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    On The Market

    The ultimate bungalow? Lovingly restored Heights house turns heads — an $825,000 time machine

    Barbara Kuntz
    Barbara Kuntz
    Nov 11, 2014 | 1:54 pm

    Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

    A once small, three-bedroom, one-bath bungalow needing some TLC in the Brooke Smith neighborhood in the Greater Heights area now stands as an authentic, accurate and admirable tribute to the original American Arts and Crafts style.

    While celebrating its own open house, the local larger-scale "ultimate bungalow" even turned heads and attracted visitors during the recent American Institute of Architects Houston 2014 Home Tour. The house, located at 512 Archer St., is now for sale at $825,000.

    "It was the house that we first lived in together. We literally got married on the front porch of this house."

    The 2,460-square-foot residence blends period details with modern features. Taken to the studs, careful craftsmanship is evident throughout, from reclaimed hardwoods and shiplap; antique doors, windows, lighting fixtures and shutters salvaged from historic structures; to custom cabinets and bookshelves. The four-bedroom charmer also offers 400 square feet of covered and screened porches, including an outdoor kitchenette, making nature very much a part of the living experience on the 5,000-square-foot lot.

    So who is behind this local authentic American Arts and Crafts revival?

    Meet Anthony Harnden, president of The Contemporary Craftsmen, a company of six determined to meticulously represent classic Craftsman style in its projects.

    Harnden took time to respond to a Q&A email from CultureMap to share more about his latest creation — down to the nails.

    CultureMap: Tell us about The Contemporary Craftsmen. What are your inspirations and goals?

    Anthony Harnden: We started in 2008 right after the recession. I got my feet wet by moving a house from the Woodland Heights to a piece of property that we had purchased the previous year next to our residence. The Contemporary Craftsmen officially started about a year and a-half ago. I am the sole member of the LLC and have six full-time employees, mostly carpenters/painters.

    I started my second period restoration about two years ago. This was a house that (my wife) Kay bought for herself before we met. It was the house that we first lived in together. We literally got married on the front porch of this house. The house was what I call a working-class Victorian — T-shaped with three rooms total plus a bathroom that was added at some point.

    I really wanted to recreate the experience I had in some of the homes we visited in New Orleans. I wanted the screened-in porches, the court yards, the French doors, sun rooms and transoms. I wanted there to be a sense of having layers of history. I finished the house, and we had a pretty good amount of interest.

    I guess the goal of The Contemporary Craftsmen is to make a connection. My inspirations come from personal experiences. One of the three couples that have showed serious interest in the house at 512 Archer, my second house in this style, spoke with me. She told me that she was from Pasadena, Calif. She lived one-half a mile from The Gamble House. She said that the house that we built reminded her of the house that she grew up in. She was even tutored in a Greene and Greene house.

    It's difficult to describe what a gift she gave me by telling me these stories. Not many people have the chance to make that kind of connection with people. I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been.

    CM: What were the major steps you took in order to begin the process to create a true American Arts & Crafts house?

    AH: One of the challenges with this design were the 3-foot eaves. Greene and Greene houses typically have closer to 5-foot eaves. With 3-foot eaves plus a 12-foot-wide driveway, the location of the house on the lot becomes an important factor. So we had to move the house over about five feet. Since we were adding up, we decided to take that opportunity to build a proper foundation for the house, so we had the house lifted about six feet so we could get under there and rebuild the foundation.

    CM: Tell us about your favorite repurposed features incorporated into the house and where you found them?

    AH: We bought a building, a two-story brick building, in the neighborhood that was built in 1929 located at 1000 Enid, our current project. This property was originally a grocery store and had rental units upstairs. We scored four clawfoot tubs and several sinks from this building. We used two of the clawfoot tubs and one of the sinks at 512 Archer. One of the other sinks came from Adkins Architectural Antiques. Many of the sconces came from August Antiques on Heights Boulevard. We also used reclaimed oak floors.

    "I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been."

    One of the things that gets noticed the most are the industrial exposed track doors, but its the subtle things like the mortise sets and porcelain door handles that are my favorites because people don’t notice those things. They just experience them when they pull the door closed. It's not visual; it's sensory and subconscious.

    CM: American Arts & Crafts houses typically have furniture built specifically for certain areas of the homes. Is any of the furniture especially made for the house?

    AH: We built the dining table out of ash. We were kind of excited about it actually. We bought the wood from Clark’s Lumber. The ash had been left in the kiln for an extended time. causing the wood to turn a beautiful deep coffee color all the way through and giving it a wonderful smell, almost like a cigar. After it was finished, we decided to rub it down with mineral oil instead of putting a finish on it so you can smell that ash when you walk in the house.

    CM: Tell us about the other house you built in this fashion?

    AH: We have done two “California Craftsmen” on this street. The other one is located at 506 Archer. We were kind of proud of that house because it was actually a new construction. If we didn’t tell you, though, you wouldn't know it. We definitely used reclaimed material in that house, but it had an element that was greater than the sum of its parts. We felt like we breathed soul into it. It really felt like it had been there 100 years.

    CM Anything else you would like to add? I heard a lot of people on the AIA Contemporary Home Tour saw the house and liked it!

    AH: I wish I could take credit for planning this, but it was purely a coincidence that our open house was on the day of the AIA tour. Our friends and neighbors have a house that was on the tour. They live four doors down. They sent quite a few people down to see our house.

    It turns out that a lot of the people on the AIA tour have an appreciation for Early American Arts and Crafts as well as contemporary. Happy accident, and generous neighbors.

    Take a visual tour of 512 Archer St. by clicking through the slideshow above.

    Square footage: 2,460

    Asking price: $825,000

    Listing agent: Kay Harnden, Berkshire Hathaway HomeServices

    Across the entry hall is the living room centered around a fireplace with period-conscious design.

    On the Market 512 Archer St. November 2014 Living Area
    Photo by © William Tadlock
    Across the entry hall is the living room centered around a fireplace with period-conscious design.
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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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