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    At the Movies

    Buffalo Soldiers and the Italians who welcomed them get a Houston night

    Regina Scruggs
    Feb 18, 2011 | 12:21 pm
    • A scene from "Inside Buffalo"
    • Veteran Joseph Stephenson, left, with Fred Kuwornu, director of "Inside Buffalo"
    • Buffalo Soldiers in Italy
    • President Barack Obama with Stephenson

    I didn't know much about the famous Buffalo Soldiers until recently. It's my own fault: In school I was a math geek and didn't pay attention in history class. I've spent much of my adult life regretting my lack of knowledge of our nation's history, particularly that of the African-American.

    Filmmakers are helping me bridge my knowledge gap. Fred Kuwornu, an Italian film producer of African descent, will present a free screening of his award-winning documentary Inside Buffalo at The Museum of Fine Arts, Houston on Monday at 7 p.m., recognizing Black History Month and the 150th Anniversary of Italian Unification.

    African-Americans have served proudly in the military since colonial times. The term "Buffalo Soldier," coined by Native Americans to describe the bravery and tenaciousness of the black soldier, dates from the Civil War and generally describes any African-American soldier from 1866 to World War II.

    Inside Buffalo tells the fascinating, heart-wrenching story of the African-American combat unit that fought in Italy in World War II; director Spike Lee covered the same subject three years ago with his feature film Miracle at St. Anna. Lee's film was primarily a dramatization of one key battle during the Italian campaign against the Germans.

    Kuwornu, while inspired by Lee (Kuwornu played a character in Miracle at St. Anna) chooses to tell his story by interviewing actual surviving Buffalo Soldiers as well as Italian villagers who befriended these men who were so far from home. He also makes use of file and newsreel footage, and recreations of combat situations. (Actors from Miracle at St. Anna also appear as commentators.)

    Kuwornu's emphasis is on the dual battle these soldiers fought: the challenge of combat, and of finding a place in a segregated society back home. He takes a close look at the Army's all-black 92nd Infantry division, which was sent to Italy in September 1944, ill-trained, ill-equipped, and often the subject of disregard and even abuse by its own white leaders. (One infamous speech by a white commander to black troops informed them that they were 10 percent of the U.S. population, and he would see to it that they would make up 10 percent of the war casualties.)

    One of the most poignant personal stories concerns Lt. John Fox, a black soldier who sacrificed himself at the famous Sommocolonia raid (known by some historians as the "Little Battle of the Bulge") in Italy on Christmas Day, 1944. He radioed his subordinates to bomb his own position, as he was in proximity to a large group of the enemy.

    The order, after being confirmed, was reluctantly carried out, and some 100 Nazi soldiers lost their lives along with Lt. Fox, whose body was found three days later.

    However, the bravery and sacrifice of Lt. Fox, as well as all of his fellow black soldiers, went unrecognized for decades. When they returned home, in some cases after two years, there were no ticker-tape parades, no hero's welcome, no cushy jobs.

    The U.S. government's highest military prize is the Congressional Medal of Honor. Over 400 of these were initially awarded to those who served in World War II; not one to an African-American, even though one million blacks served their country. The film takes a hard look at these and other injustices, but also describes the attempts at correcting them. I can honestly say after watching Inside Buffalo, not enough has been done.

    Inside Buffalo is a co-presentation of the Museum of Fine Arts; the Buffalo Soldiers National Museum in Houston; the office of Sheila Jackson Lee (Texas’ 18th congressional district); and the Consulate General of Italy in Houston. Doors will open at 6:30 p.m. for this program, with seating on a first-come, first-serve basis.

    Several people will make opening remarks, including MFAH film curator Marian Luntz; Buffalo Soldiers National Museum director Captain Paul Matthews; Consul General of Italy Fabrizio Nava; and Congresswoman Lee. Remarks will acknowledge honored guest Arlene Fox, the Houston-based widow of Lt. John Fox, who was killed in action in Italy and received a posthumous Medal of Honor in 1997.

    The screening will be followed by a panel discussion with filmmaker Fred Kuwornu; Captain Matthews; Alvia Wardlaw, director and curator at the Texas Southern University Museum; professor Angela Holder, Houston Community College; and Dr. Howard Jones, an independent historian and retired professor of history at Prairie View A&M University. Kuwornu’s appearance is part of the museum’s Visiting Filmmakers Program, supported by a grant from the Academy of Motion Picture Arts and Sciences.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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