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For the love of god

Sacred prayer or steamy love affair? Anniversary concert celebrates music inspired by kings & queens

Naomi Galvez
Naomi Galvez
May 30, 2013 | 12:14 pm

Some scholars say that The Song of Songs of Solomon focuses on the historic, secular love story between King Solomon and the Queen of Sheba. The book fills our minds with sumptuous, tender, loving and passionate words — the stuff that makes up a great romance novel.

Yet a sacred reading of these steamy texts of dedication may symbolize something completely different. Some say that the words describe one's connection with God — but I'll leave that up to the reader to decide which fairs a better interpretation.

During the Baroque era, there was a fascination with these poetic verses. Many composers set these allegorical passages to music, yielding variations as plentiful as the devotions they declare.

Ars Lyrica Houston closes its 2012-13 season with "Divine Recreation," a program that offers a tempting treat: Musical settings of the Song of Songs of Solomon and other divinely inspired tunes interpreted by Baroque's famed composers such as Dieterich Buxtehude, Claudio Monteverdi and George Frideric Handel.

Soprano Melissa Givens, who will be featured in the concert, explains that these excerpts celebrate the elements of a relationship, including the initial attraction, pursuit, sexual attraction and union.

"There are about five stories in the universe that we keep retelling. How love can take you to the highest places or make do things you thought you'd never do."

The performance will include an alluring duet from Monteverdi's opera The Coronation of Poppaea. The sultry love affair between Nero, Emperor of Rome, and a young girl, Poppea, isn't related to the text from Song of Songs, but connected to the theme of the evening.

Givens has a personal connection to The Coronation of Poppaea. As a young music student at Rice University, she recalls not being fond of the title role. Years later, however, as she revisits the ambitious score, it has become her most beloved piece to execute. She thinks that's because of a correlation she noticed later in her career and through her work as a teacher.

"There are about five stories in the universe that we keep retelling," Givens says. "How love can take you to the highest places or make do things you thought you'd never do. It's the basis of a lot of our greatest love stories — and you can trace that right back to the Song of Solomon."

In alignment with the theme of devotion, the performance also marks Given's 10-year anniversary collaborating with Ars Lyrica. She affectionately describes her tenure with the group as a family environment teeming with amazing colleagues.

"I've been blessed," she continues. "We're fortunate to be able to perform early music. We've gotten to the point where we get to experience the re-creation of art no matter the repertoire. We communicate this joy. Ars Lyrica was founded on our love for early music, so it's nice to have our next season focus on the subject of love."

Ars Lyrica's desire to bring early music to a community that years ago didn't have a lot of exposure to the genre continues to inspire while growing in popularity.

And just how breathtaking are the words between King Solomon and his Queen, or a Roman Emperor and his beloved when they're set to music? You're invited to find out.

___

Ars Lyrica will perform "Divine Recreation" on Friday, 7:30 p.m., at the Hobby Center for the Performing Arts. Tickets start at $35, $22 for students, and can be purchased online or by calling 713-315-2525.

The repertoire includes Monteverdi's Pulchra es, amica mea from Vespro della beata Vergine; Frescobaldi's Bergamasca from Fiori Musicali; Monteverdi's Pur ti miro from L'Incoronazione di Poppea; Monteverdi's Nigra sum from Vespro della beata Vergine; Marini's La Foscarina. Sonata a 3 con il tremolo; Schütz's Paratum cor meum, Deus, SWV 257; Buxtehude's Liebster, meine Seele saget, BuxWV 70 and excerpts from Handel's Solomon.

Melissa Givens and the artists of Ars Lyrica Houston.

Ars Lyrica Houston May 2013 musicians
Photo by © Anthony Rathbun
Melissa Givens and the artists of Ars Lyrica Houston.
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Movie Review

Despicable Me sequel Minions & Monsters keeps franchise's goofy vibe

Alex Bentley
Jun 30, 2026 | 4:00 pm
Henry and James in Minions & Monsters
Photo courtesy of Illumination & Universal Pictures
Henry and James in Minions & Monsters.

The Despicable Me franchise is one of the most enduring of the 21st century, now reaching its seventh film in the past 16 years with the release of Minions & Monsters. The Minions, which were originally mere sidekicks to the supervillain Gru, have now arguably become the face of the franchise, even more so when they get their own movie.

Minions & Monsters purports to give even more history for the little yellow pill-shaped beings who want nothing more than to serve bad guys. Instead of fan favorites like Kevin, Stuart, and Bob leading the way, this film features James, a Minion who can’t stop causing chaos, and his best friend, Henry (all Minions are voiced by series creator Pierre Coffin).

After a prologue showing the Minions teaming up with various baddies over centuries, the group shows up in early 20th century Hollywood, gaining attention from filmmakers like Max (Christoph Waltz) and producer brothers Frank and Edward (both voiced by Jeff Bridges). They quickly rise up the ranks, with adventures coming to involve actress Debbie (Zoey Deutch), robot Dort (Jesse Eisenberg), and a Cthulhu named Goomi (Trey Parker).

Co-directed by Coffin and Patrick Delage and co-written by Coffin and Brian Lynch, the film is the loosest one of the franchise to date, using a barely-there story as an excuse to have the Minions engage in as much mayhem as possible. The prologue is the most successful part of the film, as they meet a cyclops, wizard, bank robber, and more, with each sequence getting wilder and funnier.

The 90-minute film is just as interested in entertaining kids with its craziness as it is in giving adults references to early film history. Among the films and actors that get shout-outs are the first-ever movie, The Horse in Motion, Georges Méliès’ A Trip to the Moon, Charlie Chaplin, Buster Keaton, and more. Whether including those historical relics will have kids wanting to seek out the real deals is questionable, but at least it shows the filmmakers know they owe a debt to the greats of the past.

The second half of the film becomes less coherent as the Minions split into different factions. James, Henry, and a hard-of-hearing Minion named Ed go in one direction to make a monster movie, while a larger group led by their antagonist named Dick goes in another. There’s no real purpose to either side’s journey other than to serve up laughs through the Minionese language (which seems to lean toward Spanish, as one scene acknowledges) and their antics.

Anyone purposefully going to a Minions movie likely enjoys Coffin’s performance of each character, each of which is subtly different. The rest of the cast, while star-laden, never truly sounds like the actors portraying them, which is strange when you have distinctive voices like Waltz, Bridges, and Eisenberg. The only people who stand out are Allison Janney as the narrator, Bobby Moynihan, and a cameo by George Lucas.

While Minions & Monsters doesn’t offer up an overly compelling reason for existing, it’s also harmless fun that has the side benefit of exposing kids to bits of film history that they might not have known existed. It also tries something different from the tried-and-true format of previous films, and experimentation should be appreciated even if it’s not fully successful.

---

Minions & Monsters opens in theaters on July 1.

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