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    At the Movies

    Buffalo Soldiers and the Italians who welcomed them get a Houston night

    Regina Scruggs
    Feb 18, 2011 | 12:21 pm
    • A scene from "Inside Buffalo"
    • Veteran Joseph Stephenson, left, with Fred Kuwornu, director of "Inside Buffalo"
    • Buffalo Soldiers in Italy
    • President Barack Obama with Stephenson

    I didn't know much about the famous Buffalo Soldiers until recently. It's my own fault: In school I was a math geek and didn't pay attention in history class. I've spent much of my adult life regretting my lack of knowledge of our nation's history, particularly that of the African-American.

    Filmmakers are helping me bridge my knowledge gap. Fred Kuwornu, an Italian film producer of African descent, will present a free screening of his award-winning documentary Inside Buffalo at The Museum of Fine Arts, Houston on Monday at 7 p.m., recognizing Black History Month and the 150th Anniversary of Italian Unification.

    African-Americans have served proudly in the military since colonial times. The term "Buffalo Soldier," coined by Native Americans to describe the bravery and tenaciousness of the black soldier, dates from the Civil War and generally describes any African-American soldier from 1866 to World War II.

    Inside Buffalo tells the fascinating, heart-wrenching story of the African-American combat unit that fought in Italy in World War II; director Spike Lee covered the same subject three years ago with his feature film Miracle at St. Anna. Lee's film was primarily a dramatization of one key battle during the Italian campaign against the Germans.

    Kuwornu, while inspired by Lee (Kuwornu played a character in Miracle at St. Anna) chooses to tell his story by interviewing actual surviving Buffalo Soldiers as well as Italian villagers who befriended these men who were so far from home. He also makes use of file and newsreel footage, and recreations of combat situations. (Actors from Miracle at St. Anna also appear as commentators.)

    Kuwornu's emphasis is on the dual battle these soldiers fought: the challenge of combat, and of finding a place in a segregated society back home. He takes a close look at the Army's all-black 92nd Infantry division, which was sent to Italy in September 1944, ill-trained, ill-equipped, and often the subject of disregard and even abuse by its own white leaders. (One infamous speech by a white commander to black troops informed them that they were 10 percent of the U.S. population, and he would see to it that they would make up 10 percent of the war casualties.)

    One of the most poignant personal stories concerns Lt. John Fox, a black soldier who sacrificed himself at the famous Sommocolonia raid (known by some historians as the "Little Battle of the Bulge") in Italy on Christmas Day, 1944. He radioed his subordinates to bomb his own position, as he was in proximity to a large group of the enemy.

    The order, after being confirmed, was reluctantly carried out, and some 100 Nazi soldiers lost their lives along with Lt. Fox, whose body was found three days later.

    However, the bravery and sacrifice of Lt. Fox, as well as all of his fellow black soldiers, went unrecognized for decades. When they returned home, in some cases after two years, there were no ticker-tape parades, no hero's welcome, no cushy jobs.

    The U.S. government's highest military prize is the Congressional Medal of Honor. Over 400 of these were initially awarded to those who served in World War II; not one to an African-American, even though one million blacks served their country. The film takes a hard look at these and other injustices, but also describes the attempts at correcting them. I can honestly say after watching Inside Buffalo, not enough has been done.

    Inside Buffalo is a co-presentation of the Museum of Fine Arts; the Buffalo Soldiers National Museum in Houston; the office of Sheila Jackson Lee (Texas’ 18th congressional district); and the Consulate General of Italy in Houston. Doors will open at 6:30 p.m. for this program, with seating on a first-come, first-serve basis.

    Several people will make opening remarks, including MFAH film curator Marian Luntz; Buffalo Soldiers National Museum director Captain Paul Matthews; Consul General of Italy Fabrizio Nava; and Congresswoman Lee. Remarks will acknowledge honored guest Arlene Fox, the Houston-based widow of Lt. John Fox, who was killed in action in Italy and received a posthumous Medal of Honor in 1997.

    The screening will be followed by a panel discussion with filmmaker Fred Kuwornu; Captain Matthews; Alvia Wardlaw, director and curator at the Texas Southern University Museum; professor Angela Holder, Houston Community College; and Dr. Howard Jones, an independent historian and retired professor of history at Prairie View A&M University. Kuwornu’s appearance is part of the museum’s Visiting Filmmakers Program, supported by a grant from the Academy of Motion Picture Arts and Sciences.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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