• Home
  • popular
  • EVENTS
  • submit-new-event
  • CHARITY GUIDE
  • Children
  • Education
  • Health
  • Veterans
  • Social Services
  • Arts + Culture
  • Animals
  • LGBTQ
  • New Charity
  • TRENDING NEWS
  • News
  • City Life
  • Entertainment
  • Sports
  • Home + Design
  • Travel
  • Real Estate
  • Restaurants + Bars
  • Arts
  • Society
  • Innovation
  • Fashion + Beauty
  • subscribe
  • about
  • series
  • Embracing Your Inner Cowboy
  • Green Living
  • Summer Fun
  • Real Estate Confidential
  • RX In the City
  • State of the Arts
  • Fall For Fashion
  • Cai's Odyssey
  • Comforts of Home
  • Good Eats
  • Holiday Gift Guide 2010
  • Holiday Gift Guide 2
  • Good Eats 2
  • HMNS Pirates
  • The Future of Houston
  • We Heart Hou 2
  • Music Inspires
  • True Grit
  • Hoops City
  • Green Living 2011
  • Cruizin for a Cure
  • Summer Fun 2011
  • Just Beat It
  • Real Estate 2011
  • Shelby on the Seine
  • Rx in the City 2011
  • Entrepreneur Video Series
  • Going Wild Zoo
  • State of the Arts 2011
  • Fall for Fashion 2011
  • Elaine Turner 2011
  • Comforts of Home 2011
  • King Tut
  • Chevy Girls
  • Good Eats 2011
  • Ready to Jingle
  • Houston at 175
  • The Love Month
  • Clifford on The Catwalk Htx
  • Let's Go Rodeo 2012
  • King's Harbor
  • FotoFest 2012
  • City Centre
  • Hidden Houston
  • Green Living 2012
  • Summer Fun 2012
  • Bookmark
  • 1987: The year that changed Houston
  • Best of Everything 2012
  • Real Estate 2012
  • Rx in the City 2012
  • Lost Pines Road Trip Houston
  • London Dreams
  • State of the Arts 2012
  • HTX Fall For Fashion 2012
  • HTX Good Eats 2012
  • HTX Contemporary Arts 2012
  • HCC 2012
  • Dine to Donate
  • Tasting Room
  • HTX Comforts of Home 2012
  • Charming Charlie
  • Asia Society
  • HTX Ready to Jingle 2012
  • HTX Mistletoe on the go
  • HTX Sun and Ski
  • HTX Cars in Lifestyle
  • HTX New Beginnings
  • HTX Wonderful Weddings
  • HTX Clifford on the Catwalk 2013
  • Zadok Sparkle into Spring
  • HTX Let's Go Rodeo 2013
  • HCC Passion for Fashion
  • BCAF 2013
  • HTX Best of 2013
  • HTX City Centre 2013
  • HTX Real Estate 2013
  • HTX France 2013
  • Driving in Style
  • HTX Island Time
  • HTX Super Season 2013
  • HTX Music Scene 2013
  • HTX Clifford on the Catwalk 2013 2
  • HTX Baker Institute
  • HTX Comforts of Home 2013
  • Mothers Day Gift Guide 2021 Houston
  • Staying Ahead of the Game
  • Wrangler Houston
  • First-time Homebuyers Guide Houston 2021
  • Visit Frisco Houston
  • promoted
  • eventdetail
  • Greystar Novel River Oaks
  • Thirdhome Go Houston
  • Dogfish Head Houston
  • LovBe Houston
  • Claire St Amant podcast Houston
  • The Listing Firm Houston
  • South Padre Houston
  • NextGen Real Estate Houston
  • Pioneer Houston
  • Collaborative for Children
  • Decorum
  • Bold Rock Cider
  • Nasher Houston
  • Houston Tastemaker Awards 2021
  • CityNorth
  • Urban Office
  • Villa Cotton
  • Luck Springs Houston
  • EightyTwo
  • Rectanglo.com
  • Silver Eagle Karbach
  • Mirador Group
  • Nirmanz
  • Bandera Houston
  • Milan Laser
  • Lafayette Travel
  • Highland Park Village Houston
  • Proximo Spirits
  • Douglas Elliman Harris Benson
  • Original ChopShop
  • Bordeaux Houston
  • Strike Marketing
  • Rice Village Gift Guide 2021
  • Downtown District
  • Broadstone Memorial Park
  • Gift Guide
  • Music Lane
  • Blue Circle Foods
  • Houston Tastemaker Awards 2022
  • True Rest
  • Lone Star Sports
  • Silver Eagle Hard Soda
  • Modelo recipes
  • Modelo Fighting Spirit
  • Athletic Brewing
  • Rodeo Houston
  • Silver Eagle Bud Light Next
  • Waco CVB
  • EnerGenie
  • HLSR Wine Committee
  • All Hands
  • El Paso
  • Houston First
  • Visit Lubbock Houston
  • JW Marriott San Antonio
  • Silver Eagle Tupps
  • Space Center Houston
  • Central Market Houston
  • Boulevard Realty
  • Travel Texas Houston
  • Alliantgroup
  • Golf Live
  • DC Partners
  • Under the Influencer
  • Blossom Hotel
  • San Marcos Houston
  • Photo Essay: Holiday Gift Guide 2009
  • We Heart Hou
  • Walker House
  • HTX Good Eats 2013
  • HTX Ready to Jingle 2013
  • HTX Culture Motive
  • HTX Auto Awards
  • HTX Ski Magic
  • HTX Wonderful Weddings 2014
  • HTX Texas Traveler
  • HTX Cifford on the Catwalk 2014
  • HTX United Way 2014
  • HTX Up to Speed
  • HTX Rodeo 2014
  • HTX City Centre 2014
  • HTX Dos Equis
  • HTX Tastemakers 2014
  • HTX Reliant
  • HTX Houston Symphony
  • HTX Trailblazers
  • HTX_RealEstateConfidential_2014
  • HTX_IW_Marks_FashionSeries
  • HTX_Green_Street
  • Dating 101
  • HTX_Clifford_on_the_Catwalk_2014
  • FIVE CultureMap 5th Birthday Bash
  • HTX Clifford on the Catwalk 2014 TEST
  • HTX Texans
  • Bergner and Johnson
  • HTX Good Eats 2014
  • United Way 2014-15_Single Promoted Articles
  • Holiday Pop Up Shop Houston
  • Where to Eat Houston
  • Copious Row Single Promoted Articles
  • HTX Ready to Jingle 2014
  • htx woodford reserve manhattans
  • Zadok Swiss Watches
  • HTX Wonderful Weddings 2015
  • HTX Charity Challenge 2015
  • United Way Helpline Promoted Article
  • Boulevard Realty
  • Fusion Academy Promoted Article
  • Clifford on the Catwalk Fall 2015
  • United Way Book Power Promoted Article
  • Jameson HTX
  • Primavera 2015
  • Promenade Place
  • Hotel Galvez
  • Tremont House
  • HTX Tastemakers 2015
  • HTX Digital Graffiti/Alys Beach
  • MD Anderson Breast Cancer Promoted Article
  • HTX RealEstateConfidential 2015
  • HTX Vargos on the Lake
  • Omni Hotel HTX
  • Undies for Everyone
  • Reliant Bright Ideas Houston
  • 2015 Houston Stylemaker
  • HTX Renewable You
  • Urban Flats Builder
  • Urban Flats Builder
  • HTX New York Fashion Week spring 2016
  • Kyrie Massage
  • Red Bull Flying Bach
  • Hotze Health and Wellness
  • ReadFest 2015
  • Alzheimer's Promoted Article
  • Formula 1 Giveaway
  • Professional Skin Treatments by NuMe Express

    One haute show

    How to visit Texas museum's new Dior exhibit like a true fashionista

    Stephanie Allmon Merry
    May 27, 2019 | 11:35 am

    UPDATE: The blockbuster exhibition "Dior: From Paris to the World" has been extended through October 27, the Dallas Museum of Art announced on August 15. For tickets and other information, visit the museum's website.

    ---

    The Dallas Museum of Art is dressed and ready for an extra haute summer. The blockbuster fashion retrospective "Dior: From Paris to the World," which surveys more than 70 years of the House of Dior’s legacy, opened May 19 and runs through September 1.

    After a successful run at the Denver art museum, the DMA is the only other U.S. venue for the exhibition. But Dallas' presentation is even bigger and fancier, showcasing almost 200 haute couture dresses, as well as accessories, photos, sketches, and archival material that profile founder Christian Dior and highlight the work of subsequent artistic directors. It also celebrates the lifelong friendship of Christian Dior and Neiman Marcus department store magnate Stanley Marcus.

    The entire exhibit spans 12,000 square feet and is broken up into 11 sections. There's a lot to take in.

    Whether you're just being introduced to Dior or you have a closet full of couture, here's a quick guide to making the most of a visit to the Dallas exhibition — a handful of viewing tips, highlights, and one very important trick at the end — how to get tickets.

    1. Start looking up.
    The installation makes creative use of space, and that starts at the entrance. The black dresses and coats that flank each side are not just wall-dressings. Resist the temptation to walk right by them (or worse, huddle for group selfies and hold up the line behind you). They are the first section of the exhibition, called "Revolutionary New Look."

    The name refers to Christian Dior's first collection in 1947, dubbed the "New Look" by the press. His post-World War II fashions signaled a new era of femininity, highlighting female curves, nipping in waists, and accentuating hips. Not everyone was a fan. In some countries, including the United States, protesters denounced his work as frivolous luxury, as a black-and-white photo on the wall shows.

    Keep your eyes up as you round the corner into the "Office of Dreams." Here, ethereal white toiles (muslin mock-ups) hang high on the wall, and a mirrored ceiling makes them appear limitless. It's no doubt a literal interpretation of Dior's idea that his studio really was an "office of dreams." Sketches, video clips, and fabric and design samples put you in the heart of the famous Paris atelier.

    2. Sort out who's who.
    Die-hard Dior fans know that Christian Dior got only 10 years at the helm of his design house before dying suddenly of a heart attack in 1957. Six artistic directors have succeeded him — each making his or her mark on the house. The section "Creative Directors" showcases eight mannequins wearing looks from each designer, spread out over two rooms.

    This part will separate the pretty-dress admirers from the fashion aficionados. If you're in the latter category, you'll take the time to study each designer's distinctive aesthetic: Yves Saint Laurent's trapeze dresses. John Galliano's glittering fantasy gowns. Current artistic director Maria Grazia Chiuri's modern femininity. (It's likely no accident that her ready-to-wear ensemble with a T-shirt that says, "We should all be feminists" stands front and center and ready for photo-taking.)

    Some of Chiuri's gowns have graced the runway as recently as fall-winter 2018. Practically brand new.

    3. Bow down in the cathedral of couture.
    If there's a room that's going to make you say, "Amen," it's the showpiece of the exhibition, "From Paris to the World." The magic is in not just what is displayed, but how it is displayed. It is mounted in the museum's famous 114-foot-long Barrel Vault, featuring 44-foot ceilings.

    Visitors walk down the a center aisle, a "catwalk," and on either side — at Anna Wintour-arm's length — mannequins model Dior designs inspired by cultures around the world. Influences include Africa's Maasai people, fox hunting in England, Japanese kimono and cherry blossoms, ancient Egypt, the skyscrapers of New York, and more.

    Walk slowly up and down either side, then step at the end of the catwalk and behold the "Ladies in Dior." Thirteen gowns belonging to Dior's celebrity fans and muses are inset into niches, creating a shadow-box effect on the wall.

    There's a gown that Lady Gaga wore in January to the SAG Awards. One worn by Rihanna at the 2017 Cannes Film Festival. And the gown Jennifer Lawrence wore when she famously tripped up the stairs to receive her 2013 Best Actress Oscar.

    Christian Dior once said, "My dresses make a princess of every woman," and there's a real princess represented in this display, too — a gown made for one of his favorite clients, Princess Grace of Monaco.

    One practical note: The gowns are so high and far away, you'll wish you'd tucked binoculars into your handbag to get a closer view. (Hey, there's an idea.)

    4. Keep an eye out for art.
    Before he was a fashion designer, Christian Dior was an art gallerist. His eye for design started as an eye for art, and the house of Dior has looked to art for inspiration over the last 70 years. The DMA has smartly (and slyly) dropped eight extraordinary artworks like Easter eggs throughout the exhibition. Six are from their collection, and two are on loan from private collectors.

    Most prominently displayed is the oil painting The Abduction of Europa by Jean Baptiste Marie Pierre, which serves as the backdrop to the section "Splendors of the 18th Century." The room resembles one at the palace of Versailles, where many of Dior's dresses were photographed. The gowns on display borrow from the 1700s, inspired by decadent court dresses and ornate open robes.

    Another artwork that's easy to spot is Claude Monet's Water Lilies, displayed in the room called "Fields of Flowers." "After woman, flowers are the most divine creations," said Dior, who had a passion for gardening. Paintings of Impressionists, especially Monet, inspired his floral embroideries and incredible layered-petal textures. Don't miss the chance to ogle the stunning, floral-inspired "Miss Dior" dress.

    5. Mess with Texas.
    Christian Dior had an enduring friendship with Dallas department store magnate Stanley Marcus. In 1947, Dior was awarded the Neiman Marcus Award for his distinguished contribution to fashion, and his trip to Dallas to accept it marked his first international voyage. "To reach Dallas, Texas, I had to cross the ocean and enter the New World," he wrote in his autobiography. This saying is printed on a wall outside of the entrance.

    Inside a section called "Dallas and Beyond," photos and memorabilia illustrate Dior's close ties to Marcus, and to Dallas. Their friendship resulted in Dallas' coup as the only American city to show Dior's 1954 "H" line, from which several looks are displayed in the exhibit.

    It's tempting to be led by the lure of glamorous gowns throughout the exhibition, and to skip over the nondescript cases and walls with writings and photos. But these little palate-cleansers hold interesting tidbits of history. Don't miss the 1957 Time magazine cover that Dior graced — the first non-American couturier to do so. Royal enthusiasts will love the photo and program of the haute couture fall-winter 1958 fashion show, held in front of Britain's Princess Margaret at Blenheim Palace.

    6. Know how to get in.
    Don't drive all the way to Dallas and get stalled at the entrance. Due to its expected popularity and volume of visitors, all guests and museum members must have timed tickets. Adult admission is $20 on Tuesday-Thursday and $25 on Friday-Sunday. (Closed Monday.) Special discounts are available, and tickets can be purchased on the museum's website.

    Be sure to pick up the paper Exhibition Guide to follow along; surprisingly, there's no audio guide or downloadable app available.

    The DMA has scheduled an impressive lineup of accompanying events throughout the summer. They include A Moveable Feast Book Club focused on "Dior by Dior: The Autobiography of Christian Dior;" special talks with experts like fashion historian Amber Butchart, and April Calahan and Cassidy Zachary from the podcast "Dressed;" and a late-night screening of the excellent 2015 documentary Dior and I.

    ---

    Dallas Museum of Art, 1717 N. Harwood St., Dallas, 214-922-1200, www.dma.org. Hours: 11 am to 5 pm Tuesday-Wednesday, Friday-Sunday. 11 am to 9 pm Thursday. Closed Monday.

    Do not just walk by these mannequins at the entrance.

    DMA Dior exhibit
    Photo by James Florio, Dallas Museum of Art
    Do not just walk by these mannequins at the entrance.
    beautyopeningscelebritiesgalleriesmuseums
    news/travel

    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

    news-you-can-eatchefs
    news/travel
    CULTUREMAP EMAILS ARE AWESOME
    Get Houston intel delivered daily.
    Loading...