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    Maison Robert Revealed

    Exclusive details revealed for anticipated boutique hotel coming to The Heights

    Eric Sandler
    Jan 15, 2019 | 12:17 pm

    The Heights’ emergence as one of Houston’s premier neighborhoods for shopping and dining has been well documented, but the area remains mostly residential. It lacks certain amenities, such as a hotel, that could be a boon both to families who are entertaining guests and visitors who might be enticed by the prospect of being close to all of those shops and restaurants.

    Ben Ackerley would like to change that. The Memorial High School grad became enticed by the world of hospitality while studying abroad. He spent 10 years learning the hotel and restaurant business — including earning a MBA in Hospitality Management from Switzerland’s Ecole Hoteliere de Lausanne — in pursuit of achieving his dream of opening a boutique hotel. With support from his family, he’s planning to open Maison Robert (read in the French-style “row-bear”) at 347 W. 20th St.

    News about Ackerley’s plans has been trickling out thanks to variance requests and neighborhood message boards, but he hasn’t spoken about them publicly until now.

    The 37-room property aims to offer something a little different than the larger hotels found in downtown, the Medical Center, and near the Galleria; it’s will have a more personal feel, with a greater emphasis on aesthetics and design than might be typically found at a corporate hotel.

    “I think it’s a difference in the service approach,” Ackerley tells CultureMap. “Whereas a Marriott may have 800 rooms and turn over 250 of them every night, does anyone really remember your name? If you’re staying at a place with 10 rooms, the guy at the front desk knows everyone in house. The staff knows what people’s needs are and already have a feel on how the stay went before they check out.”

    Maison Robert will feature a pool and a bar, but it won’t have a restaurant. The area is surrounded by good choices from casual options like Torchy’s Tacos and the Rice Box to more upscale options like Alice Blue and La Lucha. Ackerley sees the neighborhood’s walkability as a huge part of what will make the hotel appealing to future guests.

    “I hope to envision a property where you wouldn’t need to get into a car,” he says. “Wake up, go for a run down 20th, get some work done by the pool in the afternoon, walk to a restaurant for dinner, and see a show at Heights Theater. It’s a different way to see Houston.”

    Of course, the path to opening the hotel hasn’t been smooth. Before construction can begin, the property needs to receive two variances from the City of Houston Planning Commission: a hotel-motel location variance and a setback variance.

    As Ackerley explains, the city restricts the construction of small hotels in residential neighborhoods to prevent the creation of cheap motels that could become hives for drug activity and prostitution. Maison Robert will be a considerably more upscale proposition (rooms are expected to cost about $250-300 per night) that should hopefully be immune from those problems.

    Similarly, the setback variance is necessary to allow for certain features to be constructed closer to the street than 25 feet. If approved, the hotel will hide most of it parking away from 20th Street, which permits the bar to look out onto the street and for a first floor retail shop.

    As for that retail space, the search for parking led the hotel to purchase the nearby property that’s currently home to the Heights Floral Shop. Shortly before the hotel opens, the floral shop will relocate to the hotel and then be torn down to make way for more enough parking to address city requirements. It’s a win-win for both businesses.

    “A flower shop and a hotel and complementary businesses,” Ackerley says. “We need flowers for the lobby and the bar. People will buy flowers when they’re taking a spouse or a date to the hotel. Their customers will still be able to find the shop.”

    Finally, some area residents have expressed dismay that Ackerley removed a historic home from the property. He notes the house’s condition required its removal, but that the building materials won’t go to waste. he insists it had to be done.

    “There was trash and belongings on the floor in every room,” he says. “What we elected to do is donate the house to the Houston Salvage Warehouse. They hired a trash company to clean it out, then they salvaged everything they could to be used for future projects.”

    Still, in order to ensure the January17 appearance before the planning commission goes as smoothly as possible, Ackerley is meeting with his future neighbors on January 15 at Harold’s starting at 6:30 pm. He hopes to answer questions and assuage any lingering fears.

    “The planning company wrote me an email that this is suicide, but I’m a pretty open book about it,” Ackerley says. “I have the city’s best interests at heart. At the end of the day, I think it will be a wonderful addition to the neighborhood. I intend to own and run it for a very long time.”

    Another look at the future Maison Robert.

    Maison Robert Heights hotel site view
    Courtesy of Maison Robert
    Another look at the future Maison Robert.
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    la dolce vita

    How a Houston designer transformed an Uptown hotel into an Italian escape

    Emily Cotton
    Jun 5, 2026 | 1:07 pm
    Hotel Granduca
    Photo by Julie Soefer
    Bespoke furnishings blend seamlessly with the antiques throughout.

    The Hotel Granduca — with its posh Uptown Park address, walled-grounds, and recently-refreshed interiors — has quietly pulled a fast one on Houstonians. While heads have been tilted toward the skyline’s mammoth new developments, the six-story Hotel Granduca has climbed the ranks of the trendiest boutique hotels around town for locals to just, well, be.

    The dark-and-heavy “Texas Tuscan” architecture and decor of the hotel’s earlier days have been replaced with bright interiors, a greenhouse, library, and a European garden terrace more in rhythm with actual Italian villa aesthetics. In addition to the in-house restaurant Remi, additions such as programming like Mahjong Mondays, themed brunches, local boutique pop-ups, live music performances, daily afternoon social hours, and a newly-minted preferred partnership with Biologique Recherché and Evolve Salon have made it impossible to deny the hotel’s reignited appeal. On any given day, someone in the group chat is headed to “The Granduca.”

    "Hotel Granduca presented a unique opportunity to reimagine what boutique luxury hospitality can look like in Houston," said Thomas Duncan, managing director of Transwestern Hospitality Group. “Hospitality should tell the story of the city it calls home, and our continued commitment to enhancing the property reflects a desire to create an experience that authentically captures Houston's warmth, diversity, and quiet sophistication. We are proud to offer a more intimate and personalized expression of luxury that is distinctly different from anything else available in Houston today."

    Originally opened in 2006, Houston’s only all-suite hotel was ready for a bit of a spa day of its own. Houston-based luxury designer Kara Childress — known for her elegant designs and one-of-a-kind antique finds — was picked by Transwestern for this grand reimagining. The newly-completed phase I of the renovation includes the lobby, library, Remi and Bar Remi, the garden courtyard, and over 5,000-square-feet of event spaces. The 141 suites will be rejuvenated as part of phase II.

    “Uptown Park is such a great, easy-to-get-to neighborhood with so many shops, and the hotel was in such need of a facelift,” explains Childress. “My hope was to make it more residential, and not so commercial like some big hotels. I think it feels good. I’m trying to transport you and make you feel like you’re in a beautiful old villa. These [Italian] families take so much pride in their homes. They never tear anything down and start over, they just keep adding to it.”

    Textural layering is something Childress effortlessly does to perfection. From the bones of the building to finishing with the placement of an 18th-century bibliothèque behind the check-in desk, the new design provides a naturally-formulated progression of the eye that suggests to the viewer that the hotel has been this way all along — which is exactly the point.

    Childress intends for the design to transport guests to an old Italian palazzo or monastery. Ceilings were raised and a pair of east-west doors was updated to a contemporary steel and glass combination, allowing the once dark interior space to become vibrant. Save for the doors, the space moves backwards in time. Designer-favorite Segreto Finishes replaced faux plaster paint techniques with genuine lime plaster throughout — including the elevators. Faux-limestone-printed porcelain floor tiles were replaced with genuine limestone, and 100-year-old pine floors reclaimed from a stable and installed in the restaurant all grant the hotel the genuine authenticity it had needed all along.

    “We brought in a lot of authentic materials. We just gave the bones back to the building; that added a lot of character,” says Childress. “When you go to Italy, all of those hotels have been renovated from beautiful old buildings that all have that gorgeous architecture and they’re so outstanding. It’s all new, but it actually feels like it’s been there forever, because it’s all old materials. And that’s what I was hoping for. I didn’t want it to be shiny and brand new; it feels like it’s been there for a long time and it’s not too precious. The more you use and enjoy it actually adds to the age, and it just feels better.”

    Bespoke furnishings blend seamlessly with the antiques throughout. A contemporary mohair sofa is fast friends with an 18th-century French walnut buffet with unlacquered brass hardware. A lobby-centered tête-à-tête dressed in a plush, tiger’s stripe silk velvet by Scalamandré, a mid-17th-century walnut-paneled cassapanca chest, and 19th-century large Louis Philippe mirror mix materials, patinas, and eras to fall perfectly into place as a beacon of Contemporary Classicism.

    While the overall color story in the lobby is a wash of natural limestone and plaster tones, Childress introduces hints of terra-cotta and Mediterranean-inspired teal and blues, followed by a full commitment to color in both the more communal restaurant and library spaces.

    “I want the eye to look outside and not get arrested in the entry. I used teal and terra-cotta because they lean into Tuscan colors, but I really leaned heavily into the ones in the bar,” explains Childress. “Those colors are so warm and rich. We’re wanting it to be a hotel that — obviously — people come and stay when they’re from out of town, but also just locals. It’s a great place for a burger, and the breakfast is incredible.”

    Directly across from Remi and Bar Remi is the equally-moody library. A marble fireplace, Persian rugs, a c.1860 black and burl walnut Italian mirror, oil paintings, accessories, and hundreds of leather-bound books populate the space, while seating for groups and individuals makes it the perfect place to enjoy a coffee and check emails or share cocktails and stories with friends and family.

    Just outside, the garden courtyard serves as an al fresco dining and lounge space. The once-exposed pool fencing has been cleverly concealed with tall hedgerows that play as a backdrop to a large 18th-century horse trough repurposed into a lovely fountain. “Outdoor terrace dining is such a treat to be able to have in Houston, and that’s a really fun place to be when they have live music,” adds Childress.

    The new art collection at Hotel Granduca is a mix of large-scale antique painted canvases — like the depiction of cranes in the lobby and the 18th-century Dutch painted panels behind the front desk — mixed with fun, over-the-top works by Scottish-born philanthropist and photographer David Yarrow speckled around the property. The black and white photos were chosen by Childress — from Yarrow’s La Dolce Vita series — for their playful narratives and mix of sensibilities. With names like “Bull Rider,” “The Last Supper in Texas,” and “Cowgirl,” it’s easy to see the appeal for a hotel in Houston.

    “They’re all black and white, and they have a vintage feel to them, and it’s a little bit Italian and a little bit Texan,” explains Childress. “I’m kind of combining two cultures: Texas, which we are so proud of; and Italy, which we all love. They’re both friendly and convivial, and ‘nobody meets a stranger,’ which I love. So we tried to weave those two together.”

    The pièce de résistance lies within the belly of Hotel Granduca. A short journey through a hallway opens up to the elevator lobby and breathtaking plaster mural by Segreto Finishes. Floor-to-ceiling and wall-to-wall, this incredible piece reads sculptural more than anything — imagine a frieze extended down an entire wall. Childress worked with the team at Segreto to design a piece that is distinctly Texan. A large live oak tree (complete with a squirrel and snake) branches out over native flora and fauna, an armadillo, deer, birds, and even a windmill. This piece is absolutely worth seeking out when visiting the hotel.

    Overall, the reimagined Hotel Granduca is a testament to how excellent design, hospitality, and thoughtful partnerships and programming can be positively transformative. So much so that a handful of live-in residents partake of the available long-term rental options. As mentioned previously, the hotel doesn’t have an on-site spa, but the new partnership with Biologique Recherché makes for an easy spa day, with full concierge-driven appointments and hotel car service.

    Whether visiting from out of town or just down the street, settle in for the day, night, or even month. There is always something to do at Hotel Granduca. With the FIFA World Cup beginning soon, the hotel will offer an exclusive viewing lounge for all Houston-hosted matches, themed cocktails inspired by competing nations, and complimentary country-inspired bites for the first hour of each match.

    Houston-hosted World Cup Match Dates:

    • June 14 | Germany vs. Curaçao | 12 pm
    • June 17 | Portugal vs. Congo DR | 12 pm
    • June 20 | Netherlands vs. Sweden | 12 pm
    • June 23 | Portugal vs. Uzbekistan | 12 pm
    • June 26 | Cabo Verde vs. Saudi Arabia | 7 pm
    • June 29 | Round of 32 | 12 pm
    • July 4 | Round of 16 | 12 pm

    Hotel Granduca

    Photo by Julie Soefer

    Bespoke furnishings blend seamlessly with the antiques throughout.

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