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    Taylor Swift's All Red

    Taylor Swift lets her costumes (10 changes) and emotions fly, calls Houston a magical place

    Anna Domning
    May 17, 2013 | 6:41 am

    “Hello Houston, Texas . . . I’m Taylor.”

    A wide-eyed Taylor Swift played to a sold-out Toyota Center Thursday night on the 17th stop of her worldwide “Red Tour.” The show came complete with 10 costume changes, fireworks, confetti and elaborate moving sets. By the end of the night Swift truly had the whole crowd “feelin’ 22.” To me Swift has always been about the lyrics and songwriting, but she proved that she has the vocals to back it up, belting out an 18-song set to thousands of screaming girls, and the occasional miserable dad.

    If it weren’t for the hoards of girls in cowboy boots filling the stands no one would have known Swift began as a country star. Her new Red album is the most rock/pop of any of her albums, with several songs involving techno and dubstep beats.

    Swift shared that she “writes lots of songs about her feelings.” Spoiler alert, she has lots of feelings.

    Swift erupted onto the stage with “State of Grace,” the first track on her new album. I was extremely impressed with the strength of her vocals this night. I've heard Swift sing live in the past and on TV and she rarely sounds like she does on the radio. Next up was “Holy Ground” a fast paced single complete with a flying marching band.

    The third song of the night was the title track "Red" — and Red truly was the theme of the show. From Swift's wardrobe choices and bedazzled electric guitar to her signature red lipstick, you couldn’t escape the color. She explained that she always likes to assign colors to her different emotions and lately the craziness in her life has been a “blinding red.” That craziness surely includes Swift's many tumultuous relationships (and breakups) that are often sensationalized in the tabloids.

    In one of her many (read: too many) audience heart to hearts, Swift shared that she “writes lots of songs about her feelings.” Spoiler alert, she has lots of feelings.

    The lyrics to Swift's songs tell stories about her romances and she doesn’t try to hide who they are about. From Jake Gyllenhaal to the teenage Kennedy to her most recent break up with One Direction’s Harry Styles, she certainly has a lot of material to work with.

    Swift's Texas Mom

    Swift also chatted with the crowd about her love for the Lone Star State. It so happens that her mother, who was comically paraded through the crowd at the beginning of the show, was actually raised here in Houston, attending both Memorial High School and the University of Houston. Swift said she always wondered what this “magical place called Houston, Texas is like, and it turns out [it’s] awesome.” I tend to agree.

    It almost makes you feel uncomfortable that she is sharing so much with you.

    While all the fireworks and acrobats were exciting to look at, Taylor really shined in her intimate acoustic performances. She worked her way through the crowd to a remote stage on the opposite side of the stadium to perform fan favorites “Fearless” and “Begin Again." Without all the bells and whistles, Swift was really able to connect with the audience with just a stool and her guitar.

    My favorite part of the night was when she brought out her opening act Ed Sheeran to perform their duet “Everything Has Changed.” Sheeran did an amazing job of warming up with crowd with a short set that was completely solo and acoustic but still engaging and energized.

    Dramatics

    While performing “Sparks Fly," Swift flew over the audience on a sparkling platform back to the main stage for her final set of songs. The most emotional performance of the night was undoubtedly her rendition of “All Too Well” where she showcased her impressive piano skills. Swift was so engrossed in the tragic love song about another failed romance (rumored to be about Gyllenhaal) that she looked like she was going to burst into tears at any moment.

    There is no denying that listening to Taylor Swift's lyrics is like tearing out a page from her diary, and it almost makes you feel uncomfortable that she is sharing so much with you.

    While there were many instances when I couldn’t help but roll my eyes at her rambling monologues about overcoming bullies and following your dreams, Swift genuinely does seem to be completely humbled by her success and is adamant about being a good role model to her fans. Overall the concert was extremely entertaining and by the end even the miserable-looking dads couldn’t help but tap their feet to the painfully catchy “We Are Never Ever Getting Back Together. “

    Set List:

    State of Grace
    Holy Ground
    Red
    You Belong with Me
    Lucky One
    Mean
    Stay Stay Stay
    Ho Hey (Lumineers cover)
    22
    Fearless
    Everything Has Changed
    Begin Again
    Sparks Fly
    I Knew You Were Trouble
    All Too Well
    Love Story
    Treacherous
    We are Never Ever Getting Back Together

    There is no doubt Taylor Swift knows how to connect with her fans.

    Taylor Swift high fives
    Photo by Chinh Phan
    There is no doubt Taylor Swift knows how to connect with her fans.
    unspecified
    news/entertainment

    Music feature

    Texas country star Cody Johnson's new album goes to 'Banks of Trinity'

    Associated Press
    Jul 3, 2026 | 1:00 pm
    Cody Johnson
    Photo by Cameron Powell
    Cody Johnson.

    There's a moment at every Cody Johnson show where the Texas-born-and-bred country star asks the crowd, “How many of you tonight are watching me and this band live for the very first time?” he told The Associated Press. “And every night, I would say at least 80% of the crowd raises their hands.”

    It's not the kind of reaction most veteran artists receive. “And I’m thinking, you know, 20 years is a long time to work for something. But when you see that … What’s the next 20 years look like?” he asks.

    The rancher, rodeo competitor, and onetime prison guard started his two-decade career playing honky tonks and dive bars. That led to slow and steady growth for the country traditionalist, but in the last few years, something has shifted. He landed his fifth career No. 1 song with “The Fall.” He was named Entertainer of the Year at the 2026 Academy of Country Music Awards, the show's highest honor. That was a month after he headlined Stagecoach Music Festival. For an artist with legions of fans, it looked like he was accessing new heights.

    “I feel like I’m closing a book and I’m opening another one and it’s all blank pages,” he says of this period. “Let's get to the next chapter." On June 26, that new era began with the release of his latest album, Banks of the Trinity.

    Traveling to the Banks of the Trinity
    It hasn't been an easy road. Last fall, Johnson had to cancel a bunch of tour dates after upper respiratory and sinus infections caused a burst eardrum that required surgery — an intimidating medical procedure for anyone, but especially nerve-wracking for a musician. “I was scared,” he said simply. But “in a roundabout way, it’s one of the best things that’s ever happened to me.”

    It forced him to take three months off, which allowed him to be home during the birth of his son. It also rejuvenated his approach in the studio. Before the incident, he thought the album was complete. It was not. The additional time resulted in the inclusion of a few songs that now feel inextricable from the record: “Thank Somebody Country,” “Take Me Back (Leave Me There),” “Cricket on a Hook,” and the resilient “I Have” among them.

    “What a blessing to have that kind of song fall in your lap when you’re kind of up against the ropes,” he says of the latter. “I mean, we thought we had the record done. It wasn’t done.”

    A title track with real resonance
    At the heart of Banks of the Trinity is its title track, which recalls Eagles' cover of “Seven Bridges Road” meets bluegrass and Southern gospel.

    Lyrically, it's an ode to Johnson's childhood. “I grew up on the banks of the Trinity [River.] Fishing for catfish, not so much out of pleasure or sport but for necessity to put food in the freezer. Deer season for me was not a trophy thing,” he said.

    And while that track inspires a feeling of nostalgia within the listener, he doesn't consider this album a throwback collection. He says it's about showcasing his evolving sonic diversity.

    "The rest of the album for me is a musical journey from track one to track 16,” he said. “There’s a little bit of a flavor for everybody. It does kind of hit Motown. It does kind of hit bluegrass. It does hit progressive country. It does it old country. It does a little rock here and there.”

    It's the result of a new kind of freedom, one that is at least partially due to his recent accomplishments, including taking home the top prize at the ACM Awards.

    “I just did the thing that I’ve aspired to do in my career my entire life,” he says. “A really good place is a really good way to describe where I am.”

    And now that the album is out, he's ready to take a breather.

    “I will be shirtless with no shoes on a beach at an undisclosed location,” he jokes about the days after record release. “'Cause I have already done all the prep work. I've been working on this album for two years. I’ve done all of the interviews. I’ve shook all the hands. Me and my wife and kids are gonna disappear for 10 days and I’m gonna become, I guess, every Kenny Chesney song ever.”

    texas country artistcody johnsoninterviewmusic
    news/entertainment

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