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    Movie Review

    A Secret Love illuminates love and history of aging gay couple

    Alex Bentley
    Apr 29, 2020 | 1:45 pm
    A Secret Love illuminates love and history of aging gay couple
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    When stories are told about the LGBTQ+ segment of society, they rarely focus on older people. Yes, historical films go back in time to illuminate events like the Stonewall Riots and other touchpoints in the fight for gay civil rights, but those films tend to show the people when they were young and vibrant, not as they’re aging.

    A subversion of that norm is just one of the notable things about the new Netflix documentary, A Secret Love. Written and directed by Chris Bolan, the film chronicles the lifelong love of Terry Donahue and Pat Henschel, two women who waited until they were well into their eighties to tell their family the truth about their relationship.

    The bulk of the film takes place in the 2010s, with Terry and Pat struggling to maintain their longtime Chicago home as they age. They're trying to figure out their next step with the help of Terry’s niece, Diana Bolan. They’re also trying to come to an agreement on whether getting married is worthwhile at this stage in their lives.

    Bolan and co-writers Alexa L. Fogel and Brendan Mason blend in photos and videos from throughout Terry and Pat’s life together, including Terry’s stint as a member of the All-American Girls Professional Baseball League. The league, which was famously featured in the 1992 film A League of Their Own, proved a boon for the athletic Terry, and it also put her in the orbit of the equally athletic Pat, who was a hockey player in Canada.

    This is not strictly a film about the prejudice that they encountered throughout their lives, although the undertone of discrimination is present throughout. Bolan makes sure to include details about the efforts Terry and Pat went through to assimilate into “normal” society, including dating men in their twenties and dressing like a woman “should” dress. But the film is mostly a celebration of their devotion to one another, one that appears to have rarely wavered since they found each other in the 1940s.

    In fact, the film is as much about their aging as it is about their sexual orientation. The process of them finding a suitable retirement facility to move into and the ability of each woman to take care of the other — or herself — are the foci of much of the film. It’s such a familiar story that you have to take a step back to understand how different the process is for two unmarried lesbians who, until recently, couldn’t even fathom the idea of being able to get married.

    There are multiple touching moments in the film, including a dinner with an older gay male couple that only touches the surface of what is obviously a long and meaningful friendship for Terry and Pat. Other seemingly ordinary things that heterosexual couples likely take for granted take on a different light when viewed through the prism of the life led by the two women.

    A Secret Love is a refreshing film in that it doesn’t deal in the tropes that usually accompany stories about LGBTQ+ people. Instead, it simply makes the case that love is love, and the beauty is in a life well lived, no matter who’s doing the living.

    Pat Henschel and Terry Donahue in A Secret Love

    Pat Henschel and Terry Donahue in A Secret Love
    Photo courtesy of Netflix
    Pat Henschel and Terry Donahue in A Secret Love
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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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