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    How To Breakdance

    How I learned to — sort of — breakdance: Stepping Out with the amazing Flying Steps

    Tarra Gaines
    Oct 16, 2015 | 12:05 pm

    Here’s a not-so-secret tidbit about arts writing. It can be rather sedentary work, with a lot of watching, listening and then just writing. However on some occasions the watching and listening requires another step, sometimes even a wild and literal one.

    This was the case recently when the world champion breakdancing crew, Flying Steps, came to town for their Red Bull Flying Bach show that continues through Sunday and I was invited to participate in a special breakdancing class for Houston media.

    My first thought was a calm, collected and appropriate: Oh, hell no. I’ll look ridiculous.

    But after pondering so crazy an invitation my thought changed to: Why not? The class will be full of other media people so we could all make fools of ourselves together.

    Plus I do possess a few secret weapons. I have taken at least one Zumba class in the past, and I can do a headstand on my own, without a wall or even the supervision of a yoga instructor. So what could possibly go wrong?

    Actually, absolutely nothing went wrong. While that one hour class did reenforce my awareness that I will never ever be a professional breakdancer — or any other kind of professional dancer for that matter — I did gain an even greater appreciation for the artistry of Flying Steps, having tried a few of their steps. I also learned that some breakdancing lessons might also apply as dancing-my-way-through-life lessons.

    Step 1: Find Yourself a B-Boy Real
    This is the most important, so pay close attention. To learn to breakdance in one hour, you better grab a master dancer to teach you. My teacher was Flying Steps member Uwe Donaubauer, (a.k.a B-Boy Real) who looks like he’s about 12 but has the patience of an ancient teacher in a martial arts movie. Donaubauer wowed us media sloths with a short demonstration of full on breakdancing, then showed us that even we could attempt some of those intricate, gravity-flouting moves once we slowed things down.

    Step 2: Build Your Steps
    Like many complex skill, learning to breakdance becomes much easier if the parts are broken up, understood and then put back together in their rightful complexity. The first moves we learned, were the toprock steps which are the foot movements done while standing. They consisted of dance steps that many people are probably already familiar with, like variations on the salsa. The downrock, or footwork, got us down to the floor via different kinds of corkscrew spins. Luckily, Donaubauer took pity and didn’t try to teach us many power moves, the more acrobatic jumps and flips, and freezes, like the frozen poses achieved during head or handstands, that most people probably think of when they envision breakdancing.

    Step 3: Feel Don’t Think
    This was a bit of advice we learned early on when working on steps, and keeping that adage in mind the made up verb I should probably use is “funning” on steps, not working, because when I did stop thinking so much and just had fun, I got a lot better.

    Step 4: Know Your Left and Right
    After we were done and my hair was soaked with sweat, I asked B-Boy Real, relative to the other beginner classes he had taught, just how bad were we. He said, with a face I’m sure would never lie to me, that we actually did pretty good. Just knowing our left from our right and moving in the called direction gave us an edge. As someone who couldn’t instinctively tell her right from left until I was about eight, I took that as the highest compliment. (Don’t judge, I’m left handed and we’re weird like that.)

    Step 5: Try This at Home, but then Go Watch at the Wortham
    In Flying Bach, the Flying Steps take breakdancing to a whole other mashed up level as they dance to Bach’s The Well-Tempered Clavier. In fact, they go so authentically retro, some of the selections are played on harpsichord. Flying Steps creative director Vartan Bassil first had the idea of breakdancing to classical music, and it was opera conductor Christoph Hagel who brought in Bach and taught them the language of his music.

    To marry the dance of breaking with the movement and cadence of Bach’s masterpiece is not so easy, even for guys who spend their nights spinning on their heads.

    “To understand this was a challenge,” Donaubauer explained to me, “because it’s a totally different rhythm then we have on breaking. So first we had to understand the music and understand what the music is saying. What is the energy of this music?”

    After seeing these guys in action at a performance eariler this week, I can go back to arts writing and say they definitely find that energy and send it out onto a Wortham Center crowd that was on their feet, to catch it, by the end of the show.

    --------------------

    The Flying Steps present Red Bull Flying Bach through Sunday at the Wortham Theater. Visit their website for more information and tickets.

    Learning the steps.

    Flying Bach Dance Class
    Photo by Carlo Cruz
    Learning the steps.
    dance
    news/arts

    major menil changes

    Houston museum repurposes historic building for massive new installation

    Holly Beretto
    Jun 18, 2026 | 10:30 am
    Fresco Building exterior
    Photo courtesy of The Menil Collection
    The former Byzantine Fresco Chapel on the campus of The Menil Collection will open next year as an art installation space.

    A building on the campus of The Menil Collection is getting a new life, after being closed for nearly a decade. The organization announced this week that the Fresco Building, which shuttered in 2018, will be transformed into a space for semi-permanent, site-specific commissions.

    Brooklyn-based artist Teresita Fernández will open the first installation in 2027. She's creating a monumental immersive work that will debut as The Menil Collection celebrates its 40th anniversary.

    “The Menil Collection has programmed its 40th anniversary year with strong exhibitions that explore the museum’s past, present, and future,” said Rebecca Rabinow, director of The Menil Collection. “As one of the highlights, Teresita Fernández’s extraordinary installation at the Fresco Building will join the Menil’s other single-artist buildings, the Cy Twombly Gallery and the Dan Flavin Installation at Richmond Hall. In recognition of the Fresco Building’s origins, her ambitious, site-specific artwork will address themes of spirituality and the human condition.”

    The Fresco Building sits among residential bungalows and two neighboring institutions, the University of St. Thomas and the Rothko Chapel. It opened in 1997 as the Byzantine Fresco Chapel, under the auspices of the Byzantine Fresco Foundation, and originally housed two 13th-century frescoes that were restored and held on an extended loan from the Holy Archbishopric of Cyprus. Those frescos were returned to Cypress in 2012. The building was then decommissioned as a chapel and held a series of installations before closing in 2018.

    The re-purposing of the chapel and Fernández’s commission are in keeping with the Menil’s history of working with living artists who draw inspiration from the museum’s campus, collection, and archives. Menil founders, John and Dominique de Menil, were among Houston’s most-noted art collectors and philanthropists, championing emerging artists from around the globe. The Menil Collection’s main building opened in 1987, showcasing paintings, sculptures, drawings, and other works in the couple’s vast collection. As more buildings became part of the Menil campus, it has become a must-visit for art lovers in Houston and from around the world.

    “It is an immense honor to have been chosen to reimagine the Fresco Building within the prestigious context of the Menil’s campus,” said Fernández. “Creating an immersive, site-specific installation for this building is especially meaningful to me because of the Menil’s deep commitment to artists and the transformational power that contemplative art experiences can offer. For the last thirty years my practice has questioned how we construct notions of landscape and place; this project gives me a unique opportunity, on a monumental scale, to continue to unravel the intimacies between human beings and matter as well as the more numinous landscapes we carry within.”

    Once the new Fresco Building is open, Fernández’s installation will remain for five years.

    Fresco Building exterior

    Photo courtesy of The Menil Collection

    The former Byzantine Fresco Chapel on the campus of The Menil Collection will open next year as an art installation space.

    museumsmenil collectionopenings
    news/arts
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