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    5 cutting-edge new plays showcase Houston actors' innovative stories

    Tarra Gaines
    May 16, 2019 | 10:15 am

    Houston actors will do double duty this summer and fall, playing a role onstage and producer behind the scenes for an innovative new theater project, the Houston Equity Festival.

    The brain (theater) child of Houstonian actor Dain Geist, the Equity Festival will feature five plays all selected and produced by local members of the union Actors’ Equity Association.

    “Actors in Houston have feast and famine years. Sometimes they're doing four or five shows a year, sometimes they only get one,” Geist tells CultureMap, explaining how he got the initial idea for the Equity Festival. “I personally really enjoy the work, no matter the size of the production or the venue. So after a particularly famine year, I decided to put this thing and motion. I found a piece that spoke to me, found a worthy director, collected a cast, and jumped off the deep end.”

    Geist explains he wanted to do more than an one and done production and so set out to find “co-conspirators.”

    “I needed other artists who were willing to jump off the deep end with me, and mount their own shows under a collective umbrella. To that end it is my sincerest hope that this festival takes off, becoming an annual event and a great opportunity for local artists.”

    “It’s quite an undertaking to put up your own money and take the very public risk of putting on a piece,” describes one of these co-conspirators, actor Shannon Emerick who presents and performs Every Brilliant Thing in the early fall. “When a play speaks to you so deeply that you just know you’ve got to put it out into the world, you take a deep breath and go for it.”

    All the presenters will abide by the Equity Members Project Code, working under union rules and funding and producing the project from start to finish. But as part of a festival, they won’t have to go it alone as they meet regularly to offer support for each other’s productions and foster the mission of the festival.

    Yet theater-lovers will likely be the ones to reap the dramatic rewards, so don’t miss this lineup of shows set to showcase some of our best Houston stage artists.

    The Effect presented by Dain Geist at The MATCH (now until May 19)
    Lucy Prebble’s examination of love and neurology as two strangers in a drug trial study wonder if attraction and romance is all a state of brain chemistry. Strong, humorous-to-heartbreaking performances give great emotional depth to a story that questions what part of us really loves. Is it our body, brain, or soul?

    Hidden in my Heart presented by Patty Tuel Bailey at Saint Street Studio (May 23-26)
    An A.D. Players favorite, Patty Tuel Bailey takes on the most saintly of roles, Mary, mother of Jesus, in this inspirational work by Ken Bailey.

    Death and the Maiden presented by Jeff Wax at Spring Street Studios (August 17-September 1)
    This Olivier Award-winning, intense and harrowing work from Chilean playwright Ariel Dorfman gives no easy answers about what is justice and what revenge when a woman who survived years as political prisoner thinks she’s found her former jailer and torturer in the guise of seemingly benign doctor.

    Wit presented by Pamela Vogel at the MATCH (September 5-15)
    Another award winner, this time of the Pulitzer Prize for drama, Margaret Edson’s acclaimed play chronicles the an English professor’s embrace of life and poetry even as she struggles to maintain her dignity and autonomy while battling cancer.

    Every Brilliant Thing presented by Shannon Emerick at Main Street Theater (September 18-October 6)
    Directed by Main Street Theater artistic director Rebecca Greene Udden, Emerick will take the role of narrator and perhaps audience wrangler as some gentle audience participation is said to be required in this story about a child’s relationship with a suicidal parent. Expect laughter through tears from this unique theatrical experience.

    The first production of the Houston Equity Festival, The Effect featuring Callina Anderson and festival founder, Dain Geist.

    Houston Equity Festival-The Effect, Callina Anderson, Dain Geist
    Photo by Pin Lim / Forest Photography
    The first production of the Houston Equity Festival, The Effect featuring Callina Anderson and festival founder, Dain Geist.
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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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