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Concert Benefit for Venues

Houston music stars rock out new festival to save local Houston venues

Johnston Farrow
Johnston Farrow
Aug 21, 2020 | 3:15 pm

For those about to rock, we salute you.

More than 20 Houston acts will take to Wi-Fi to perform over the course of a week starting Monday, August 24 for Houston Benefit Week. The live stream festival curated by Houston-based, national music publication Closed Captioned and beloved local independent venue, Wonky Power, will raise money for hurting local music venues.

The live stream concerts will take place from a variety of locations via live stream concert platform, Noon Chorus that has showcased revered artists such as Angel Olsen, Waxahatchee, Yo La Tengo, Surfer Blood, and upcoming shows by Bright Eyes and Dawes.

Artists on the lineup include a who's-who of the Houston music scene, including The Suffers' lead singer Kam Franklin, fast-rising rapper Fat Tony, atmospheric Galveston alt-rockers El Lago, the hip-hop meets hardcore punk of Blackie, noise rocers Narrow Head, uber-producer John Allen Stephens, '90s alt-rock throwback act Good Girl, talented synth artist Tee Vee, country crooners Hayes Carll and Luba Dvorak, and many more.

The concert series came about via David Garrick, founder of Closed Captioned, who sought to give back to the Houston music community in a time of need. Joining forces with Wonky Power owner, Mario Rodriguez, who had helped organize the first rooftop concert after the pandemic started at Axelrad Beer Garden back in May. Garrick then reached out to local acts to organize a week-long schedule of live performance. Some will take place at Wonky Power, some will take place in personal performance spaces.

"I told Mario, hey, let's do this, we'll give all the money to venues, they'll all be independently owned," Garrick tells CultureMap. "I said let's use NoonChorus. I reached out to them and they've been the greatest partner and they embraced it 100 percent."

The seven day and 22 artist roster will raise money for Houston venues Satellite Bar, Rudyard's, The Secret Group, Red Dwarf, Dan Electro's Guitar Bar, and the Old Quarter Cafe in Galveston. All together, they represent decades worth of shows and memories for local independent music.

Garrick has experience with multi-day benefit concerts. Two years ago, he organized a seven day benefit sprawling across six venues to raise money for Christian Kidd of Houston punk band The Hates as he battled cancer. This time, he'll take it to the internet with closures of venues across the country.

It couldn't come at a better time, as live music spaces face an unprecedented challenge to stay open with no way to generate revenue as the coronavirus ravages the arts world. This type of event could give momentary respite with federal aid legislation on hold — as lawmakers are on their summer recess without finding a deal to help independent venues.

"I think it's good for everyone to see their favorite bands again," says electronic pop producer Rex Hudson, who is on the lineup. "I agreed to do it to keep the venues open until we get back to some sort of normalcy. Having played a lot of the Houston venues, it was an opportunity to give back."

"The goal of this thing is to raise money for six independent venues and the reason why the cost of the series is $70 is because if you're going to donate to a GoFundMe, most people are going to donate around $50 to $100," Garrick says. "We thought, we'll make it $70 and divvy it up among the venues. You get a lot for it, you get plenty of content."

Fans can buy tickets for the entire 22-show series for $70 and individual tickets for most shows are $5 or $10. For the full lineup and tickets, visit the NoonChorus website.

Nineties throwback alt-rock act Good Girl performs during Benefit Week on NoonChorus.

Good Girl
Arturo Olmos
Nineties throwback alt-rock act Good Girl performs during Benefit Week on NoonChorus.
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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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