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    CounterCurrent 2017

    Houston's most extreme arts festival offers strange and extraordinary performances

    Tarra Gaines
    Apr 17, 2017 | 11:15 am

    Film and television star Lili Taylor performs artist Suzanne Bocanegra’s memoir-lecture about farm life across the road from Texas’s most famous brothel. An acclaimed Norwegian choreographer brings a Japanese flamenco master and an Argentinian kabuki expert together in dance. And Donald Barthelme’s post-modern fairytale masterpiece, Snow White, finally makes it to the stage after almost 50 years.

    These performances are just some of the strange and extraordinary events we can expect from CounterCurrent, Houston’s most extreme cross-discipline arts festival. Oh yeah, and all the tickets are free.

    For its fourth year, the CounterCurrent Festival, presented by the Cynthia Woods Mitchell Center for the Arts, brings to town national and internationally renowned artists, but, as always, the five-day festival running from April 18-23 remains thoroughly grounded in Houston.

    “We took a look at Houston’s populations and the issues of the day, political and sociological, and we responded to them,” explains Karen Farber, the Mitchell Center’s executive director, about the programming for CounterCurrent 2017. “One of our commitments is to take a look at the power the arts can have in our communities and societies.”

    But CounterCurrent has always been true to its title, presenting art and projects that do not run easy with the current, but instead provoke and perhaps even challenge people’s perceptions.

    “Not everyone in Houston agrees on everything,” Farber describes as a positive. “We’d like to place our artists in an environment when they can really craft their opinions, in a situation where there’s some real tension, and they’re actually dealing with the reality of our population.”

    If you’re ready to meet that art challenge, CounterCurrent delivers a plethora of performances, projects and events to explore, so check out the schedule and reserve those free tickets early. But for a Festival introductory guide, here’s some currents you’ll want to sweep you away.

    Returning Favorites

    Farmhouse/Whorehouse
    Farber admits she’s a little “obsessed” with Suzanne Bocanegra’s work, which has been featured every year in the festival, and calls the artist with deep Texas and Houston roots an “anti-performance-artist” who makes performance pieces. Lili Taylor will perform Bocanegra's art-lecture about life on her grandparents’ La Grange farm across the road from that best little whorehouse in Texas, the Chicken Ranch.

    When: Friday (April 21) at 7 pm, Saturday (April 22) at 3 pm and 7 pm.
    Where: MATCH - Box 1, 3400 Main Street.

    Ten Tiny Dances
    Though the dances and dancers change every year, the format and philosophy that “constraint begets creativity” produces some astonishing kinetic dance pieces every year. This 2017 edition is co-curated by one of Houston’s foremost dance experts Nancy Wozny.

    When: Wednesday (April 19) at 8 pm. Reception sponsored by Saint Arnold Brewing Company at 7 pm.
    Where: Post HTX, 401 Franklin Street.

    Art Interactive

    Ghana ThinkTank
    Last year the activism artist collective asked Houstonians from all communities “What’s your Houston diversity problem?” then took the responses to think tanks around the world for solutions. This year the artists are back and have created a piece of structural art that is also an active, mobile mosque. Festival-goers and the general public will be invited to participate in activities in conjunction with Ghana ThinkTank’s ongoing work.

    When and Where: Various times and locations, Tuesday (April 18) through Sunday (April 23).

    Movement V: Ballroom
    Artist Kevin Beasley creates a site-specific sculptural and sound installation at the Houston cultural landmark, The Historic Eldorado Ballroom, and lets audiences connect with local musical history through art.

    “Kevin Beasley’s installation is interactive in a way that’s not immediately evident,” describes Farber. “Nothing will happen in the space unless there are people in it. Sound is triggered by bodies hitting the space. It’s very intentional on his part because he’s looking at the absent of people from that space and from that neighborhood and the history of that neighbor and how bodies can sort of echo in a historic space.”

    When: Installation Tuesday (April 18) through Sunday (April 23) noon- 8 pm. Opening Reception Thursday (April 20) 7 pm - 9 pm. Performance Saturday (April 22) at 8 pm.
    Where: The Historic Eldorado Ballroom, 2310 Elgin Street.

    A Lost Masterpiece Found

    Catastrophic Theatre’s staging of Snow White, the first novel by one of Houston’s greatest literary sons, Donald Barthelme, is garnering national attention. The story of how the almost-forgotten play manuscript finally came to be produced is a bit of a "strange only-in-Houston" fairytale itself, but the Cynthia Woods Mitchell Center’s investment in the production’s development made certain Snow White would have her day. Farber had been looking to collaborate with Catastrophic for some time but Snow White became the perfect partnership.

    “When Snow White came about it was so much more ideal than anything else we’d ever talked about because of obviously the Barthelme connection to the UH Creative Writing Program, and because of the possibility of interaction with the School of Theater and Dance, which ultimately became a fruitful thing, so that there are many UH participants in the piece.”

    See this production now because early reviews and the national attention could signal a happy fairy tale future for the absurdist comedy.

    When: Thursdays through Saturdays through May 6. All tickets are gone for the CounterCurrent performances April 20 through April 22, although a small number of walk up tickets are held for most CounterCurrent performances, with tickets first-come, first-served at the venue 30 minutes before each performance. Suggested donation of $35 for performances from April 27-May 6.
    Where: MATCH - BOX 3, 3400 Main Street.

    Art Party

    Come to the April 18 Festival opening night for Simulacrum, the culture clashing and collaborating dance performance, but stay for the party at the MATCH, beginning at 6 pm. While much of the work throughout the week will be thought-provokingly provocative, that’s all the more reason to party down with free drinks, free performances and a Houston-style celebration of the arts.

    Tickets for CounterCurrent events are free but should be reserved in advance.

    Simulacrum comes from the Norwegian dance company, winter guests.

    2017 CounterCurrent Festival presents winter guests
      
    Photo by Alan Oyen
    Simulacrum comes from the Norwegian dance company, winter guests.
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    a very fine house

    Pioneering Houston Latino folkart gallery will close next year

    Tarra Gaines
    Jun 5, 2025 | 9:30 am
    ​Macario and Chrissie Ramirez.
    Photo by Agapito Sanchez
    Macario and Chrissie Ramirez.

    It’s the end of a cultural era as Chrissie Ramirez, owner of the Heights gallery and cultural space Casa Ramirez Folkart Gallery, announced that after 40 years she will close the 3,000-plus-square-foot space on W. 19th St. at the end of the current lease period in March 2026.

    \u200bMacario and Chrissie Ramirez.
      

    Photo by Agapito Sanchez

    Macario and Chrissie Ramirez.

    Filled with traditional art, especially paintings and sculptures, the space also showcased textiles, home accessories, religious objects, clothing, literature, and antiques. But it was the husband-and-wife owners, Macario and Chrissie Ramirez, who turned this Casa into a real home for the local Latino community, as well as a cultural landmark in Houston’s art landscape. Macario Ramirez founded Casa Ramirez in 1985 to honor his father, a folk artist and part-time jeweler who had his own business in San Antonio selling Mexican crafts. Over 40 years, Macario and Chrissie's longtime support for Latino artists along with the gallery's culturally rich programming and educational outreach helped to popularize Mexican and Latin American folk art and traditions.

    Chrissie Ramirez continued her husband’s mission after his death in 2020, keeping the gallery and his life’s work going. After five years running the business, she wants to travel and lead a less scheduled live. Houstonians won’t have to say goodbye just yet, as Ramirez says they will stay stay open and continue their annual holiday celebrations and programming.

    “Casa Ramirez will continue to operate as a retail establishment and offer the colorful mix of folk art, crafts, work by local artists and focus on the vibrant culture and traditions of Mexico, Latin American and the Southwest that we are so well known for and held in our hearts for so long,” Ramirez said in a statement.

    Throughout her remarks, Ramirez recalled her husband’s pioneering cultural and civil rights work in the community and his continuing legacy in Houston.

    Prominent Texas author, analyst, radio host, and Nuestra Palabra founder Tony Diaz spoke about the cultural reach Case Ramirez had over the years. Diaz especially credits Macario Ramirez and the gallery for helping to make Dia de los Muertos such an important Texas holiday and for helping to spread understanding of its celebrations in the U.S.

    “Today Day of the Dead is socially acceptable —it’s a movie by Disney. That was not always the case,” Diaz said. “There was a moment in our history when people would see the sugar skulls that are now beloved and they would think that it had something to do with ‘other things.’ You could come to Casa Ramirez, and the street would be full with our gente who knew that it was something beautiful to preserve. And before the rest of the nation caught on, Casa Ramirez was the home for that dear celebration of ours. ”

    Though she might be retiring, Ramirez says she will keep the name Casa Ramirez for future projects and activities in other locations. She also plans to continue her cultural work, with a focus on organizing “the collection of writings, documents, and artifacts” that are part of the Casa Ramirez and her family’s history with a goal to “archive them for their educational and historical value.”

    Ramirez emphasized that Casa Ramirez will remain open until March. She will spend this time “clearing, closing, and cleaning out” the gallery, but has plans for holiday and closeout sales before shuttering the space for good. It will still host traditional annual gatherings and programs for the rest of the year, including Hispanic Heritage Month in September, the Day of the Death holiday celebrations in October/November, and Christmas and New Years programming with special guests and music events in the works. Thankfully, that means Houstonians still have plenty of time to visit and share their own memories of this extraordinary Casa.

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