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    For the love of god

    Sacred prayer or steamy love affair? Anniversary concert celebrates music inspired by kings & queens

    Naomi Galvez
    Naomi Galvez
    May 30, 2013 | 12:14 pm

    Some scholars say that The Song of Songs of Solomon focuses on the historic, secular love story between King Solomon and the Queen of Sheba. The book fills our minds with sumptuous, tender, loving and passionate words — the stuff that makes up a great romance novel.

    Yet a sacred reading of these steamy texts of dedication may symbolize something completely different. Some say that the words describe one's connection with God — but I'll leave that up to the reader to decide which fairs a better interpretation.

    During the Baroque era, there was a fascination with these poetic verses. Many composers set these allegorical passages to music, yielding variations as plentiful as the devotions they declare.

    Ars Lyrica Houston closes its 2012-13 season with "Divine Recreation," a program that offers a tempting treat: Musical settings of the Song of Songs of Solomon and other divinely inspired tunes interpreted by Baroque's famed composers such as Dieterich Buxtehude, Claudio Monteverdi and George Frideric Handel.

    Soprano Melissa Givens, who will be featured in the concert, explains that these excerpts celebrate the elements of a relationship, including the initial attraction, pursuit, sexual attraction and union.

    "There are about five stories in the universe that we keep retelling. How love can take you to the highest places or make do things you thought you'd never do."

    The performance will include an alluring duet from Monteverdi's opera The Coronation of Poppaea. The sultry love affair between Nero, Emperor of Rome, and a young girl, Poppea, isn't related to the text from Song of Songs, but connected to the theme of the evening.

    Givens has a personal connection to The Coronation of Poppaea. As a young music student at Rice University, she recalls not being fond of the title role. Years later, however, as she revisits the ambitious score, it has become her most beloved piece to execute. She thinks that's because of a correlation she noticed later in her career and through her work as a teacher.

    "There are about five stories in the universe that we keep retelling," Givens says. "How love can take you to the highest places or make do things you thought you'd never do. It's the basis of a lot of our greatest love stories — and you can trace that right back to the Song of Solomon."

    In alignment with the theme of devotion, the performance also marks Given's 10-year anniversary collaborating with Ars Lyrica. She affectionately describes her tenure with the group as a family environment teeming with amazing colleagues.

    "I've been blessed," she continues. "We're fortunate to be able to perform early music. We've gotten to the point where we get to experience the re-creation of art no matter the repertoire. We communicate this joy. Ars Lyrica was founded on our love for early music, so it's nice to have our next season focus on the subject of love."

    Ars Lyrica's desire to bring early music to a community that years ago didn't have a lot of exposure to the genre continues to inspire while growing in popularity.

    And just how breathtaking are the words between King Solomon and his Queen, or a Roman Emperor and his beloved when they're set to music? You're invited to find out.

    ___

    Ars Lyrica will perform "Divine Recreation" on Friday, 7:30 p.m., at the Hobby Center for the Performing Arts. Tickets start at $35, $22 for students, and can be purchased online or by calling 713-315-2525.

    The repertoire includes Monteverdi's Pulchra es, amica mea from Vespro della beata Vergine; Frescobaldi's Bergamasca from Fiori Musicali; Monteverdi's Pur ti miro from L'Incoronazione di Poppea; Monteverdi's Nigra sum from Vespro della beata Vergine; Marini's La Foscarina. Sonata a 3 con il tremolo; Schütz's Paratum cor meum, Deus, SWV 257; Buxtehude's Liebster, meine Seele saget, BuxWV 70 and excerpts from Handel's Solomon.

    Melissa Givens performs on Friday as part of "Divine Recreation," a concert that features passionate love songs from The Song of Songs of Solomon.

    Ars Lyrica Houston May 2013 Melissa Givens in concert
    Photo by © Anthony Rathbun
    Melissa Givens performs on Friday as part of "Divine Recreation," a concert that features passionate love songs from The Song of Songs of Solomon.
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    Movie Review

    Feuding couple fights for survival in dark comedy Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 2:00 pm
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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