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CounterCurrent to Rock H-Town

Houston's edgiest festival dabbles in the best experimental performances ever

Tarra Gaines
Apr 12, 2016 | 4:53 pm

Houston’s most extreme performance arts festival, CounterCurrent, has found a home for 2016 at The MATCH, but that doesn’t mean it’s settling down.

From intricate dances in the tiniest of spaces to interactive theater journeys where the audience is the star to a lecture/performance by movie and television star Lili Taylor, this free fest that showcases renown artists from Houston and the world shows no signs of becoming sedate in its third year. In fact, with six full days of inter-disciplinary art work and performance at 11 locations, going counter to the flow might get dangerous, if only by making fest-goers sleep deprived.

A little afraid we all might get swept away by the fierce undertow of performing art choices, I decided to seek guidance from CounterCurrent expert, Karen Farber, the executive director of the University of Houston Cynthia Woods Mitchell Center which created the festival. Using Farber’s advice, I’ve come up with five simple rules to navigate these wild and electric art currents coming our way.

Map the tides

The MATCH will serve as the best place to dip a toe into the fest, especially if you already reserved tickets for some of the Tuesday opening night events.

“I personally think the MATCH has changed everything for a lot of us in town because there were no spaces like that before. We now have the ability to program theater and dance that will happen inside a theater,” explained Farber.

Yet CounterCurrent was always envisioned as a citywide festival, and this year it ripples out from the MATCH into the rest of Houston. “We continue to venture out and keep doing these projects that take us around the city even though we could do everything at the MATCH,” said Farber.

Check the schedule and map before wading out into the performance sea. Some performances will be available only at one space, while others will flow into various locations but stay constant in their programing. Still other performances will appear in several settings and change throughout the fest. For example, the multimedia event, Fault Diagnosis, which tells the story of a mysteriously stalled 1985 Nissan Pulsar NX will break down at different locations each night and reveal a different episode of this saga of repair and disrepair.

No life guard on duty, swim at your own reward

Since its beginning, CounterCurrent has featured works that expand the role of the audience to a more active one. While there are many traditionally viewed performances and talks throughout the fest, Farber told me that they all strive for audiences’ active engagement.

“It’s live art, but it can’t happen without the audience there,” she said. This year there are several works that ask the viewer to go beyond engagement to participation. For an unsupervised swim check out:

Home balance

Bounce inside the replicated home of Houston artistic team Hillerbrand+Magsamen. The duo of Stephan Hillerbrand and Mary Magsamen who recently blasted off into space to win NASA’CineSpace Film Fest, have created a high tech children’s party bounce house with interior video projections of their real home. Let the discerning art critic part of you enter the soft sculpture to explore ideas of domestic stability and disorder, while your inner 8-year-old screams for joy to bounce the night away.

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The always innovative Big Dance Theater takes on the museum experience by beautifully disrupting a casual walk through the Menil. With headphones supplied by Big Dance, a docent guide and maybe some surprise dance along the way, you’ll never think of that pondering art-walk through a museum exhibition the same way again.

Remote Houston

Houston gets the Remote X treatment from Berlin theater collective Rimini Protokoll, which has done several of this kind of all-the-city-is-a-stage projects around the world. There are no seats to hang on to and no actors before you, as 50 participants put on headphones and are guided around downtown and beyond by a computer generated voice.

Remote Houston is produced by the Alley Theatre, so there will still be a chance to experience this project through May 13, if you miss this free preview at CounterCurrent.

Don’t avoid the tempestuous wave

A public painting on the University of Houston Campus from French-Tunisian street artist eL Seed; a collaborative theater project from the Lebanon-based Zoukak Theater Company working with UH students; and two performance lectures from the art collective Slavs and Tatars are all CounterCurrent projects made possible by the Mitchell Center’s Intersections Initiative, which focuses on the complexity and diversity within Houston’s local Muslim population.

“What we’re interested in is perceptions of Muslims, Arabs and people from the Middle East, the ways that those populations get conflated and stereotyped. We became interested in this because of our student population and Houston’s population at large and the incredible diversity within even the Muslim, Arab and Middle Eastern populations,” explained Farber.

These art works focus on those perceptions while letting us see from a new perspective.

Always scan the horizon for the unexpected

Yes, while many of these works and experiences will be unpredictable, the CounterCurrent schedule itself holds continuing surprises. Just a few days ago the Festival added When a Priest Marries a Witch the artist talk/performance/cultural history lecture created by Suzanne Bocanegra who will (sort of) be played by Emmy nominated actress Lili Taylor.

The last day of the Fest don’t miss native Houstonian jazz pianist and composer Jason Moran for Meet Me at MacGregor, an all day concert with rumors of many special surprise musical guests.

Play nice

Farber is determined that CounterCurrent should remain free for the city, but that does require festival goers to keep their promises by keeping their reservations. There are limited spaces (and headphones) for many of these events, so reserve early but only reserve the number of tickets needed. When all the tickets are gone for an event or performance there might still be standby places, so come early, dive in, and experience the fun of swimming against the current.

CounterCurrent runs from April 12-17.

Bounce through the Hillerbrand+Magsamen home inside Home Balance.

CounterCurrent Festival presents Home Balance
Photo by Hillerbrand+Magsamen
Bounce through the Hillerbrand+Magsamen home inside Home Balance.
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best july art

MFAH celebrates America 250 and 7 more must-see art openings for July

Tarra Gaines
Jul 7, 2026 | 2:00 pm
​Orkhan Mammadov’s “Visions” at Art Club
Photo courtesy of Art Club
Orkhan Mammadov’s “Visions” at Art Club

The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

Art Club’s New Season at POST (ongoing)
When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

“This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

“Horizon” at The Plaza at Avenida Houston (now through September 7)
Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

“George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

“America 250” at the Museum of Fine Arts, Houston (now through January 3)
The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

"On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

"Representation of Form" at MATCH (July 9-12)
Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

“Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

"World of Color” at Laura Rathe Fine Art (July 16-August 14)
This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

"Learning Curve 18” at Houston Center for Photography (July 16-August 16)
This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

“As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

\u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

Photo courtesy of Art Club

Orkhan Mammadov’s “Visions” at Art Club

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