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    Untitled Art Buying Guide

    What to see and where to shop at Houston's new contemporary art fair

    Emily Cotton
    Sep 19, 2025 | 10:36 am

    The hotly-anticipated debut of the Miami-based Untitled Art fair is in full swing. The loss of Houston’s annual Texas Contemporary Arts Fair left artists, collectors, and dilettantes alike wondering whether a city well documented for its museums, galleries, and artistic installations could long be without an annual contemporary arts show — alas, we’ve been saved.

    Held at the George R. Brown Convention Center from Friday, September 19 through Sunday, September 21, the 150,000-square-foot show features 88 exhibitors from Texas and beyond displaying works for sale to experienced collectors and novices alike. Untitled Art stands out from other mammoth-sized, multi-day events of its caliber by its commitment to accessibility for young artists, galleries, nonprofits, and beginner collectors. The “Nest” program offers subsidized booth space and entry for those who would find participation in traditional art shows wildly cost-prohibitive. What does that mean for Houstonians who are deciding whether or not to attend the show? At Untitled Art, there are pieces that folks can actually afford.

    “From diverse styles to a wide range of prices, Untitled Art truly feels like a gift to Houston — an immersive experience that inspires from the moment you step in,” Untitled Art host committee member and BeDesign CEO Adrian Dueñas tells CultureMap. “With commissions available and pieces for all tastes, the fair proves that art is both subjective and approachable, a remarkable celebration where everyone can find their place.”

    The notion that an art show has the potential to be shopable for more than the 1-percent opens the door to Houstonians viewing works of art to potentially purchase for their actual homes, and boy, is that exciting. The sprawling nature of the show can be intimidating for some, especially if a particular style is preferable — where to start? Whether one subscribes to traditional genres, or is, perhaps, looking to dabble in the “wrong art theory,” here are suggestions for the artists to shop for specific genres for the home, as well as some insider information.

    How to view and shop the show

    Unlike the sterile, “ice cube tray” layout of traditional art shows, where artwork can only be viewed from a few feet away, Untitled Art enlisted architect Jay Colombo of Michael Hsu Office of Architecture to design an interior that allows artists the visual space to have pieces viewed from numerous angles and distances.

    Tuesday evening, Colombo participated in a panel discussion titled “The Intersection of Art & Architecture” at Summit, the 28th-floor event space in Skanska’s shiny, new, and eco-friendly Norton Rose Fulbright Tower. This Untitled Art satellite event allowed Colombo to share his vision for the overall design of the show, as well as what visitors can expect of their experience:

    At some point [in a traditionally designed show] you lose the sense of space, and you lose where you are — you lose a sense of place that establishes you. Let’s try something different. I liked the idea of a piazza. Instead of linear lines, it’s a series of piazzas. There is a center moment, and then there is a ring of galleries. So, you should be able to stand in a piazza and turn 360 degrees and take in a dozen different gallery spaces.

    It basically creates a moment and there is a sight line that guides you to the next piazza, and then the next piazza, and you keep moving through the space. But there is a gesture and motion that pulls you around from start to finish, and there should be a memory moment that locks you in and says: ‘Oh, yeah! This is the place! This is where I saw that artist and wanted to go back to it [the booth]!’

    Categories and price points

    Most Affordable

    The Nest program that enabled small businesses, galleries, and nonprofits to participate in the show is the driving force behind “Artist Market.” The brainchild of F Gallery owner Adam Marnie, “Artist Market” is where show goers can pick up affordable art, ceramics, books, stationary, and more while supporting local businesses.

    “I think of it as a craft or art book fair inside of this fair,” says Marnie. “The vendors are paying a lower price to participate, so it gives guests a lower price to be able to participate in purchasing things.”

    Local favorite Reeves Gallery has works from $295 to $3,000, with the bulk of their offerings in the $500 range—this is also the place to pick up framed vintage pieces as well. They’ve listed their entire Artist Market collection here. Montrose staple Basket Books & Art has a fine selection of books, plus works by local artists for $200, half of which goes to The Women’s Storybook Project of Texas. Other participants include Film Lab, Jardin, Rising Tide Project, Picnic Surfshapes, St. Agnes Academy’s New Media Arts Program, plus excellent free library Reading Room HTX.

    The following is a selection of exhibiting galleries from different genres and price points to be able get a glimpse of what to expect from the show. Pricing is as follows: “affordable” galleries ($1,200+) are marked “$,” “average” priced galleries ($5,000+) are marked “$$,” and “expensive” ($35,000+) galleries are marked “$$$.” Galleries offering works from Texas artists will be marked with an asterisk (*). Find a map showing all of the galleries here.

    Contemporary Abstract: Jessica Silverman Gallery ($$$), Mindy Solomon Gallery* ($$$), Sicardi | Ayers | Bacino ($$$), Arden + White Gallery ($$).

    Organic: Moody Gallery* ($$), Yossi Milo ($$$), The Mission Projects ($$), Carvalho ($$), SGR Galeria ($), La Loma ($$).

    Portraiture: Marc Bibiloni ($$$), Half Gallery* ($$), El Apartamento* ($$).

    Fun and Fantastical: YOD Gallery ($), Keijsers Koning* ($$), ABC - Arte ($$), Philip Martin Gallery* ($$$), Patel Brown ($$).

    Black Artists: PDNB Gallery* ($), Colector* ($$), Bond Contemporary ($$$).

    Author’s Favorites: Half Gallery ($$), YOD Gallery ($), The Mission Projects ($$), Arden + White Gallery ($$), Carvalho ($$), Patel Brown ($$), SGR Galeria ($).

    Untitled Art Fair Patel Brown

    Photo by Amanda Veselovsky.

    Text-based collaborative works offer whimsical delights at Patel Brown.

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    Good Brick Tour 2025

    Historic home tour celebrates preservation and sustainability in Houston

    Emily Cotton
    Nov 4, 2025 | 3:15 pm
    Good Brick Awards 2025 Style in Steel
    Courtesy of Preservation Houston
    The Style in Steel townhouses were built in 1968.

    Preservation Houston’s 2025 Good Brick Tour kicks off this weekend (Saturday, November 8, and Sunday, November 9), giving Houstonians the opportunity to explore stories, craftsmanship, and design details from a selection of the city’s Good Brick Award recipients, which reward excellence in historic preservation. Now in its 12th year, the tour has grown into a celebration of Houston’s rich architectural heritage, distinctive neighborhoods, and the work that goes into restoring and maintaining some of the city’s most treasured places.

    “Preservation Houston’s Good Brick Tour celebrates not only the homes and landmarks themselves, but the stories of the people who care for them,” said Jennifer Kapral, executive director of Preservation Houston. “Each stop on the tour reminds us that preserving our city’s history is an act of community, one that connects Houston’s past, present, and future.”

    This year, event chairs Pei-Lin Chong (whose home is featured on the tour) and Mariam Hejazi, along with over 150 volunteers, invite the public into four homes that offer a glimpse of the distinctive styles that contribute to the architectural vernacular of the Bayou City. It’s also worth noting that, while the tour offers access to four homes, one location — Style in Steel — is a collection of three independent townhomes that have not been open together since their original debut in 1969.

    Just in time for the tour, CultureMap has gathered insights from each location’s homeowner(s) so that participants can keep an eye out for the little things that make each one of these homes so special. Find each insight just below the history of each home.

    2025 Good Brick Tour Locations

    Valenti-Dissen House 1507 Alamo Street (First Ward), 1921
    Built by Sicilian immigrant and grocer Jacob Valenti, this Craftsman bungalow reflects the First Ward’s early diversity. Over the decades it welcomed a mix of tenants, from a printer and an accountant to members of Houston’s Greek community, capturing the spirit of a working-class area where many cultures met. In 1934, the property was purchased by Della Settegast Dissen, whose well-known Houston family had deep ties to the city’s development. When FW Heritage acquired the home in 2021, they found a structure in need of major repair but rich in original details. A careful restoration, guided by Grayform Architecture, respected the home's proportions while updating it for modern living. The project received a 2024 Good Brick Award.

    “The house was originally a two-bedroom, one-bath home and served as a rental for close to 100 years before I bought it in 2021,” says homeowner and event co-chair Pei-Lin Chong. “I’m actually the first homeowner to ever live here, which makes it even more special. One of my favorite features is the built-in china cabinet between the kitchen and dining room; it’s such a thoughtful original detail. During the restoration, we discovered old wallpaper under the sheetrock. I asked my demo team to carefully remove them and I have framed two samples as keepsakes. It's a small piece of the home’s long history.”

    William Henry Lighthouse House 2018 Kane Street (Old Sixth Ward), 1906
    A two-story Classical Revival residence built for brick maker William H. Lighthouse is among the Old Sixth Ward Historic District’s most prominent landmarks. Architect Olle Lorehn designed the home with honey-colored brick, stone trim, and a soaring double-height portico — a fitting showcase for the material that made Lighthouse’s fortune.

    When changing health circumstances made stairs increasingly difficult, the homeowner turned to architect Marisa Janusz of Janusz Design for a way to remain in the home he loves. The resulting one-story addition provides accessible living space on the ground floor. Set back and lower in height, it connects to the main house via a copper-and-glass bridge that meets the historic structure with a light touch. The project was honored with a 2025 Good Brick Award for demonstrating how thoughtful design can adapt historic architecture to modern life with grace and care.

    “The brick interior walls are what make this home truly stand out — strong and full of character,” explains homeowner Jason Johnson. “Paired with the historic exterior walls, which are three bricks thick, and thoughtful modern updates, it’s a space I hope visitors appreciate for both its design and its story.”

    Anderson Todd House 9 Shadowlawn (Museum District), 1961
    Designed by architect and Rice University professor Anderson Todd for his family, this steel-framed pavilion balances privacy and openness through a series of courtyards and light-filled spaces. The steel-framed, brick-and-glass pavilion is organized around a black-walnut-paneled core. Polished terrazzo floors, a rhythm of exposed columns, and an unbroken ceiling plane finished in white-painted plaster reflect Todd’s disciplined craftsmanship and his view of architecture as the measured interplay of light, form, and material.

    Modern in form yet understated in presence, the Todd House complements its neighbors in the Shadow Lawn Historic District through scale and workmanship. The house is listed in the National Register of Historic Places and is a City of Houston Protected Landmark. Because the home has never undergone any renovations, it has never been nominated for a Good Brick Award. Instead, Anderson Todd House is considered an excellent example of how thoughtful stewardship can keep a landmark home livable today.

    “Our house was a wonderful house for children. There was so little furniture that we could bicycle indoors,” says Emily Todd. “It continues to be a wonderful house as an adult, equally comfortable for a quiet dinner or a lively cocktail party. I’m very lucky to have spent virtually all my life in this house. Living here has been a privilege.”

    Style in Steel Townhomes 4156, 4158 and 4160 Meyerwood Drive (Southwest Loop), 1968
    Designed by Wilson, Morris, Crain & Anderson, the firm behind the Astrodome, the three Style in Steel townhomes stand among Houston’s most elegant expressions of late modern design. The houses debuted at the 1969 National Association of Home Builders’ exposition, showcasing the versatility of steel in residential design. Architects Talbott Wilson and Hal Weatherford paired precision with warmth, combining steel with terrazzo, travertine, brick, and cedar in open, light-filled homes arranged around courtyards landscaped by Fred Buxton.

    The current owners of the central townhouse undertook a meticulous restoration with architect Rodolfo R. Fabre, reversing years of alterations to reveal the clarity of the original design and earning a 2024 Good Brick Award. Together, the three houses — all City of Houston Protected Landmarks — represent Houston modernism at its finest, sustained by thoughtful stewardship and care. This year’s Good Brick Tour marks the first time the Style in Steel homes have been open to the public together since 1969.

    “My favorite space in the house is the front courtyard, which the entire house is designed around. It’s magical the way light filters in and casts patterns on the walls throughout the day,” homeowners Philip and Mandy LeBlanc explain.

    “We enjoy the courtyard daily for lunch, work, or simply soaking in the sunlight. It connects every part of the home. The design transitions beautifully from public to private spaces, with intentional glass and steel elements that make the home both functional and elegant. Inside, our mid-century furniture collection, gathered from local estate sales, complements the home’s modern aesthetic and ties everything together. From a design standpoint, there’s truly nothing else like it in Houston; it’s a space that connects history, light, and everyday life so seamlessly.”

    Tickets

    Advance tickets, valid for admission to all four homes both days, are $25 online through Thursday, November 6. Tickets will be $30 at the door during the tour weekend. Single-site admission will also be available for $10 per location. Hours for both days of the tour are 12-5 pm. Proceeds from the tour support Preservation Houston’s advocacy and educational programs.

    Good Brick Awards 2025 Style in Steel

    Courtesy of Preservation Houston

    The Style in Steel townhouses were built in 1968.

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