Palace, 2009, digital C-print face-mounted toPlexiglas, Edition 1/5, signed and titled in pencil on front, $9,500, donationof the artist and Jack Shainman Gallery, New York, N.Y.
    • Manuel (Ed Hill and Suzanne Bloom), Oliver Twist, 2010, archival pigment print,Edition 4/5, initialed in pencil on front, $1,300, donation of the artists andMoody Gallery
    • Alexey Titarenko, Untitled (Prison Windows) from the series Time Standing Still,1998, silver gelatin print, Edition 9/15, signed and dated on back, $3,000,donation of the artist and Nailya Alexander Gallery, New York, N.Y.
    • Andy Freeberg, Stroganov Palace, Russian State Museum, 2008, archival pigmentink, printed in 2011, signed and titled in pencil on back, $4,800, donation ofthe artist and Anya Tish Gallery
    • Louis Faurer, New York, New York, c. 1947, silver gelatin print, printed in1981, signed and titled in pencil on back, $5,000, anonymous donation
    • David Levinthal, Untitled from the series Wild West, 1989, archival pigmentprint on Hahnemühle fine art paper, printed in 2009, Edition 8/10, signed inpencil on front, $1,500, donation of the artist

    As its 2012 Biennial creeps closer and closer, FotoFest is now offering a sneak peek of work that will be available at its renowned International Fine Art Prints Auction on March 20.

    Covering two floors of the Gremillion & Company galleries in Rice Village, the preview show (which runs through March 13) concentrates on Russian photo artists as well photographers from Asia, the Americas and other portions of Europe.

    Along with FotoFest founders Wendy Watriss and Fred Baldwin, photography curators Anne Tucker of the Museum of Fine Arts, Houston and Irina Chmyreva from the Russian Academy of Arts, led a group of more than two dozen collectors on a tour of highlights from the upcoming prints auction last Thursday.

    "Fred [Baldwin] and I have been working in Russia for a long time," FotoFest co-founder Wendy Watriss said, " and we feel there is extremely good work that never makes it to the market."

    "These are all handpicked prints, mostly from artists we have shown in the past or have commissioned in some way," Watriss told the crowd, noting that a number of works actually were hand-carried from Russia.

    Though the Internet has allowed international cultural trends to permeate the Russian art scene, many artists of the former Soviet countries find it challenging to have their work shown outside their own country, primarily due to the high cost of travel.

    "Fred and I have been working in Russia for a long time," Watriss said, "and we feel there is extremely good work that never makes it to the market.

    "More than half of the work here is international and many pieces you simply never would get except through FotoFest. A number of these artists work through rather obscure galleries while others don't have galleries at all."

    Revenues and proceeds from the Fine Print Auction benefit FotoFest's outreach efforts like Literacy Through Photography (LTP), a classroom-based education program for Houston-area public schools. Each year, LTP provides more than 1,000 cameras for use in a FotoFest-design curriculum aimed at improving communication skills.

    In most cases, Watriss notes, the prints have been donated by the artists themselves as a gesture of support for the organization's broader commitment to photography and the photo-related arts.

    The auction preview will be on display at Gremillion through March 13, when the works will be transported in preparation for the International Fine Art Prints Auction at the downtown Houston DoubleTree on March 20. Click for details.

    This year's Biennial opens with a public reception March 16, 2012 at FotoFest’s Vine Street building. Visit the organization's website for more information on programming, including the 60-plus additional Biennial exhibits spaces located throughout the city this spring.

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    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV+ film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV+ subscription.

    ---

    The Dink is now streaming on Apple TV+.

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