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The Farmer Diaries

Texas farmer counts 5 surprising lessons learned from growing his own food

Marshall Hinsley
Marshall Hinsley
Sep 27, 2015 | 9:00 am

It's been seven years since I began to grow my own food, and the venture has had a profound effect on my life. It has changed my physical endurance, my diet, how I garden, and my future aspirations. As the 2015 growing season draws to a close, I'm pausing to remember them, as I plot a new course in my career and life.

I improved physically
Before I began gardening, I was tied to my computer-based job for 8 to 10 hours a day. I would take a daily walk with my wife. But even two-mile treks weren't enough to offset the damage a nearly sedentary life was wreaking on my body.

I wasn't obese, but my body mass index was at the top of my tolerable recommendation, and my upper body strength was abysmal.

Having fallen into such a state discouraged me from tackling projects around the house. Everything seemed to require too much exertion, so I did nothing.

When I started gardening, the short bursts of digging in the spring built up my strength. The season-long task of weeding garden beds kept my arms active. Pushing around a wheel barrow provided a workout.

Soon, building small structures seemed doable, and I stopped feeling discouraged from doing things based on the amount of exertion it would require.

I'm now a fit person for my age. My weight is good and stays steady and, although I'm a decade older, my endurance is better than before I started gardening.

My diet improved
I wasn't exactly addicted to junk food before I started gardening, but it was common for lunch or dinner to pop something prepackaged in the microwave.

After reading up on health and diet, I realized that I needed more greens. The bounty of Swiss chard, kale, collard greens, tomatoes, squash, and cucumbers coming from my garden changed the way I see dinner permanently. How can a person surrounded by cheap, nutritious food not want to take advantage of the supply as often as possible?

Now for every dinner, my wife and I cook up a huge portion of vegetables. Sometimes it's eggplant with tomatoes; other times it's squash and okra, or zucchini and onions. Kale or collard greens are staples. Coming up this year will be sweet potatoes, and winter peas. There's even the rare artichoke, straight from the garden.

Growing my own vegetables has also expanded my diet. I've eaten things I'd never have bought at the store.

I moved past the "natural" myth
Growing can make you feel like you're getting close to nature, but it's a wholly unnatural act. Whether a small garden or a huge monocrop of wheat, we're invading an ecosystem, clearing off the native plants and animals, and replacing them with our own, highly bred exotic species.

Why this was important for me to conclude is that prior to this realization, I tried to garden "naturally." What the exact definition of natural was, I couldn't say. No pesticides was obvious, but other efforts to be natural went astray. I viewed starting transplants indoors as unnatural. I exposed them to frost. I even felt reluctant to water my garden, under the idea that my crops should survive on rainfall.

I eventually moved past the idea of "natural." I began using grow lights and a heater for starting seeds indoors, to get a head start on the season. I learned that I needed a watering schedule, and that locating crops for easy access to water was a necessity.

I also learned that nowhere but a few places where volcanoes have been active in the last few centuries does the soil possess enough nutrients to sustain farming for more than four years. Therefore, amending the soil and building it up with nutrients is mandatory. Adding phosphorous, magnesium, and sulfur to a garden bed isn't natural, but it is beneficial to a crop.

As to pesticides, I came to understand that naturally-derived products harm bees and butterflies as well as the synthetic ones. "Natural" doesn't always mean it's good.

I embraced science
When I thought I was gardening the natural way, I sought out open-pollinated seed and eschewed hybrids. I thought of open-pollinated seed as what nature intended.

But with a few exceptions, everything we eat bears little resemblance to the plant it came from. The ancestor to apples is a bitter, berry-sized, hard fruit. The Victorians had no watermelons, only a citron melon nowhere as large or sweet. What we cultivate in our gardens are all so-called cultivars, bred over centuries by farmers seeking bigger, tastier, more-productive produce.

I began trying out a few hybrids, and now I can grow tomatoes that will fill a sandwich with just one slice. Hybrid cucumbers grow in my greenhouse all winter long, with no need for bees to pollinate them. Hybrids have been bred for specific purposes, usually productivity or disease resistance, that you miss out when you stick to one kind of crop.

These are not genetically engineered crops. A natural form of hybridization happens all the time among grasses and wildflowers; without hybridization, we wouldn't have the plant that led to the breeding of corn.

I'm no longer convinced that the best way to build up soil nutrients is to throw natural products into the dirt. I've become acquainted with a sustainable agriculture product that starts with soy but puts it through a synthetic process that makes it capable of fertilizing far more acreage than composting. I would use this with no breech of conscience.

And for hydroponic crop production, the mineral salts that contaminate soil and water supplies when used in a garden or farm field turn out to be harmless in a closed-loop, indoor environment. In a hydroponic system, they help us to use less land and water to grow the same amount of food, which in turn helps us to conserve resources and protect natural habitats that would be converted into farmland.

In these ways, I've concluded that science is good, and embracing its advantages will help me to grow better.

I became more self confident
From planting out a few hundred onion slips and seeing them ready to plate a few months later, to growing a citrus tree in a container and seeing it branch out with blooms and tiny fruit, growing things gives me a sense that I know how to do something, and I'm not too shabby at it either. Everyone needs to have that feeling about something.

The future
Now that I've spent a few years growing my own food, I've decided to move past my experiment of growing everything I eat. I've gone back to buying produce at the grocery store to replace what I haven't sown, and my uneasiness about doing so is subsiding.

In the coming year, I hope to transform my hobby into an occupation. To do this, I must focus on one or two crops I'm most skilled at growing, or maybe grow what is in demand. I haven't decided yet.

I enjoy growing, whether it's in a field, greenhouse, or a grow room with nothing but artificial lights. Producing something people want to buy, eat, and enjoy gives me satisfaction. To know that I'm meeting a basic human need in a way that's stepping on the earth as lightly as possible is what drives me to take this endeavor as far as I can.

A huge slicing tomato produced by a hybrid tomato cultivar.

Photo of huge, slicing tomato
Photo by Marshall Hinsley
A huge slicing tomato produced by a hybrid tomato cultivar.
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made with care

Houston company builds custom furniture for hotels and restaurants

Emily Cotton
Aug 14, 2026 | 12:15 pm
Creative Style Furniture
Courtesy of Creative Style Furniture
A statement-scale custom round table, designed and handcrafted to anchor this expansive entertaining space.

Since 2011, April Dardis has owned Creative Style Furniture, a Houston-based, under-the-radar custom furniture builder. From restaurants to hotels to manufacturing pieces for national brands, CSF sits quietly behind it all.

Dardis sits at the helm of the largest female-owned furniture manufacturing company in the city. For 15 years CSF has won countless ASID awards and even received a proclamation — from Houston’s late former mayor Sylvester Turner — recognizing its contributions to Houston.


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Starting with a team of six, Dardis now employs 32-34 people, depending on the season. Creative Style Furniture’s recent move to a new 24,000-square-foot facility near Spring Branch increases its ability to design, build, restore, and upholster custom furniture for the city’s most popular restaurants, hotels, and interior designers.

While Dardis admits that she stays too busy to remember every project she’s headed over the last 15 years, there are some that stand out among the rest. CSF manufactures all the furniture for the Pappas Restaurant Group, Gringo’s, and even fine dining establishments like The Marigold Club — including the miles of green velvet pleated and draped over everything from the ceiling downwards.

Furniture for iconic Houston institutions such as The Houstonian Hotel, The Lancaster Hotel, plus the House of Blues and its Foundation Room have all received the Creative Style Furniture treatment. Randall Davis-owned luxury developments include CSF creations in all of the common spaces, and countless boutique projects.

“I just knew there was a need. I had a group of creatives, artists, and artisans come together — there were like six of us — and opened a reupholstery company,” explains Dardis. “We just grew, and grew, and grew. We have six upholsterers and six framers who make everything custom. We do case goods, upholstered items, tables, everything. You name it.”

The ability to bench-make any type of furniture here in Houston is definitely a plus for clients who have large orders to deliver. For example, the ongoing remodel of The Lancaster Hotel calls for over 300 individual furniture pieces, but it’s nothing CSF can’t handle.

“I have an amazing team. Most of them have been with me all 15 years. Of course, we have added on, but my main team and my management team have been with me almost the entire time. We have a good, quality core group that is amazing,” says Dardis. “There are three sets of eyes — a data coordinator, office coordinator and management, and then me. Before things get sent out we make sure everything looks good. I have my production director, my upholstery director — all of the directors meet constantly.”

Dardis is also behind scenes of the interior design world, producing designs by top interior designers in Houston and far beyond. The team at CSF regularly drives up to Utah to deliver furniture manufactured for the popular design firm Studio McGee. Dardis feels closely connected to interior designers, since they mostly all came up together during the design boom of the 2010s.

“They [designers] are such a great support for me,” says Dardis. “They’ve been with me since I started. Way back 15 years ago when we were all small and now everyone is huge and growing. I love the support from them. They come to us usually because they like to see our workshop. They want to see where everything is made, what it looks like, what we can do, and meet the staff. They can come in and tour around.”

Like many private label manufacturers, Dardis mostly works outside of the public eye. Custom orders that have been dreamt up by designers get delivered to their clients in unmarked box trucks and vans. Clients can include anyone from Houston Astros players to a member of the band Aerosmith — they just never know. One thing is for sure: CSF is loyal to its designers. The company isn’t super interested in dealing with clients or customers direclty. CSF will work with members of the public — they just have to know what they want.

The team at CSF also knows that their clients appreciate quality. They aren’t trying to compete with large overseas manufacturers and fast-fashion style brands.

“I cannot compete with China, and I won’t try to,” says Dardis. “I’m not here for that. We are making this by hand, right here in Houston. We aren’t mass producing anything, and that’s okay. It’s [fast furniture] not going to be good bones or good quality, but go for it.”

Dardis often sees clients who want the look of some of the well-known big brand companies but are aware that having it handmade is a superior choice. As many people know, even the more expensive brands sell items that are rarely worth the fabric they’re wrapped in.

“We hosted a thing for Texas Design Week and we opened up all these chairs — it’s just cardboard,” explains Dardis. “You’re just paying for the name; you’re not getting quality. A lot of times those pieces will fail, and then we will redo them for the client.”

The new Creative Style Furniture location allows clients to come in and look everything over. The selection processes have been streamlined and fabrics are available to look at in the showroom as well; the team just requests that people have a design in mind.

“We sell fabrics for a reasonable price ($30-50 per yard). If people don’t want to spend hours looking for fabrics, they can come in —w e have a little setup — and look at all sorts of things. You can choose your nailheads, your springs, and the inserts for your cushions. We even have a ‘Frankenstein sofa’ where it shows all the skirts, legs, nails, and different cushions. It’s really neat; you can sit and test things.”

From custom creations, to restoration and reupholstering projects — or even just some pillows — Dardis and her experienced team are happy to make any dream a reality.

—-

Creative Style Furniture: 2002 Karbach St.; (713) 927-3720; Open Monday-Friday, 7:30 am-4 pm


Creative Style Furniture

Courtesy of Creative Style Furniture

A statement-scale custom round table, designed and handcrafted to anchor this expansive entertaining space.

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