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    A Damn Good Time

    Country hunk Jake Owen swigs a fan's beer, talks "big ass" and gives away his guitar in wild Rodeo night

    Jayme Lamm
    Mar 13, 2014 | 1:41 am

    Crooner Jake Owen rocked Reliant Stadium Wednesday night and every upcoming Houston Rodeo act should take notes. The key to battling Reliant's subpar acoustics was no secret to Owen — just have fun, and kick up dirt and take a swig of a fan's beer along the way.

    Foregoing the traditional Ford F-150 product placement synonymous with the Rodeo's concert start, Owen simply walked out onto the dirt in his Canadian Tuxedo and didn't stop performing the entire hour.

    Taking a sip of a girl's Michelob Ultra mid song, posing for and snapping umpteen selfies, handing his guitar over to a fan, breaking into the Fresh Prince of Bel-Air rap, Owen gave fans exactly what they wanted. A damn good time.

    Halfway through his 16-song set, Owen commented, "This is a big ass place," marveling at everyone in attendance. Having even more fun with the three letter word, Owen brought fans attention to the closed captioning board noting it was funny to see his words being typed as he spoke, but once again said, "I said it was a big ass place — write that!" Fans eyes were glued to the board, which immediately read:

    "I said this is a big place — sorry, I can't."

    Owen gave fans exactly what they wanted. A damn good time.

    Everyone got a chuckle, including Owen himself, who didn't skip a beat the entire night.

    The long-haired Diesel wearing cowboy talked about his upcoming headlining tour with local fellas Eli Young Band, but took a minute to thanks fans for their thoughts and prayers along the way — just last year on the same Rodeo stage, Owen put on a great performance for the fans while his father was battling cancer at the Mayo Clinic. Perhaps all his excitement and smiles stemmed from the fact he was able to announce that his father was now cancer free as he dedicated a song to his fans going through the same heartaches and sending his prayers to them.

    It was a touching moment that only a true performer could pull off. The stage even halted its regular rotation to let the moment marinate.

    Owen may have sang about a "Ghost Town," but Reliant was anything but thanks to the huge crowd of 59,299 in attendance Wednesday night.

    Just before singing his hit song "Barefoot Blue Jean Night," Owen commented on his choice of cowboy boots for the dirt-filled arena. "I only wore boots because I didn't want to step in cow shit," he said with a smile before mesmerizing the crowd yet again with his voice and energy.

    Set List:

    Days of Gold

    Anywhere with You

    Beachin

    Ghost Town

    1972

    YeeHaw

    Alone with You

    Pass A Beer

    Single Medley: Tell Me, Startin' with Me, Something About a Woman, Don't Think I Can't Love You

    Acoustic Set

    The One That Got Away

    Barefoot Blue Jean Night

    8 Second Ride

    Jake Owen made sure everyone had a damn good time at the Houston Rodeo.

    Jake Owen jam
    Photo by Michelle Watson CultureMapSnap
    Jake Owen made sure everyone had a damn good time at the Houston Rodeo.
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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