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The Farmer Diaries

Texas farmer counts 5 surprising lessons learned from growing his own food

Marshall Hinsley
Marshall Hinsley
Sep 27, 2015 | 9:00 am

It's been seven years since I began to grow my own food, and the venture has had a profound effect on my life. It has changed my physical endurance, my diet, how I garden, and my future aspirations. As the 2015 growing season draws to a close, I'm pausing to remember them, as I plot a new course in my career and life.

I improved physically
Before I began gardening, I was tied to my computer-based job for 8 to 10 hours a day. I would take a daily walk with my wife. But even two-mile treks weren't enough to offset the damage a nearly sedentary life was wreaking on my body.

I wasn't obese, but my body mass index was at the top of my tolerable recommendation, and my upper body strength was abysmal.

Having fallen into such a state discouraged me from tackling projects around the house. Everything seemed to require too much exertion, so I did nothing.

When I started gardening, the short bursts of digging in the spring built up my strength. The season-long task of weeding garden beds kept my arms active. Pushing around a wheel barrow provided a workout.

Soon, building small structures seemed doable, and I stopped feeling discouraged from doing things based on the amount of exertion it would require.

I'm now a fit person for my age. My weight is good and stays steady and, although I'm a decade older, my endurance is better than before I started gardening.

My diet improved
I wasn't exactly addicted to junk food before I started gardening, but it was common for lunch or dinner to pop something prepackaged in the microwave.

After reading up on health and diet, I realized that I needed more greens. The bounty of Swiss chard, kale, collard greens, tomatoes, squash, and cucumbers coming from my garden changed the way I see dinner permanently. How can a person surrounded by cheap, nutritious food not want to take advantage of the supply as often as possible?

Now for every dinner, my wife and I cook up a huge portion of vegetables. Sometimes it's eggplant with tomatoes; other times it's squash and okra, or zucchini and onions. Kale or collard greens are staples. Coming up this year will be sweet potatoes, and winter peas. There's even the rare artichoke, straight from the garden.

Growing my own vegetables has also expanded my diet. I've eaten things I'd never have bought at the store.

I moved past the "natural" myth
Growing can make you feel like you're getting close to nature, but it's a wholly unnatural act. Whether a small garden or a huge monocrop of wheat, we're invading an ecosystem, clearing off the native plants and animals, and replacing them with our own, highly bred exotic species.

Why this was important for me to conclude is that prior to this realization, I tried to garden "naturally." What the exact definition of natural was, I couldn't say. No pesticides was obvious, but other efforts to be natural went astray. I viewed starting transplants indoors as unnatural. I exposed them to frost. I even felt reluctant to water my garden, under the idea that my crops should survive on rainfall.

I eventually moved past the idea of "natural." I began using grow lights and a heater for starting seeds indoors, to get a head start on the season. I learned that I needed a watering schedule, and that locating crops for easy access to water was a necessity.

I also learned that nowhere but a few places where volcanoes have been active in the last few centuries does the soil possess enough nutrients to sustain farming for more than four years. Therefore, amending the soil and building it up with nutrients is mandatory. Adding phosphorous, magnesium, and sulfur to a garden bed isn't natural, but it is beneficial to a crop.

As to pesticides, I came to understand that naturally-derived products harm bees and butterflies as well as the synthetic ones. "Natural" doesn't always mean it's good.

I embraced science
When I thought I was gardening the natural way, I sought out open-pollinated seed and eschewed hybrids. I thought of open-pollinated seed as what nature intended.

But with a few exceptions, everything we eat bears little resemblance to the plant it came from. The ancestor to apples is a bitter, berry-sized, hard fruit. The Victorians had no watermelons, only a citron melon nowhere as large or sweet. What we cultivate in our gardens are all so-called cultivars, bred over centuries by farmers seeking bigger, tastier, more-productive produce.

I began trying out a few hybrids, and now I can grow tomatoes that will fill a sandwich with just one slice. Hybrid cucumbers grow in my greenhouse all winter long, with no need for bees to pollinate them. Hybrids have been bred for specific purposes, usually productivity or disease resistance, that you miss out when you stick to one kind of crop.

These are not genetically engineered crops. A natural form of hybridization happens all the time among grasses and wildflowers; without hybridization, we wouldn't have the plant that led to the breeding of corn.

I'm no longer convinced that the best way to build up soil nutrients is to throw natural products into the dirt. I've become acquainted with a sustainable agriculture product that starts with soy but puts it through a synthetic process that makes it capable of fertilizing far more acreage than composting. I would use this with no breech of conscience.

And for hydroponic crop production, the mineral salts that contaminate soil and water supplies when used in a garden or farm field turn out to be harmless in a closed-loop, indoor environment. In a hydroponic system, they help us to use less land and water to grow the same amount of food, which in turn helps us to conserve resources and protect natural habitats that would be converted into farmland.

In these ways, I've concluded that science is good, and embracing its advantages will help me to grow better.

I became more self confident
From planting out a few hundred onion slips and seeing them ready to plate a few months later, to growing a citrus tree in a container and seeing it branch out with blooms and tiny fruit, growing things gives me a sense that I know how to do something, and I'm not too shabby at it either. Everyone needs to have that feeling about something.

The future
Now that I've spent a few years growing my own food, I've decided to move past my experiment of growing everything I eat. I've gone back to buying produce at the grocery store to replace what I haven't sown, and my uneasiness about doing so is subsiding.

In the coming year, I hope to transform my hobby into an occupation. To do this, I must focus on one or two crops I'm most skilled at growing, or maybe grow what is in demand. I haven't decided yet.

I enjoy growing, whether it's in a field, greenhouse, or a grow room with nothing but artificial lights. Producing something people want to buy, eat, and enjoy gives me satisfaction. To know that I'm meeting a basic human need in a way that's stepping on the earth as lightly as possible is what drives me to take this endeavor as far as I can.

Hybrids such as this lisianthus flower were easier to grow and produced better results.

Photo of lisianthus flower
Photo by Marshall Hinsley
Hybrids such as this lisianthus flower were easier to grow and produced better results.
farmer-diaries
news/home-design

A cut above

How vintage finds shaped the look of Houston’s nostalgic new steakhouse

Emily Cotton
Jul 10, 2026 | 11:30 am
Star Rover interior
Courtesy of Rocket Farm Restaurants
“Buffalo Bill” and friends were collected from various antiques stores.

Houston is not a city short on steakhouses. From old guard icons to sparkling new concepts, there has always been something for nearly every vibe. The addition of restaurateur Ford Fry’s new Heights steakhouse Star Rover to the Houston food scene fills a gap few Houstonians were aware was missing — good ol’ fashioned nostalgia.

Inspired by classic 1970s steak joints, Star Rover is reminiscent of the era along with the kitschy interior quirks that come along with them. Red and white checkered tablecloths, spindleback tavern chairs, animal mounts, and even a steak-eating challenge not unlike the one John Candy’s “Chet Riply” takes on in The Great Outdoors converge under dimly-lit milk glass chandeliers and mysterious vintage portraits.

As gaggles of Houstonians have flocked to Star Rover since its opening in February, the question that pops up time and again seems to be: where did they find all this stuff? From the resplendent Marfa-inspired patio to the delightfully-campy interior spaces, Rocket Farm Restaurants’ design director Rose Hanson and assistant design director Erika Askew shared the backstory on Star Rover’s most-photographed vignettes, their inspiration, and where to shop the look.

“A lot of Ford’s inspiration that he shares with us comes from Marfa, TX, and we really tried to conjure up some of that ‘Marfa,’ but a little more whimsical and not so serious for the exterior,” explains Hanson. “We sourced a lot of that in Round Top, which is a lot of fun.”

Indeed, their haul of vintage iron patio sets, funky lounge chairs, patinated tables, and umbrellas decked out in pink and white stripes, playful florals, and bullion fringe could have been plucked straight out of Marfa’s El Cosmico. Quite a feat, as Hanson and Askew were tasked with sourcing the exterior furniture with little more than 24 hours and a box truck. The rest, along with some interior items, came from their favorite — and the oldest — Houston antiques store August Antiques on Heights Boulevard.

“These are things that feel very different or out of place in the landscape, but it all connects to one another and perfectly fits there,” says Askew. “When we were thinking through this Marfa feel, it was really ‘what would a Marfa person do?’ Which is a little gathered and mismatched, but quirky and still Texas.”

From the patio, it may take a moment for eyes to adjust to the moody lighting glowing inside. Diners are greeted by a hefty hostess stand repurposed from an authentic saloon bar, found in an Atlanta Facebook marketplace listing of all places. “We ‘follow the stuff,’ and what we see,” says Hanson. “And that becomes our inspiration most of the time.”

The bar, located to the right of the entry, is a menagerie of vintage bar memorabilia. Retired brand mascots populate the shelf spaces between liquor bottles, and a floor-to-ceiling collection of rare beer mirrors fits together like puzzle pieces. It took the design duo six months and seven states to source them all. In the end, they only had a surplus of two. Surprisingly, the “mural” behind the bar is actually a landscape painting sourced during the trip to Round Top which perfectly aligned with the buildout.

“Once the project gets some momentum and we’re feeling the vibe, then we’ve really got a clear direction and we know it when we see it,” explains Hanson. “We get really excited about cowboy hats and those types of things — it’s hard to stop buying them now.”

On the subject of cowboy hats, the vaulted ceiling in the bar is nearly covered in them. The approximately 160 hats were sourced everywhere from vintage stores to eBay over the span of four months. While the goal was for the collection to look “intentionally unintentional,” assembling the carefully-curated installation took an entire day.

The main dining rooms are where things get really interesting. Lowered ceilings and warm lighting set an intimate scene, while the addition of heavy velvet draperies in deep burgundy serve to separate seating areas, dampen noise, and bring some mystique to the otherwise-casual atmosphere. Pushing the limit on what one may consider an inspired interior and what is merely cheesy theater, Star Rover lands perfectly within the realm of “camp.” It’s thoughtful, it’s quirky, and it’s a heck of a lot of fun.

“We definitely had the challenge of trying to create some of that nostalgia and authenticity without it being too conjured up or curated to make it feel staged,” says Hanson. “We tried to get it to the point where we brought in a lot of drama. Our restaurants integrate with other people’s lives and become a good memory for them. More than anything, we want to leave people with a warm feeling and a warm belly.”

The main dining area is mostly table seating, plus a hardwood-canopied bank of three booths. The antique milk glass chandeliers that hang within were sourced — for just $150 a pop — from local salvage shop Saltaire Architectural Antiques just outside of Lazybrook, as were the metal lampposts that serve as decorative columns throughout the space.

“You can’t create age on something,” says Askew of incorporating architectural salvage. “The charm of a space that’s been there forever is knowing it has been there forever. We wanted it to be like a living, breathing design that didn’t feel too perfect and allowed the age itself to happen and take over the space over time on its own. So it has a sense of nostalgia, but has so much room to grow into a place that’s been around forever.”

The pink-and-red-striped wallpaper is quickly becoming a guest favorite for Instagram posts. The pattern, with rows of whimsically-drawn turnips sprouting bouquets of flowers, also serves as a backdrop to one of the many vignettes of vintage collections. Taxidermy populates Star Rover as a whole, but guests find one grouping of particular interest, as the unfortunate former animals have taken on personalities of their own.

Names like Phil the pheasant, Douglas the deer, two ducks — aptly named Donald and Donna — and a gold-chain-wearing DJ Squirrel have garnered the unlikely squad a fandom all their own. Not to mention Buffalo Bill, the water buffalo that has taken up residence amongst the many mounts on the far back wall. One deer hoof holding out a fan of playing cards continuously receives a chuckle.

“We find ourselves having to create a lot of collections. Like the beer mirrors, the hats, the taxidermy, and some of the portraits,” explains Askew. “We strategically placed pieces of art and little cheeky items around so that every time a guest comes back in, they can kind of discover something new that maybe they didn’t notice before. Every time a guest comes back they feel a little rewarded by the design because they get to see a pop of something different.”

The antique portrait gallery and additional portraits placed throughout the spaces are of particular interest to new customers. The little blonde boy was the first in what would become a string of portrait purchases. With absolutely zero provenance to speak of, the designers chose to name the portrait “Baby Ford,” after proprietor Ford Fry, and go from there. Each new acquisition became a long lost family member with expressions and personalities to match, and with a growing fondness for them from the team.

“That little cheekiness and kind of laughing about this portrait of someone we didn’t know, and turning it into someone we do know kind of led to the rest of the findings,” explains Askew. “These were ideas we had, but that one piece opened the path for us for when we would find the other pieces. We found him and then we followed the next trail to a fun portrait, and then it became this portrait wall with a life of its own. What would it feel like to look at them when you’re in there? Even though we didn’t know who they are, we still knew them.”

Even the restrooms at Star Rover are a vintage design experience. More portraits and framed needlepoint works decorate the walls, while a graphic geometric wallpaper pattern is repeated on the fabric vanity aprons. The vanities themselves are — believe it or not — vintage replicas. The wide-bodied lime green sinks that perfectly imitate Bakelite, as well as the European-style brass vanity stands are none other than…Home Depot?

“We aren’t above or below going to Home Depot or to the fanciest store in town — if it’s the right thing, it’s the right thing,” says Askew. “Again, it was that feeling we got that we couldn’t deny and we knew that feeling would pass along to the guests when they enter the space.”

Clearly an important lesson in “high-low” design, Star Rover has something for everyone. From the nostalgic food and cocktail menus, to the comfy aesthetics of the 70s, and even the two vintage Skee-Ball machines tucked away near the patio, no detail has been overlooked.

“It’s an experience that each person gets to have individually when they walk in. It’s definitely going to take you back, not in an overdramatized way, but it will invoke the feeling of the places you’d go to with your parents as a kid, and now you’re bringing your kids,” shares Askew. “The nostalgia is there that makes people feel comforted; you don’t feel like you have to try hard. It’s always going to have a comfortable feel at whatever level you enjoy it at: drinks on the patio, snacks at the bar, dinner in the restaurant. It’s perfectly welcoming no matter what.”

As for their fellow vintage fans, Hanson weighs in on the question that’s usually on every thrifter’s mind during a hunt: “Is this cool, or is this garbage? Sometimes that line is a little blurry, and we aren’t afraid to ride that a bit.”

Star Rover interior

Courtesy of Rocket Farm Restaurants

“Buffalo Bill” and friends were collected from various antiques stores.

design interior design interview news-you-can-eat the-heights star rover
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