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One expensive Ring: $2 million gift for Houston Grand Opera sets a record for a single production

Donors of a $2 million gift to Houston Grand Opera Jerry Fischer, left, and John Turner flank Terrylin Neale, president and director of the HGO Endowment.  Photo by © 2012 Hallie Jordan
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Houston Grand Opera $2 million gift, January 2013, Jerry Fischer, Terrylin Neale, John Turner
A scene from La Fura dels Baus production of Das Rheingold, coming to Houston Grand Opera in 2014. Photo by Tato Baeza/Palau de les Arts "Reina Sofia"
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Houston Grand Opera $2 million gift, January 2013, A scene from Das Rheingold
Houston Grand Opera managing director Perryn Leech, left, and stage director Carlus Padrissa of Barcelona, Spain, meet before the Ring Cycle presentation. Photo by © 2012 Hallie Jordan
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Houston Grand Opera $2 million gift, January 2013, Perryn Leech, Carlus Padrissa
Dr. John Mendelsohn and Anne Mendelsohn with Patrick Summers, right, at the Houston Grand Opera Ring Cycle preview. Photo by © 2012 Hallie Jordan
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Houston Grand Opera $2 million gift, January 2013, Dr. John Mendelsohn, Anne Mendelsohn, Patrick Summers

The fantastical and exotic visions of stage director Carlus Padrissa of Barcelona held the gathering of Houston Grand Opera patrons mesmerized at a theater in Sundance Cinemas Wednesday as he teased with a taste of what will be in store when he brings his vision of Wagner's Ring Cycle to HGO. A brief video on his La Fura dels Baus' production of Das Rheingold tempted mightily.

The midday gathering with Padrissa, in Houston for early planning for the 2014 production, doubled as an invitation-only thank you to supporters and as a platform for announcement of the largest gift ever made to HGO for a single production.

HGO artistic and music director Patrick Summers and managing director Perryn Leech announced that John G. Turner and Jerry G. Fischer of Baton Rouge, La., have committed a $2 million gift in celebration of the company's Ring of the Nibelungen. HGO supporters for almost a decade, they are among sponsors of this season's Tristan and Isolde.

In remarks to the gathering, Summers talked about his selection of Padrissa's unique Ring Cycle. "In choosing a Ring production for Houston Grand Opera's first Ring production, it was vitally important . . .  that it be a production that will introduce this noble and vast tale in a way that is sustainable over four years and that is visually dazzling."

He added, "Perryn and I are so thrilled that this is Houston Grand Opera's Ring. It's a Ring for our time that is visually dynamic and relevant."

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