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    Movie Time

    Bradley Cooper does Texas right in American Sniper: Nothing easy about this movie, war lessons

    Alex Bentley
    Jan 18, 2015 | 7:34 am
    Bradley Cooper does Texas right in American Sniper: Nothing easy about this movie, war lessons
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    Last we heard from director Clint Eastwood, he was fumbling his way through the adaptation of the jukebox musical Jersey Boys. So naturally he would quickly follow that up with American Sniper, a modern warfare movie tackling the story of Chris Kyle, who was considered the deadliest sniper in U.S. history.

    Kyle (Bradley Cooper) was a Texas native whose dreams of being a cowboy took a back seat when he saw attacks on the U.S. around the world, including on 9/11. Recruited to be a Navy SEAL, he ended up serving four tours of duty in Iraq, coming to be known far and wide on both sides of the war for his proficiency with a long-range rifle.

    Using a Texas drawl and a clinched jaw, Bradley Cooper makes Kyle into a man’s man who also understands his limitations.

    Eastwood and screenwriter Jason Hall worked from Kyle’s own book; they had only just begun when Kyle was shot and killed at a North Texas gun range in February 2013. They attempt to give a full sense of the man, devoting significant portions to Kyle’s home life — or perhaps lack thereof — with his wife, Taya (Sienna Miller). They show Kyle to be a man who’s torn between his sense of duty to his country and his obligation to his family at home.

    Eastwood, who did a great job with the World War II double feature Flags of Our Fathers and Letters from Iwo Jima, takes on a different animal with this film. Even now, what the military had to face during the war with Iraq started under President George W. Bush is difficult to understand completely, so working up enmity toward the opposition in a film is equally challenging.

    That doesn’t stop Eastwood from trying, as he makes much of an enemy sniper who was just as fearsome as Kyle. That foe, multiple moral quandaries and other decisions most of us would never want to face are what Kyle had to deal with during his time in Iraq, and for the most part Eastwood and Hall do a solid job in making them as dramatic as possible.

    Still, the film could have used a bit more subtlety. The combat scenes often hark back to old-style war films where the killing of the enemy, rather than strategy, is the only thing that mattered. And Kyle’s time at home in between tours feels rushed, so the audience never fully comes to grips with what he is feeling.

    Cooper plays Kyle with a sensitivity that belies his bulked-up appearance. Using a Texas drawl and a clinched jaw, he makes Kyle into a man’s man who also understands his limitations. Miller is a chameleon who also hid in plain sight in Foxcatcher. She is a great complement to Cooper, turning a possibly one-note role into something much richer.

    Unlike films like The Hurt Locker or Zero Dark Thirty, there are few big lessons to learn from American Sniper. But as a tribute to a soldier whom many others credit with saving their lives, it more than fits the bill.

    Bradley Cooper plays Chris Kyle in American Sniper.

    Bradley Cooper in American Sniper
    Photo courtesy of Warner Bros. Pictures
    Bradley Cooper plays Chris Kyle in American Sniper.
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    Movie Review

    Offbeat drama Pillion features command performance by Alexander Skarsgård

    Alex Bentley
    Feb 20, 2026 | 4:30 pm
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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