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    Art Guys roundabout

    Road to nowhere: Art Guys circle 610 Loop for 24 hours to get a fresh look at H-Town

    Tyler Rudick
    Nov 11, 2013 | 4:00 pm

    Art Guys Michael Galbreth and Jack Massing were holding up surprisingly well Sunday morning when CultureMap hopped aboard their decorated van for one of 30 consecutive trips around the 610 Loop — a nonstop 24-hour trek marking the 11th monthly installment of the duo's 30th anniversary celebration series, 12 Events.

    "This freeway is an amazing physical reminder of what humans can do to the earth," said Galbreth from the passenger seat, roughly 19 hours into the so-called Loop project.

    "Seriously, look at all this concrete. I'd love to think that a thousand of years from now, people will tour the Loop like they do the pyramids in Egypt."

    " I'd love to think that a thousand of years from now, people will tour the Loop like they do the pyramids in Egypt."

    Exhausted but in good spirits thanks to multiple Monster drinks, Massing noted that every 38-mile circular trip has its low points and high points, from painful traffic at the Galleria to the intriguing twists of roads and waterways near the ship channel. In a single loop, one can catch a glimpse of the city's entire economic landscape, he said.

    The journey began on Saturday at 5 p.m. in a Taco Cabana parking lot along North Shepherd. Along with a team of assistant drivers and a van graciously sponsored by the Memorial City Management District, Galbreth and Massing traveled clockwise before switching directions 12 hours later. After countless stops for coffee, snacks and passengers, the group emerged victorious at 5 p.m. on Sunday.

    With Loop, the Art Guys have set out to make an event from the uneventful, an exploration of Houston city life that lies the heart of their 12 Events series. Since January, the duo has walked the full length of Little York Road, proposed laws to city council and crossed the intersection of Westheimer and Hillcroft for eight straight hours.

    "As artists, it's so important for us to engage the general public," Galbreth said. "We want to take the mundane and frame it in a different way for people."

    While the simple act of driving along the Loop doesn't resemble an artistic gesture, he explained that hundreds of thousands motorists mark and observe Houston's terrain everyday in a manner no less compelling than landscape greats like Turner or Manet or Corot.

    For the final 12 Events installment in December, Galbreth and Massing will recreate their first collaboration from 1983 — a piece during which the two artists stick their hands in buckets of paint, shake hands over a piece of paper and formally declare themselves "The Art Guys." This time they'll use a crane to perform the piece 30 feet in the air. Check the Art Guys website for more details.

    "99 bottles of beer on the wall 88 bottles of beer one of those that forget it you know," The Art Guys captioned this Twitter pic.

    The Art Guys Loop Mike 99 bottles of beer on the wall 88 bottles of beer one of those that forget it you know
    The Art Guys Twitter
    "99 bottles of beer on the wall 88 bottles of beer one of those that forget it you know," The Art Guys captioned this Twitter pic.
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    Remembering the Flood

    Texan wins Pulitzer Prize for heartbreaking story of Guadalupe flood

    Brianna Caleri
    May 5, 2026 | 2:00 pm
    Guadalupe River July 4 flood
    Photo by Brandon Bell/Getty Images
    Aaron Parsley has won a Pulitzer Prize for "Where the River Took Us," published days after the flood.

    Many Houstonians know someone who was impacted by the July 4, 2025 flood that killed more than 100 people. But one story cut through the chaos with an emotionally raw, first-person view of what actually happened. Texas Monthly senior editor Aaron Parsley published his survival story in "Where the River Took Us." On Monday, May 4, he has won the Pulitzer Prize for feature writing.

    The prestigious journalism award has 23 winners each spring. For features, the judges chiefly consider "quality of writing, originality and concision."

    "Where the River Took Us," brought readers moment-by-moment from Parsley's family house on the Guadalupe River, to family members including Parsley rushing down the river itself, to reunification for most of the family and grief for his 20-month-old nephew, Clay, who drowned.

    Parlsey renders each scene with arresting detail, recalling dialog and individual pieces of refuse raging past in the water: branches, furniture, a car with headlights still on. Adding to the immersion were photographs by Jordan Vonderhaar and Parsley's family. Published just days after the flood, the account was one of the first deep looks at what happened for readers who had only seen general news coverage and disorganized posts on social media.

    “In a matter of hours, Aaron uncovered the singular experiences of family members wrenched from one another and thrown into a raging flood," said Texas Monthly editor in chief Ross McCammon in a story announcing the Pulitzer award. "He then braided those stories together to convey what a tragedy of this sort actually feels like. This is a deeply reported story of horror, courage, and love, and it is one of the finest magazine stories ever written.”

    “I am grateful to my family for trusting me and to everyone at Texas Monthly for offering their support, talent, and meticulous care during the process of writing, reporting, and all that goes into putting this story into the world,” said Parsley. “It means everything to me, and I’m deeply proud to be a part of the Texas Monthly team.”

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