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Previewing Reef 2.0

Sneak peek: Acclaimed Houston chef previews 'version 2.0' of beloved Midtown seafood restaurant

Eric Sandler
Mar 8, 2018 | 1:07 pm

Hurricane Harvey may have made landfall six months ago, but many Houstonians are still recovering from the storm. Just as rebuilding a flooded home takes time, so too does a flooded restaurant.

Consider Reef. The acclaimed seafood restaurant in Midtown suffered extensive damage during the storm when water leaked in through the roof. Although the kitchen remained sufficiently intact to turn out as many as 20,000 meals per day for refugees, volunteers, and first responders, the damage to the dining room provided an opportunity for significant changes to the restaurant’s design. That work has taken longer to complete than expected, but it’s almost complete. Owners Jennifer and Bryan Caswell tell CultureMap they expect the restaurant to reopen in the next two or three weeks.

Diners got a sneak peek at the changes on March 4 when Reef hosted California winemaker and farmer Steve Matthiasson for a five-course dinner that served as both an opportunity to preview the restaurant’s new design and taste the cuisine that chef Bryan Caswell has been describing as “Reef 2.0.” While no one mentions the situation that led to the couple being “released” from their contract at the Le Meridien hotel, it’s clear that they’re both ready to reopen Reef and reassert themselves as an important part of Houston’s restaurant community.

Upon entering, the most noticeable changes are a new chef’s counter that has been installed near the pass and new, dark grey paint that replaces the light green that dominated Reef’s design for its first 10 years. An art piece on the restaurant’s wall has been painted blue instead of the original white, and the wine rack is now gold. Still pending are new banquettes that will occupy the middle of the dining room.

“We tried to darken it up to make it a little sexier, a little more intimate, to provide a little more of that date night feel,” co-owner and general manager Jennifer Caswell tells CultureMap. “It was open and airy. It was really cool for what it was at the time, but I feel like that intimacy was missing. We go out to eat all the time, and that’s (a quality) I really enjoy in a restaurant, feeling cozy.”

The new counter is a significant component of the Caswell’s plans to make Reef a better place to work. By allowing cooks the opportunity to serve diners there, they’ll be eligible to receive tips, which Bryan estimates could raise their pay by as much as $4 per hour. He’s hoping that extra income — along with the opportunity to learn from someone with a pedigree that includes a lengthy stint working for celebrity chef Jean-Georges Vongerichten and a Food & Wine Best New Chef award — helps him attract the next generation of cooks who want to spend a year or two working and learning from him.

“I’ve got all these people that I’ve been working with for 10 years, or even 13 going back to the Hotel Icon. I don’t need to tell them anything,” Caswell says. “Sometimes that’s a bad thing, because it gets me out of the teaching role, which is what I’m good at. I’m happier when I’m working with those kind of people, and it keeps me on my game.”

While her husband is looking for a few more cooks, Jennifer says she wants to hire an assistant general manager to help her run the restaurant. She realizes that finding the right fit can be tough.

“I need somebody who meshes with the way I talk and the way I communicate. It’s not harsh. I can be very direct. Not everybody is good at taking that part of my personality, especially as a female,” Jennifer Caswell says. “I’m trying to find someone who doesn’t say ‘she’s a bitch’ (but says instead) ‘she’s a strong leader.’”

Sunday’s menu served as a preview for what diners can expect when Reef reopens. Crispy shrimp spring rolls, a Reef classic, appeared alongside new dishes like glazed pork belly with butternut squash, red snapper crudo with Asian pear and pomelo, and fried quail with beets and turnips. Amberjack, a Gulf fish that Reef helped popularize, served as the entree; Caswell served it in a dashi broth with butter beans.

Caswell says he’s been developing menu ideas with Jennifer and sous chef Tony Carranza, but it’s a tricky process. Reef has been around for so long that many diners have favorite dishes — among them the crispy skin snapper, salmon with Meyer lemon risotto, and fried mac and cheese — that they consider essential. Caswell says he’s trying to decide how to balance those expectations with his desire to create something new.

“Somedays, I think maybe we’ll have a classics section and a new section,” he says.” Somedays, I’m like fuck it all, I want to give it all up.”

Giving up all the old dishes won’t happen; Caswell calls the crispy skin technique “the coolest thing I’d ever seen” that will always have a place on the menu. How different Reef 2.0 will be remains to be seen, but diners can only benefit from a fully motivated Bryan Caswell with a little something to prove.

The wine rack has been repainted, too.

Reef Midtown wine rack
Photo by Eric Sandler
The wine rack has been repainted, too.
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dive in

Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

Emily Cotton
Jun 12, 2026 | 12:00 pm
1111 cocktail lounge interior
Photo by Par Bengtsson
Tulum's cenotes inspired the monolithic central bar.

Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

“It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

“When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

“It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

“We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

“I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

1111 cocktail lounge interior

Photo by Par Bengtsson

Tulum's cenotes inspired the monolithic central bar.

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