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    The Show will (Eventually) Go On

    Houston Theater District suffers heavy damage, but arts groups keep their heads above water

    Tarra Gaines
    Aug 28, 2017 | 8:51 pm
    Houston, Hurricane Harvey, flood photos, The Wortham
    Alley Theater, in foreground, and Wortham Theater Center, in background, both suffered water damage in parts of each building.
    Courtesy photo

    In the midst of tragedy and heartbreak, many people find solace in art, but even our most beloved visual and performing arts institutions aren’t immune to the power that is still Harvey. A preliminary look at the Houston Theater District shows extensive water damage that at times rivals the destruction experienced when Tropical Storm Allison flooded the area 16 years ago.

    While Harvey's wrath flooded virtually every major performing arts venue in the downtown district, the damage varies from building to building. All of the Theatre District parking garages are "completely unusable," officials said in a statement, but some stage areas in various venues are virtually untouched.

    As the whole city begins to take stock of the devastation and that first step on the long, slogging road to rebuild, here's a check of some of the city's premier art spaces and organizations we’ll need in the coming months to bring us entertainment, beauty and hope.

    Alley Theatre
    The downstairs Neuhaus Theatre and lobby are filled with flood water and all the electric systems for the Alley are underwater, as well as the basement dressing rooms. In better news, the main lobby and Hubbard Theater have sustained no water damage.

    The Alley has cancelled the remaining performances of Alfred Hitchcock's The 39 Steps. Patrons with tickets should email the box office at boxoffice@alleytheatre.org for refunds and exchanges as electricity remains out in the building.

    Hobby Center for the Performing Arts
    The Zilkha Hall stage sustained water penetration as well as in the loading dock area of the foyer. But the larger Sarofim Hall seems to have escaped damage.

    Wortham Theater Center
    The basement of the building that houses productions of Houston Grand Opera and Houston Ballet is filled with flood water, but water has already receded from the front of the house and the Brown Theater stage. There is some damage to the surface of the Brown stage. The Cullen Theater also has sustained a little water damage.

    In a just-released statement, the HGO notes that "staff members had the foresight to move valuable instruments and many costumes, including those for our opening productions of La traviata and Julius Caesar, to higher floors in advance of the storm.”

    Jones Hall
    Jones Hall, which just celebrated its 50th anniversary last year and is home to the Houston Symphony and Society for the Performing Arts, received significant water damage to the rehearsal room in the basement. But there is no discernible water damage to the stage and auditorium.

    Much like the rest of Houston, the multiple Theater District performing arts organizations are accessing the damage and what it will mean to their coming fall seasons. All of these organizations and venues are closed for at least the next several days. Check in with the individual websites and CultureMap for updates.

    Here's an update on other venues elsewhere in Houston:

    Museum of Fine Arts, Houston
    The MFAH has sustained a few manageable leaks at its main campus, but according to Mary Haus, head of marketing and communications, there has been no damage to the world-renowned collection.

    “Fortunately, because of our longtime protocols for storm preparation, managed by our Hurricane Planning Group, our collections have not been impacted at all, and there have been only limited issues with our facilities. Advance planning — for sandbags, emergency water pumps, and the floodgates that are installed at various critical points around the campus — has largely mitigated potential issues,” Haus said.

    The Gardens at Bayou Bend did flood, but both the Bayou Bend and Renzi houses and collections are secure.

    The Menil Collection
    Assistant director of communications Tommy Napier tells us that the Menil staff has maintained round-the-clock security and maintenance presence at all the buildings on the Menil Campus.

    “We have done preventative sandbagging at buildings that require it. At this time, thankfully, our buildings have not been impacted by the storm. Our director, conservation, and registration departments, which includes art handling services, are receiving regular updates about building status,” he said.

    Blaffer Art Museum at the University of Houston
    The Blaffer was not damaged but remains closed through Monday, September 4, along with the University of Houston campus. Upcoming gallery talks have already been rescheduled for later in September.

    Small to mid-size Houston theaters
    The smaller and midsize theaters so far have weathered the storm fairly well.

    A.D. Players has announced via social media that they are doing well and their production of Harvey (the classic play about an imaginary giant rabbit) that was planned months ago, will go on later in the season, hopefully bringing some much needed laughter to Houston.

    Classical Theatre Company and their stage at Chelsea Market appears high and dry.

    Shannon Emerick, director of communication at Main Street Theater, sends word that not only have they not sustained any damage so far at the Rice Village theater, and the MATCH, where they present is Theater for Youth lineup is also “holding steady.”

    Chuck Stills, executive director of MATCH says they're good, but will be on the lookout for any leaks in the coming days.

    Studio 101 at Spring Street, where both 4th Wall Theatre and Mildred’s Umbrella stage their seasons, at last check is also doing well. A real hurricane-strengthened blow to Houston theater, however, is that 4th Wall Theatre already announced they will be closing the company at the end of 2018. Mildred’s Umbrella will likely not be able to shoulder the space cost alone and the storm has disrupted their fundraising campaign.

    Though their placement right off of Allen Parkway and Buffalo Bayou could have meant disaster, but I can report, having ridden by there yesterday, that Stages Theatre also remains high and dry.

    musicmuseumstheaterdance
    news/arts

    Best February Theater

    A Broadway legend and classic musicals star in Houston's best February shows

    Tarra Gaines
    Feb 5, 2026 | 3:00 pm
    Bernadette Peters
    Photo by Andrew Eccles
    The Hobby Center presents Beyond Broadway: An Evening with Bernadette Peters.

    From mythic marriages to small moments of friendship, love is in the air–in its many forms–across Houston stages. This Valentine’s month brings romance and heartbreak among gods and goddess, but Houston theater companies also showcase stories of profound human connections in ordinary spaces, on trains, in diners, and classrooms. If all those dramatic and comic relationships aren’t enough, Theatre Under the Stars invites us to one of history’s greatest jam session and the Hobby Center brings Broadway royalty to town.

    Grand Horizons from Mildred’s Umbrella (February 5-21)
    Mildred’s is the first of many companies this month picking contemporary and sometimes very recent Broadway plays and musicals as sources for their fresh, local productions. The company begins this heartfelt season with Bess Wohl’s comedy-drama about a mature marriage and the grand chaos of falling out of love. The show opens on an ordinary older couple, Bill and Nancy, having dinner at their home in the Grand Horizons retirement community.

    But after 50 years of marriage, they’re ready to call it quits and calmly announce their decision to divorce, sending shockwaves through their family. As their adult sons rush to make sense of the news, long-buried tensions and unspoken truths rise to the surface. With wit and warmth, Wohl explores love, commitment, and the messiness of family in this modern look at what it really means to grow old together or apart.

    Beyond Broadway: An Evening with Bernadette Peters presented by the Hobby Center (February 6)
    The Hobby Center continues to bring the biggest musicals and screen stars for electrifying one-night-only shows with their Beyond Broadway series. Next up, living legend Bernadette Peters – the critically acclaimed queen of stage, film, television and recordings–will present a magical and inspiring evening of songs from some of the greatest musical theater masters. The multi-award winner creates an intimate audience experience when she performs celebrated selections from Rodgers and Hammerstein, Stephen Sondheim, Jerry Herman, and others.

    The Coast Starlight at Main Street Theater (February 7-March 1)
    With its debut in New York a few years ago, Starlight garnered much critical acclaim for its story about passengers on a Pacific Coast train from L.A. to Seattle. These strangers meet on this 36 hour journey and slip into and out of each others lives, perhaps influencing the small and big choices they all need to make.

    At the center of this journey is T.J., a Navy medic with a difficult decision to make. With the help of his fellow travelers, all of whom are reckoning with their own life circumstances, T.J. has roughly 1,000 miles to figure out how he wants to live the rest of his life. As MST continues to celebrate its momentous 50th season, they note this show “illuminates our capacity for invention and re-invention when life goes off the rails.”

    Hadestown presented by Broadway at the Hobby Center (February 10-15)
    This multiple Tony-winning musical and Broadway smash returns to Houston after beguiling Hobby Center audiences in 2022. The road to Hell is full of some bad intentions but some heavenly music as the story entwines the ancient Greek love stories of Hades and Persephone and Orpheus and Eurydice into one epic, bluesy tale. As the first song, “Road to Hell” even spoils, don’t expect a happily-ever-after with these stories, but do lookout for modern, complex visions of these classic myths.

    Katy Perry Candy Darling Mary Magdalene from Catastrophic Theatre (February 13-March 7)
    In a season of mostly world premieres, Catastrophic once again breaks genres and definitions with this edgy musical about Sophia, the lead singer of an underground Houston band called Bird Murderer. Sophia is on a quest to write the perfect song, with the simple requirements that it must be personal, universal, and under three minutes. Most of all, it has to pay tribute to her favorite artist of all time: Katy Perry.

    Describing Katy Perry Candy as “a madcap musical romp” and “a psychedelic meditation on the intertwining dualities of religious faith and gender identity, a harrowing disco-punk psychodrama and a hot wet heavy metal nightmare,” Catastrophic once again is set to defy any expectations of what theater can and should be. Playwright Joe Folladori certainly can write from experience as a long time Catastrophic music contributor and founder of the indie pop collective The Mathletes.

    English at Alley Theatre (February 13-March 8)
    The Alley produces this Pulitzer Prize winning play that just recently became a critically-acclaimed hit on Broadway. The narrative couldn’t be more timely as it deals with themes of language, immigration, assimilation, and ever changing political landscapes.

    Set in Iran in 2008, the play follows four Farsi-speaking adults and their teacher in an English class to prepare for the TOEFL (Test of English as a Foreign Language). They each have different reasons for learning English, from job prospects in English-speaking countries to strengthening family connections to gaining bilingual power. Over the course of six weeks, they reveal their unique life stories as well as their relationships with their motherland and identity. They might even forge friendships all the while speaking a foreign tongue.

    Million Dollar Quartet from Theatre Under the Stars (February 17-March 1)
    While the real 1956 impromptu jam and hangout session between Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash at Sun Record Studios in Memphis remains one of the most iconic and influential moments in music history, this musical depiction of that meeting is relatively new. The hit show made its Broadway debut in 2010 and went on to earn numerous Tony Awards nominations and later a national tour. Now TUTS brings their own rocking production to the Hobby Center.

    Along with depicting the real life backstage drama, including the clashing talent and big personalities, the show delivers fiery live performances of billion dollar hits, like “Blue Suede Shoes,” “Fever,” “Walk the Line,” “Great Balls of Fire,” “Hound Dog,” “Folsom Prison Blues,” and several beloved gospel standards.

    The Counter from 4th Wall Theatre (February 19-March 16)
    A small town diner sets the scene and pace for this recent Off-Broadway hit about an unlikely friendship between a regular customer and a waitress. Paul is a retired firefighter, and Katie serves him coffee daily. After months of small talk and hints at their complicated pasts, Paul reaches out for friendship, and Katie agrees, sensing his need.

    Through shared secrets, they begin to rediscover hope and joy in human connection. But when Paul makes an unusual request, will their new bond deepen or break completely? With a small, three person cast of some of our favorite Houston actors and the intimacy of 4th Wall’s Studio 101 space, look for the type of poignant experience only live theater can bring.

    Sylvia from Houston Ballet (February 26-March 8)
    Along with Hadestown, this month brings a second return of a 2022 production of Greek and Roman love myths. Houston Ballet brings back this audience favorite created by artistic director Stanton Welch about the legendary tale of the huntress Sylvia and her love for a mortal shepherd. Look for the whole HB company dancing as gods, goddess, nymphs, huntresses, fauns, and the odd naiad.

    Though perhaps not as well known to dance lovers as other story ballets, this depiction of the Sylvia myth, set to music by Léo Delibes, has created faun fans for almost a 150 years. In 2019, Welch put his own mark on the tale, and then HB delivered an epic encore in 2022. It’s no wonder Sylvia leaps into the Wortham Center once more, as the stunning costumes and set designs scenic by world-renowned ballet and opera designer Jerome Kaplan, with lighting design by Lisa J. Pinkham and myth building projections from Wendall K. Harrington, all have made this ballet a favorite for HB audiences.

    Venus in Fur from Dirt Dogs Theatre (February 26-March 14)
    Dirt Dogs brings a very different kind of romance to the stage for Valentine's season. This dark, sizzling drama from acclaimed playwright David Ives plays on ideas about sexual relationships but also on creative collaborations. Thomas is a playwright searching for the perfect actress to portray Vanda for in his stage adaptation of Leopold Sacher-Masoch’s infamous novella Venus in Furs.

    On a dark, stormy night of fruitless auditions, a mysterious and unconventional woman calling herself Vanda arrives to read for the part. Not only is she late, she also appears far from the ideal candidate Thomas had in mind. As the audition unfolds, Vanda’s performance takes an unexpected turn, blurring the lines between script and reality. Masks slips and identities transform, leaving the audience to perhaps wonder who’s really directing and who is acting. As the sexual and psychological tension builds, Thomas and Vanda must confront the complexities of their desires and the darker sides of human nature.

    The Chinese Lady at Stages (February 27-March 22)
    Last year, Stages had a quiet hit with award-winning playwright Lloyd Suh’s The Heart Sellers, a touching drama about friendship between young immigrants in the 70s. This winter they’re back with another of Suh’s plays, this one inspired by the true story of the first Chinese woman to arrive in the United States. This Lady begins her journey in the early 1800s as a 14-year-old girl brought to America by promoters and toured across the country as a living curiosity. As Afong Moy travels across America over the decades, with her translator her only constant companion, the Chinese Lady shares her witty, poignant, and occasionally heartbreaking observations of a young nation. Balancing Moy’s sharply funny observations with the historical realities of her circumstances, the play touches on themes of identity, exploitation, and racism.

    Bernadette Peters
    Photo by Andrew Eccles

    The Hobby Center presents Beyond Broadway: An Evening with Bernadette Peters.

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