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    Sisters in Law

    Meet H-Town's next reality TV superstars: Foxy women of substance with turbulent tales

    Shelby Hodge
    Mar 21, 2016 | 1:26 pm

    The trials and tribulations of the women on WE tv's new Houston-based reality show, Sisters in Law, are beyond anything imagined on your fluffy Real Housewives or Jersey Shore series. These women's lives — laced with incest, rape and suicides —are a testament to their strength in overcoming harsh realities.

    But you'll have to watch the series, which premieres Thursday at 9 pm on the cable channel, to its eight-segment end to learn about all the challenges these successful lawyers have conquered on their road to success.

    As public defender Juanita Jackson says, "Our back story, you get it in bits and pieces. So without giving away any spoilers, you do learn about us and our background a bit at a time, like you do in real life. You will get to know us."

    Jackson and four of the series stars sat down with CultureMap to talk about the program, which they prefer to describe as docu-reality because their roles are far and above the "bunch of cackling bitches fighting" (their words) that populate typical reality shows.

    "We like to say docu-reality. It makes me feel better because when I think 'reality,' I think hair pulling," says criminal attorney and former city councilwoman Jolanda Jones. "In those shows, if they're successful, they're successful because they married some rich guy or they are the baby momma of some rich guy or they're a video vixen.

    "I think that's fine but I wanted to be part of a show that showed black women who weren't angry as we're often portrayed in the media and black women who all started from nothing."

    What sets this apart from the typical women's reality series is the fact that the protagonists are professionals, making their own way, and the cases that they handle are put out there complete with courtroom footage, interviews with accused murderers and celebrations of multi-million dollar verdicts.

    "So we are going to be seen on the show representing our clients, allowing viewers to go behind the scenes, see us interacting with our clients in court and that brings something never seen before on television," says civil attorney Rhonda Wills. "But it's also combined with the fact of the sisterhood. We are really like family. We bicker like sisters. We argue like sisters. We fight like sisters. But we also have each other's backs just like sisters do."

    The women say that the program was not scripted and the most difficult aspect of the production was being followed morning, noon and night for 10 weeks. It was particularly challenging for 30-year-old Tiya Foley, who admits that watching reality TV is her "guilty pleasure." A young mother and wife, she is an associate attorney, a job in which "a lot falls on your shoulders."

    Foley best expressed the single aspiration shared by each of the six attorneys. " I hope that the audience can hold onto the very real aspects of the show — our involvement in the legal profession. And I hope that we can set a great example for young girls and let them know that you can be anything in the world that you want to be whether it's an attorney, a doctor, anything."

    As a local activist, Jones adds to the conversation, "I wanted to be a role model to people who otherwise would think that we were going to end up on welfare or in jail, like a lot of people in my family. You can start off in the ghetto and you can aspire and you can get elected to public office. You can be on TV for something positive, not something negative.

    "I think it's really, really important, especially with the state of race relations in this country and people's perception of black women that we show that we can be more. We can do more. We contribute to humanity in a substantive way not a superficial way."

    Sisters in Law premieres at 9 pm Thursday on WE tv.

    A scene from Sisters in Law, which premieres Thursday night on WE tv.

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    news/society

    Tuneful Adventures

    Classical music meets digital art at Houston orchestra's immersive soirée

    Joel Luks
    Oct 13, 2025 | 4:16 pm
    ROCO season opener 2025 Artechouse
    Photo by Alida Bonifaz
    Jane Johnson, Pia and Steve Vai, and Wendy Burks.

    Houston’s ever-adventurous chamber orchestra, ROCO, kicked off its 21st season — aptly dubbed The Season of the Senses — with a soirée that hit all the right notes. On September 27, hundreds of guests gathered at Artechouse, Houston’s high-tech temple of digital and experiential art, to celebrate the orchestra’s boundary-pushing ethos.

    ROCO season opener 2025 Artechouse

    Photo by Alida Bonifaz

    Jane Johnson, Pia and Steve Vai, and Wendy Burks.

    Leading the charge were co-chairs Wendy Burks and Jane Johnson, who brought both flair and purpose to the night, raising vital funds to support ROCO’s innovative performances and access initiatives.

    Earlier in the evening, guests experienced Feels Like Home, the season’s opening concert at The Church of St. John the Divine, led by conductor Delyana Lazarova and featuring world premieres by composers Kevin Lau, Starr Parodi, Heather Schmidt, and a chamber orchestra arrangement by local Houston composer Mark Buller of Steve Vai’s early work Salamanders in the Sun.

    Following the concert, guests made their way to Artechouse, where cocktails flowed as immersive digital blooms danced across the walls. ROCO’s signature warmth was on full display — musicians mingled freely with attendees, creating that rare symphony-world vibe that feels more like a family reunion than a formal gala.

    ROCO founder and artistic director Alecia Lawyer took a moment to honor Grammy-winning guitar legend Steve Vai with the Wildcatting in the Arts Award, recognizing his fearless creativity and genre-defying artistry. The Corporate Pillar of the Arts Award went to Kensinger Donnelly, celebrated for its community-focused leadership under Frank Donnelly.

    The evening’s ambiance — crafted by Kirksey Gregg Productions and accented by pours from Clos Dubreuil — was as dynamic as the ensemble itself: Innovative, inclusive, and deeply human. Between courses catered by the Ballroom at Bayou Place, guests wandered through the gallery’s vivid Blooming Wonders exhibit, blurring the line between art and audience. The Alexandar David Burnstein Foundation for Musical Performance served as the title sponsor for the gathering.

    Seen were Mary Catherine and Bailey Jones, Ali and Frank Donnelly, Cinda and Armando Palacios, Gregory Scott Brown and Taylor Brown, Elizabeth Blanton, Chuck Carlberg, Rachel and Bud Frazier, Jennifer and Todd Frazier, Tami Hiroaka, Kristine and Jeff Bird, Adrianna Buford and Nathaniel Higgins, Gene Wu and Miya Shay, and Leigh Ann and Richard Mann.

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