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    Live Music Now

    These are the 7 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    May 1, 2018 | 4:40 pm

    Another month, another festival in Houston as JMBLYA sets up shop on Sunday, May 6. Not that we’re complaining — it’s one of the few hip-hop focused festivals to take place in Space City, a town that loves its rap music. For those not inclined to that persuasion of the musical spectrum, there's a nice mix of other acts to see in the week ahead. Here’s a few of our favorites:

    Ska and Cinco
    What’s better than Cinco de Mayo? Having it fall on a Saturday. The underdog Mexican army’s win over the French Emoire at the Battle of Puebla, on May 5, 1862, has become a great excuse to party, eat tacos, and drink copious amounts of cerveza. This year, Market Square will host its very own Cinco de Mayo Kickoff Party, complete with a performance by local act Los Skarnales, 20-year vets who combine ska, cumbia, reggae ,and punk into one spicy mix.

    Los Skarnales performs at the Cinco de Mayo Kickoff Party at Market Square, located at 301 Milam St. on Saturday, May 5. Free admission. The event starts at 5 pm.

    Hip-hop at the horse track
    JMBLYA, one of the best touring festivals centering on hip-hop follows stops in Dallas and Austin with a date in Houston, setting up on the grounds of Sam Houston Race Park. The lineup is a who’s-who in the game right now, headlined by J. Cole, who owns the No. 1 spot on the Billboard charts with his new album, KOD, his fifth album to make that mark. Unfortunately, a pregnant Cardi B canceled her appearance, but Atlanta’s Young Thug stepped in to fill the void. Other performers include Migos; a recently released from prison Kevin Gates; Playboi Carti; and CultureMap cohort, Bun B.

    JMBLYA will go down at Sam Houston Race Park, located at 7575 North Sam Houston Pkwy. West, on Sunday, May 6. Tickets start at $89 plus fees. Gates open at 1 pm.

    The fantastic Foxes
    Seattle indie folk band Fleet Foxes bring soaring, lyrical tunes to Revention Music Center. They resemble fellow Seattle act Band of Horses if they listened to way more Bob Dylan and had an obsession with vocal harmonies. They’ve quietly amassed a large fanbase over the course of three albums, including 2017’s acclaimed Crack-Up.

    Fleet Foxes perform at Revention Music Center, 520 Texas St., on Monday, May 7. Amen Dunes opens. Tickets start at $35 plus fees. Doors open at 7 pm.

    iPhone heroes
    Anyone who has seen an iPhone commercial lately will have heard Sofi Tukker, a New York City-based electro-rock duo that has scored a place in the pantheon of emerging — usually great — artists to have their song used to sell electronics. Comprised of singer/guitarist Sophie Hawley-Weld and producer Tucker Halpern, two of their songs have appeared in iPhone commercials, and they are both electro-house, guitar-laced, dancefloor bangers, “Bats**t” and “Best Friend.” Check out Tucker’s protégé, LP Giobbi, who will open and has been making waves on the NYC scene.

    Sofi Tukker perform at White Oak Music Hall – Upstairs, located at 2915 N. Main St. on Monday, May 7. Kah-Lo and LP Giobbi open. Tickets start at $16 in advance plus fees. Doors open at 7 pm.

    Take me out...to White Oak
    Out of the class of U.K. guitar bands to break in the early aughts (The Libertines, Kaiser Chiefs, Bloc Party et. al.), Franz Ferdinand proved to be the true survivors, having produced five good-to-great albums of danceable indie-rock. While no hit made as much impact as 2004’s chugging earworm, “Take Me Out,” the Scottish five-piece always manages to produce a few killer singles per record, which equates to a fantastic live show, led by the charismatic Alex Kapranos. The latest album, Always Ascending, takes the dance-inflected tunes even further, incorporating disco and synths. This is a must-see show for anyone who's regularly read the NME. Stay tuned this week to CultureMap for an interview with Franz bassist Bob Hardy.

    Franz Ferdinand bring their unique brand of disco-fied Brit-pop to White Oak Music Hall, located at 2915 N. Main St., on Tuesday, May 8. Acclaimed indie act Priests opens. Tickets start at $31 in advance plus fees. Doors open at 7 pm.

    A.M. radio legend at Redneck
    Practically a god in his native Canada, Gordon Lightfoot is still playing his inimitable catalog of expertly crafted pop-folk-country tunes that made him an international star in the ’60s and ’70s. Simply put, the guy has a ton of fantastic songs and is a master storyteller, evidenced on the hooky “Sundown,” the heartbreaking “If You Could Read My Mind,” and the vivid “The Wreck of the Edmund Fitzgerald,” among many others. The fact that he’s creeping in on 80 years old means that music fans need to take the time to appreciate a guy that dominated A.M. airwaves for decades and influenced a wide-range of superstar musicians, including Jimmy Buffet, Bob Dylan, and Eric Clapton.

    The ageless Gordon Lightfoot performs at the Redneck Country Club, located at 1110 W. Airport Blvd., on Wednesday, May 9. Tickets start at $60 plus fees. Doors open at 6 pm. Show starts at 8:30 pm.

    Swingin’ in the Heights
    Ah, the ’90s. Audiences, sick of the watered-down grunge that dominated airwaves in the latter half of the decade, turned to seemingly dead genres to liven things up. Following a short resurgence of ska bands, swing-influenced bands exploded in full force — see 1996’s Jon Favreau flick Swingers as its definitive watermark — and no other band benefited more than Squirrel Nut Zippers. Not to be confused with the gross-named Cherry Poppin’ Daddies or Big Bad Voodoo Daddy, the Zippers hit it big with the 1930s throwback, “Hell,” from the aptly named Hot, an album that sold over a million copies — a record kids and grandparents alike could seemingly enjoy together. (It was a very strange time in pop culture.) Dust off the dance shoes, chum, and relive your youth for what’s sure to be a fun performance.

    Squirrel Nut Zippers brings the swing to the Heights Theater, located at 339 W. 19th St., Thursday, May 10. Ginny Mac opens. Tickets start at $24 in advance plus fees. Doors open at 7 pm.

    NYC electro-house duo Sofi Tukker brings their iPhone commercial jams to White Oak Music Hall on Monday, May 7.

    Sofi Tukker
    Toma Kostygina/Fancy PR
    NYC electro-house duo Sofi Tukker brings their iPhone commercial jams to White Oak Music Hall on Monday, May 7.
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    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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