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    Derulo At The Rodeo

    Shirtless Jason Derulo searches for H-Town's 'It Girl' and gets the party started at sexy Rodeo debut

    Brittaney Wilmore
    Mar 5, 2016 | 6:45 am

    Jason Derulo made it clear early in his debut at RodeoHouston: If you didn’t come to dance, you were in the wrong place. “We came all the way to Houston to party, and I heard this was the hottest party in Houston, tonight,” he shouted out to an excited crowd of 59,236 on Black Heritage Day at NRG Stadium Friday night.

    The sexy 26-year-old singer kicked off the show with “Trumpets”, “Wiggle” and “Get Ugly” before turning the stage over to his dancers. Fans were on their feet, but it seemed the dancing didn’t really get started until he roared back with “Whatcha Say,” his 2009 debut single.

    And for the fans who’ve followed Derulo’s career, he had another treat. “Single ladies that love Jason Derulo make some noise. If you’re not single, I bet by the end of this song, you’ll be riding solo," he said.

    What can I say? The man knows how to work a segue between songs. But it was enough to get a laugh and keep people moving well after his break-up anthem “Ridin’ Solo” was over.

    Derulo wasn’t alone for long, though. He hopped off the rotating stage to touch fans’ hands and get one question answered.“All these beautiful ladies over here, and I was wondering if my ‘It Girl’ was in Houston, tonight," he said.

    For the purposes of this segment, she was. The strobe lights, glass-breaking sound effects and dance-offs mid-song all faded into the darkness as the spotlight shined on the fan he pulled from the crowd.

    However, it left me thinking, how could I do that? I want to be the “It Girl.” Are these girls vetted? But I digress.

    The chosen fan did exactly right: She milked the moment, sneaking in kisses (on the cheek). At one point, she and Derulo were so close, I began to wonder if I should run out to the floor and offer breath mints. My favorite part of the serenade was how supportive the crowd was, cheering her on the entire time.

    On that note, Derulo moved into an acoustic version of “Don’t Wanna Go Home,” but it was brief.

    He brought back the dance party and upped the sex appeal in a way that many fans knew had to be coming. He ripped off his shirt. I don’t think you could say his chest was sweating. It was more of a glisten. But the fans didn’t seem to mind as he transitioned into “Talk Dirty.”

    Derulo set up his finale in a way I thought was meaningful and believable, despite him being half-naked. “This next song is a celebration, and I want today to be a celebration of life. Let’s celebrate our health. Let’s celebrate that we can get up and do what we want to do," he said.

    That part made me think. I’d wondered if that celebration of life was a nod to the near-death experience he had four years ago, when a neck-injury sustained from dancing could have left him paralyzed.

    Derulo spoke with humility about his journey and success from the moment the show started until the final thank you, when he introduced his hit single,“Want To Want Me.” (He and Luke Bryan did an excellent karaoke version of that song. Maybe Derulo should make a cameo appearance at Bryan’s RodeoHouston concert on March 10. Can we make this happen?)

    Derulo ended the show shirtless on horseback and rode off into the sunset – or rather, backstage. Gasps could be heard (or maybe that was just me?) when the horse sped off, catching Derulo off guard. But he laughed it off.

    Overall, I found Derulo to be a talented, high-energy performer who mixed the hits fans love (“In My Head,” “The Other Side,” “Cheyenne”) with the vocal range he reminded everyone he has (“Marry Me”). Add in the snippet of “Broke” – a collaboration with Keith Urban and Stevie Wonder – and Derulo may have just danced, glistened, and ridden his way to another Rodeo.

    “We came all the way to Houston to party, and I heard this was the hottest party in Houston, tonight,” he shouted out to the excited crowd.

    Jason Derulo at Houston Rodeo
    © Michelle Watson/Catchlight Group
    “We came all the way to Houston to party, and I heard this was the hottest party in Houston, tonight,” he shouted out to the excited crowd.
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    Movie Review

    Anne Hathaway's busy 2026 continues with meta-thriller Verity

    Alex Bentley
    Oct 2, 2026 | 3:00 pm
    Anne Hathaway in Verity
    Photo by Alisha Wetherill
    Anne Hathaway in Verity.

    Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

    Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

    The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

    Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

    Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

    What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

    Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

    Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

    ---

    Verity is now playing in theaters.

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