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    We ♥ Hou

    "Tolerance" sculptures along Allen Parkway promote Houston's diversity

    Steven Devadanam
    Feb 21, 2011 | 5:00 am
    • Photo by Cameron Blaylock
    • Mayor Annise Parker speaks at the dedication of Jaume Plensa's "Tolerance"
      Photo by Steven Thomson
    • Photo by Steven Thomson
    • Photo by Steven Thomson
    • Photo by Steven Thomson
    • Artist Jaume Plensa
      Photo by Ryland Holmes
    • Photo by Ryland Holmes

    Barcelona-based artist Jaume Plensa's septuplet of sculptures, "Tolerance," was dedicated last week, accompanied by addresses by Mayor Annise Parker, former Mayor Bill White, Mica Mosbacher, a representative of the Aga Khan Foundation and the artist himself.

    The Houston Arts Alliance-commissioned sculptures of kneeling human figures, composed of multi-lingual melded metal letters resting on Spanish boulders, have been installed at the corner of Allen Parkway and Montrose Boulevard, and will soon serve as the locus of Harmony Walk and the Rosemont Bridge.

    With the downtown skyline as a backdrop, the sculptures encourage Buffalo Bayou joggers and commuters on Allen Parkway to give pause and consider the city's dynamic diversity.

    Plensa, who said he "grew up in a forest of books," sees the letter as a beautiful metaphor for human beings.

    "When you compare 'A' with 'B' or 'C' with 'D,' or other characters, they seem different. But how beautiful when you can put them together and build up words. And words with words, text. And text with text, culture," he said.

    Mosbacher, widow of former U.S. Secretary of Commerce Robert Mosbacher, detailed her involvement with the project, which was sparked by a vicious 2006 hate crime attack against then 16-year-old Latino student, David Ritcheson, who later committed suicide.

    "In contemplating how in some small way I could help to right that wrong," said Mosbacher, "I began to think about Houston, and that in Houston our city is an open city, and those are not part of our values. We are tolerant, we embrace other cultures, and in fact, those other cultures have been the engines of our healthy and prosperous economy."

    She quoted the United Nations definition of tolerance and how it relates to the city:

    Tolerance is harmony in our differences. Tolerance is not a concession, it's not a condensation, or indulgence."

    With special thanks given to her late husband and also to Museum of Fine Arts director Peter Marzio, who passed away in December, Mosbacher concluded, "I hope that those who visit 'Tolerance' on Harmony Walk contemplate what our city represents and will also focus on the value of each and every one of us as human beings."

    At the dedication, White expressed thanks to His Highness the Aga Khan, who was pivotal in making "Tolerance" happen and has spearheaded plans for an Aga Khan Foundation Center on a lot across Allen Parkway. He became intimately involved in the project after meetings with White, with whom he shares a keen appreciation for diversity.

    "I remember meeting with His Highness across the street when we first had a glimmer that public art may be attainable in this special place. At a time when we were in the depths of a great recession, the Aga Khan Foundation came through in a big way," White said.

    "Above all, I really pay tribute to those who break down barriers in this community. Sometimes they're very courageous people who have endured some hardship and taken a stance . . . but often, they are quiet strugglers, individuals who have persevered when there is stereotyping. For them, this particular public art will be dedicated."

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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