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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jun 18, 2019 | 10:45 am

    The dog days of summer aren't over — they've just begun. But as the days heat up, so do the offerings of concerts in the Bayou City.

    On the docket: a movie star, a country legend, a beloved Americana cult act, indie-rockers on the rise, and two bands that are much bigger than anyone thought they'd be.

    CultureMap's biggest, best, and most notable shows of the week are:

    CultureMap show of the week: Hugh Jackman at Toyota Center
    What isn't Hugh Jackman good at? A bonafide movie star who won our nerd-leaning hearts as Wolverine, a Tony award-winning theater draw, and by all accounts a great guy and loyal husband, the Australian wunderkind is a modern day renaissance man. (Surely, he has to sport gnarly toe nails, can't hold his booze, or secretly loves Nickelback, right?)

    Until the secrets come out, we'll be lining up to give him our hard-earned money, regardless of what he decides to do with his immense talents. We're not sure what the Jacked-man is doing at Toyota Center this Tuesday, but he's on a world tour selling pure charm and probably doing some singing and dancing from his film (Les Miserables, The Greatest Showman) and stage roles (Oklahoma) while he's at it.

    Hugh Jackman performs at Toyota Center, located at 1510 Polk St., on Tuesday, June 18. Tickets start at $29.50, plus service fees. Doors open at 6 pm.

    Twenty One Pilots at Toyota Center
    Somewhere along the way, Twenty One Pilots become one the biggest rock bands in the world. Few acts encapsulate the state of mind of Millennial alt-rock like this Columbus, Ohio, duo comprised of Tyler Joseph and Josh Dun. Their 2015 album Blurryface produced a ton of hits, including "Stressed Out," "Ride," and "Heavydirtysoul," most impressive in a time when streaming makes it nearly impossible to score numerous radio hits from the same album.

    That album scored Grammy wins and launched the act to arenas, their Sublime-lite reggae, Gen-X anxiety, and hip-hop beats speaking to a wider audience. They followed that one up with the actually-pretty-good Trench, that went darker and louder, and was all the better for it.

    Twenty One Pilots are at Toyota Center, located at 1510 Polk St., on Friday, June 18. Bear Hands opens. Tickets start at $39.50, plus service fees. Doors open at 6 pm.

    Son Volt at Heights Theater
    Following the breakup with Jeff Tweedy and their cult act Uncle Tupelo in 1994, Jay Farrar made good on that band’s Americana promise with Son Volt. Where Tweedy would concentrate on the indie rock aspects of his former band with Wilco, Farrar embraced the dusky soundscapes of middle America. He’s made a decent career for himself, garnering critical acclaim for his oft-acoustic driven vision. More Willie Nelson than a heavy metal drummer, Farrar's distinct voice is rich and his storytelling is excellent. Son Volt is touring behind this year's Union.

    Son Volt play the Heights Theater, located at 339 W 19th St., on Friday, June 18. Old Salt Union opens. Tickets start at $22, plus service fees. Doors open at 7 pm.

    Ronnie Milsap
    Seventy-six years old and still going like the Engergizer bunny, legendary singer-songwriter Ronnie Milsap is back in Houston, not letting declining health over the last few years get in the way of his touring schedule. While he's been on his farewell tour for what seems like a few years now, so this is a great opportunity to see the man who made his name in the rebel days of country before his run comes to an end. His 40 No. 1 country hits, such as "Smoky Mountain Rain," "Lost in the Fifties Tonight," and "It Was Almost Like a Song," make this a worthy night out.

    Ronnie Milsap performs at Arena Theatre, located at 7326 Southwest Fwy., on Friday, June 21. Tickets start at $30, plus fees. Show starts at 9 pm.

    Shinedown at Cynthia Woods
    Another band that has not been affected by the slow death of rock and roll, Shinedown is headed into its Houston appearance on a roll. The Jacksonville, Florida, band's latest album, Attention Attention, is a massive hit, scoring No. 1 on the alternative, rock, and hard rock charts, and going top five on the Top 200 albums in the U.S., based on the strength of that record's singles, "Devil" and "The Human Radio."

    Fans of the harder-edged rock that came out of the early 2000s (think Nickelback and 3 Doors Down) will be out for this one. They might not be critical darlings, but they play heavy and loud, something that many groups don't do much of these days.

    Shinedown is at Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Friday, June 21. Tickets start at $29.50, plus fees. Gates open at 5:30 pm.

    CultureMap recommends: Operators at WOMH
    Touting one of the best albums of the year in Radiant Dawn, Operators deal in heartfelt, off-kilter melody and straight-ahead rhythm, something lead singer Dan Boeckner perfected in his other, excellent bands, Wolf Parade and the Divine Fits (of which he was joined by Spoon's Britt Daniel, ie. major cred).

    In Radiant Dawn, he has a winner, incorporating New Order electronics with his emotional, almost Springsteen-esque lyrics, and a healthy dose of guitar crunch. Listen to crazy good single "Faithless" for proof. Boeckner is a hardened veteran of many tours and knows how to command a stage, making this one a can't miss for indie rock and dance fans.

    Operators are at White Oak Music Hall, located at 2915 N. Main Street, on Saturday, June 22. Doomsquad opens. Tickets start at $14, plus fees. Doors open at 8 pm.

    Alt-rock stars Twenty One Pilots perform at Toyota Center on Friday, June 21.

    Twenty One Pilots
    Photo courtesy of Twenty One Pilots
    Alt-rock stars Twenty One Pilots perform at Toyota Center on Friday, June 21.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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