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    Cinema Arts Festival Schedule

    Film lovers delight: Houston Cinema Arts Fest packed with movie stars, major directors & great movies

    Joe Leydon
    Oct 15, 2013 | 6:00 pm

    Will Forte, Thomas Haden Church, and Houston-born filmmaker Richard Linklater will be among the luminaries lending their star power to the 2013 Houston Cinema Arts Festival. But wait: There’s more.

    Pulitzer Prize-winning playwright Tracy Letts (August: Osage County), legendary experimental filmmaker Jonas Mekas, veteran producer Ron Yerxa (Cold Mountain, Little Miss Sunshine) and acclaimed violinist Alicia Svigals, founder of the Grammy Award-winning ensemble The Klezmatics, are some of the other notables expected to be on hand for the Nov. 6-10 event.

    HCAF officials announced the festival’s full 2013 line-up of feature films, installations, live performances and celebrity guests Tuesday evening during a launch party at the Sam Houston Hotel.

    The opening-night attraction: Cutie and the Boxer, Houston-born filmmaker Zachary Heinzerling’s critically hailed documentary about the individual achievements and 40-year marriage of boxing painter Ushio Shinohara and artist Noriko Shinohara, both of whom will join Heinzerling for the Nov. 6 HCAF screening at the Museum of Fine Arts, Houston.

    Other festival highlights include:

    Nebraska

    The latest idiosyncratic dramedy from director Alexander Payne (Sideways, The Descendants) focuses on an eventful Montana-to-Nebraska road trip taken by a boozy golden-ager (Bruce Dern) who’s convinced he has won $1 million in a Publishers Clearing House-like sweepstakes. Also along for the ride: The cantankerous coot’s estranged son (Will Forte), who joins his father largely to take a vacation from his own dead-end life. Forte will be on hand for the HCAF screening, along with the film’s producer, Ron Yerxa, who’s being honored by the festival with special tribute screenings of his latest two movies.

    Dazed and Confused

    Wow, dudes. Can it really be two decades since Richard Linklater followed up his breakthrough indie Slacker with this free-wheelingly funny comedy – his first major studio release! – about music, marijuana and misadventures on the last day before summer vacation at an Austin high school? Well, yes. But that’s not the only reason why HCAF has slotted a special 20th-anniversary screening of the flick featuring such then-rising stars as Matthew McConaughey, Milla Jovovich, Ben Affleck and Renée Zellweger. Linklater will be this year’s recipient of the festival’s prestigious Levantine Cinema Arts Award, a prize that last year went to Robert Redford.

    Thomas Haden Church and TBA

    The Emmy-winning and Oscar-nominated actor will be at the Houston Cinema Arts Festival with one of his two new movies currently awaiting theatrical release. Trouble is, HCAF spokespeople claim they can’t yet tell us which one it will be, because of the festival’s non-disclosure agreement with the film’s distributor. All they’ll tell us is that Church will be accompanied by the film’s director – Megan Griffith, who won an audience award for narrative feature at the 2012 SXSW Film Festival with her harrowing indie drama, Eden – and producer/co-writer Emily Wachtel. Of course, any reasonably sentient human being could do a cross-check of those names on IMDB.com if they really were curious. Or they could, you know, just search “Thomas Haden Church” on Variety.com, and come up with this.

    Charlie Countryman

    The other Ron Yerxa production in the HCAF lineup is an offbeat comedy-drama featuring Shia LaBeouf as a hapless Chicagoan who falls in love with the beautiful ex-wife (Evan Rachel Wood) of a brutish crime boss (Mads Mikkelsen) while adrift in Romania. Director Frederik Bond will be at the festival to introduce his indie feature, which recently was picked up for release by Millennium Entertainment.

    Jonas Mekas

    At the ripe young age of 90, Mekas – a.k.a. The Godfather of American Avant-Garde Cinema – shows no signs of slowing down. Indeed, he won’t be content to simply screen his latest feature – Sleepless Nights Stories, a visual diary in which he rubs shoulders with Yoko Ono, Patti Smith, Harmony Korine and other artist friends – at HCAF 2013. No, Mekas also intends to conduct a tour of his exhibition Life Goes On… I Keep Singing at the Deborah Colton Gallery during the festival. Maybe while he’s here in H-Town, he’ll be offering health tips on how to remain eternally youthful? I mean, does this dude bathe in the blood of virgins every full moon, or what?

    The Yellow Ticket

    In this most famous of several silent-era movies based on playwright Michael Morton’s 1914 Broadway play, the great Pola Negri stars as a young Jewish woman in Czarist Russia who’s forced to degrade herself by obtaining a “yellow passport” usually reserved for prostitutes so she can travel freely to visit her ailing father in St. Petersburg. The Houston Cinema Arts Festival will screen film historian Kevin Brownlow’s restored version of the 1918 classic Nov. 7 at MFAH with live musical accompaniment by klezmer violinist Alicia Svigals and jazz pianist virtuoso Marilyn Lerner. (Music lovers and film buffs, take note: Svigals also will take part in a festival-sponsored event, Meet the Makers: Scoring for Silent Film, at 1 p.m. Nov. 8 at HCAF Headquarters, 1201 Main St.)

    Paris, Texas

    After programming Harry Dean Stanton: Partly Fiction, Sophie Huber’s tribute to the venerated character actor, and Shepard & Dark, Treva Wurmfeld’s study of the friendship between playwright Sam Shepard and actor Johnny Dark, the HCAF movers and shakers decided, hey, let’s go for the gusto and make it a triple bill. Which is why the festival will follow those two documentaries at the Sundance Cinemas with a special revival screening of Paris, Texas, Wim Wenders’ 1984 masterwork -- partly filmed right here in Houston -- starring Stanton in the performance of a lifetime as a dazed drifter in search of redemption and co-written (with L.M. Kit Carson) by Shepard. Good choice.

    Tracy Letts

    As we reported Monday, HCAF will present the H-Town premiere of August: Osage County as part of its 2013 festivities. What we didn’t report then – because we didn’t know yet – is that playwright/screenwriter Tracy Letts will be here to introduce director John Wells’ star-studded adaptation of his award-winning play about the singularly strong-willed women of an Oklahoma family.

    A family, Letts freely admits, that’s a lot like his own.

    “I’ve never shied away from discussing openly that it’s based on true family history,” Letts told me after the film’s premiere last month at the Toronto Film Festival. “My grandfather committed suicide by drowning when I was 10 years old. My grandmother then descended into years of downer addiction. And both of these things had great resonance in my family. Not only then, 38 years ago, but it has ripples in my family even to this day.

    “But the truth is, we’ve all got some dark patches in our family history. And anybody who says they don’t – they’re either lying, or they just haven’t been paying attention. Because those things are there.

    “So, yes, the play is drawn from autobiographical elements. But it’s certainly not my autobiography. This is a recognizable family to me in some ways. But in other ways, it’s very different from my actual family. You pick and choose the things that are helpful to you: Actual things from real life, totally made up things, things from other people’s families.”

    Complete details about 2013 Houston Cinema Arts Festival attractions and presentation venues can be obtained at the festival’s website.

    Richard Linklater, from left, Thomas Haden Church and Will Forte are among the luminaries to lend star power to the 2013 Houston Cinema Arts Festival.

    Richard Linklater, from left, Thomas Haden Church and Will Forte
    Courtesy photos
    Richard Linklater, from left, Thomas Haden Church and Will Forte are among the luminaries to lend star power to the 2013 Houston Cinema Arts Festival.
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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