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    Wildest Summer Fest Ever

    Summer Fest's wildest day ever: Evacuation grumbling, Houston rap legends shock & mud dancing

    Elizabeth Rhodes
    Jun 1, 2014 | 6:01 am

    This marks the sixth year Free Press Summer Festival has graced Houston with its presence. Although the music festival is now a far cry from that humble first-ever Summer Fest, one thing remains the same — this event's always full of surprises.

    The first day of this year's fest included an evacuation, legendary Houston rappers and a whole lot of muddy people.

    The Evacuation

    Let's start with the most glaringly obvious incident of the day — the evacuation. Around 2 p.m., festival goers — including myself waiting to see The Tontons — were told they needed to vacate the grounds due to impending weather conditions. The music was cut on all six stages as tens of thousands looked around in dismay.

    While many chose to hang around on Allen Parkway while it rained and lightning flashed in the sky, even more just simply left.

    "I thought the ticket said 'Rain or shine,' " someone muttered as I exited the grounds with a hoard of confused, angry and disappointed people. While many chose to hang around on Allen Parkway while it rained and lightning flashed in the sky, even more just simply left. After a few hours of waiting to find out if Summer Fest would resume, it was confirmed that the gates would reopen at 4 p.m.

    Unfortunately the rain made the main Mars Stage area rather messy, but otherwise, the festival managed to get back on its feet and get back to what it's really about — music.

    Stunning Uchi Food

    Free Press Summer Fest kicked off with one of the most anticipated events on its entire schedule — a collaborative breakfast that brought together top restaurant Uchi, Houston hip hop legend Bun B and super producer Dan the Automator for a one of a kind collaborative performance in which Bun and Dan created original music and lyrics to pair with the dishes being served. Highlights of the menu included a Thai-flavored pancake created by Hell’s Kitchen winner Ja’Nel Witt and Korean chicken dumplings that Bun introduced by declaring, “This dish is the bomb.”

    Everything was rolling along for the lucky 200 people invited until the power in the tent went out before Bun had the chance to perform the fourth song. After waiting around a bit for a repair that never came, Bun embraced the “master of ceremonies” version of an MC by working the room. He greeted people individually, posed for pictures and made sure everyone left with a good memory.

    That’s why he’s the Trill OG.

    Rap Legends Galore

    As a Houstonian who loves hip hop, there was no way I could miss the "Welcome to Houston" showcase. Honestly, it seemed like everyone who was on the festival grounds at the time was watching the Neptune Stage. To have six local rap legends — Bun B, Devin the Dude, Slim Thug, Paul Wall, Mike Jones and Z-Ro — all performing on one stage in front of an endless sea of screaming fans made for an experience few will ever forget

    This will likely go down in history as the ultimate Houston hip hop performance.

    Seeing Mike Jones, Paul Wall and Slim Thug perform "Still Tippin'" was a throwback to my youth and to hear UGK's "International Players Anthem" performed live (without Pimp C, of course) was an added treat. With so much celebrated talent coming together for one performance, and with such an incredibly loving welcome from the hometown crowd, this will likely go down in history as the ultimate Houston hip hop performance.

    Childish Gambino

    Although my friends couldn't help but reminding me that Childish Gambino's Donald Glover is none other than Troy Barnes from the sitcom Community, he is really so much more than that. Giving an incredibly raw performance to the crowd of thousands packed in front of the Mars Stage, Childish Gambino proved that he's got range.

    Whether performing smooth jams like "Heartbeat" or bass-heavy stunners like "Crawl," he wowed fans with a frenetic stage presence, not to mention his spitfire delivery and poignant lyrics. In spite of some rather serious mud in the field in front of the Mars Stage, fans were gyrating, cheering and loving every second of the impressive heartfelt performance.

    Zedd

    By the time Zedd hit the Saturn Stage, you never would have thought the festival had been evacuated earlier in the day. Zedd's infectious electro house beats had everyone (I mean everyone) dancing like there was no tomorrow and the vibrant light show was just the cherry on top. With lasers and lights shooting from every angle, flashing in sync with Zedd's thumping bass, the crowd was frenzied and the feeling of excitement was palpable.

    Although people were packed like sardines, everyone was celebrating the performance (and the fact that the hot sun had gone down). With a penchant for mixing dancey electro tracks, Zedd's tunes were hard not to get excited about and Houston music fans sure let him know how excited they were.

    CultureMap reporter Eric Sandler contributed to this story.

    As thousands watched the stage, the dark clouds rolled in above at Summer Fest.

    Photo by Michelle Watson CatchLightGroup.com
    As thousands watched the stage, the dark clouds rolled in above at Summer Fest.
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    Music feature

    Texas country star Cody Johnson's new album goes to 'Banks of Trinity'

    Associated Press
    Jul 3, 2026 | 1:00 pm
    Cody Johnson
    Photo by Cameron Powell
    Cody Johnson.

    There's a moment at every Cody Johnson show where the Texas-born-and-bred country star asks the crowd, “How many of you tonight are watching me and this band live for the very first time?” he told The Associated Press. “And every night, I would say at least 80% of the crowd raises their hands.”

    It's not the kind of reaction most veteran artists receive. “And I’m thinking, you know, 20 years is a long time to work for something. But when you see that … What’s the next 20 years look like?” he asks.

    The rancher, rodeo competitor, and onetime prison guard started his two-decade career playing honky tonks and dive bars. That led to slow and steady growth for the country traditionalist, but in the last few years, something has shifted. He landed his fifth career No. 1 song with “The Fall.” He was named Entertainer of the Year at the 2026 Academy of Country Music Awards, the show's highest honor. That was a month after he headlined Stagecoach Music Festival. For an artist with legions of fans, it looked like he was accessing new heights.

    “I feel like I’m closing a book and I’m opening another one and it’s all blank pages,” he says of this period. “Let's get to the next chapter." On June 26, that new era began with the release of his latest album, Banks of the Trinity.

    Traveling to the Banks of the Trinity
    It hasn't been an easy road. Last fall, Johnson had to cancel a bunch of tour dates after upper respiratory and sinus infections caused a burst eardrum that required surgery — an intimidating medical procedure for anyone, but especially nerve-wracking for a musician. “I was scared,” he said simply. But “in a roundabout way, it’s one of the best things that’s ever happened to me.”

    It forced him to take three months off, which allowed him to be home during the birth of his son. It also rejuvenated his approach in the studio. Before the incident, he thought the album was complete. It was not. The additional time resulted in the inclusion of a few songs that now feel inextricable from the record: “Thank Somebody Country,” “Take Me Back (Leave Me There),” “Cricket on a Hook,” and the resilient “I Have” among them.

    “What a blessing to have that kind of song fall in your lap when you’re kind of up against the ropes,” he says of the latter. “I mean, we thought we had the record done. It wasn’t done.”

    A title track with real resonance
    At the heart of Banks of the Trinity is its title track, which recalls Eagles' cover of “Seven Bridges Road” meets bluegrass and Southern gospel.

    Lyrically, it's an ode to Johnson's childhood. “I grew up on the banks of the Trinity [River.] Fishing for catfish, not so much out of pleasure or sport but for necessity to put food in the freezer. Deer season for me was not a trophy thing,” he said.

    And while that track inspires a feeling of nostalgia within the listener, he doesn't consider this album a throwback collection. He says it's about showcasing his evolving sonic diversity.

    "The rest of the album for me is a musical journey from track one to track 16,” he said. “There’s a little bit of a flavor for everybody. It does kind of hit Motown. It does kind of hit bluegrass. It does hit progressive country. It does it old country. It does a little rock here and there.”

    It's the result of a new kind of freedom, one that is at least partially due to his recent accomplishments, including taking home the top prize at the ACM Awards.

    “I just did the thing that I’ve aspired to do in my career my entire life,” he says. “A really good place is a really good way to describe where I am.”

    And now that the album is out, he's ready to take a breather.

    “I will be shirtless with no shoes on a beach at an undisclosed location,” he jokes about the days after record release. “'Cause I have already done all the prep work. I've been working on this album for two years. I’ve done all of the interviews. I’ve shook all the hands. Me and my wife and kids are gonna disappear for 10 days and I’m gonna become, I guess, every Kenny Chesney song ever.”

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